Bass Guitar Rhythm Track

Paramore- Defining New Standards For Pop Punk

There’s been a recent deluge in Paramore merch. That’s thanks largely to the band’s involvement in the hit teen movie, Twilight. The soundtrack for the movie feature’s the group’s Decode and I Caught Myself. For certain though, with the level of passion that the band pours into its work, its members would mostly likely take offense at being labeled merely as that band that played for Twilight.

For purposes of categorization, Paramore’s music is mainly considered emo or pop punk. This isn’t a strict definition of their work though because Paramore is almost an anti thesis of conventional punk. Whining and angst are reduced to a minimum and abrasiveness is shown with a purpose. The group’s music is emotional without being irritating.

Many music fans consider Paramore to be more mature than other punk artists. This is unexpected since the group is almost rooted on a youthful image. The members are all grown ups now but they began their road to stardom when they were barely out of primary school. Before Paramore albums became the hottest things, they were just young musicians enjoying themselves in a garage. Vocalist Williams was just fourteen and drummer Zac Farro was just twelve. Rounding up the first members were lead guitarist Josh Farro, bassist Jeremy Davis and rhythm guitarist Jason Bynum. Hayley Williams was and still is the only female in the group which possibly accounts for the band’s unique dynamics.

The group’s debut album All We Know is Falling was released in 2005. For a first release, the album’s theme is unusual. The work was inspired by what the members felt when Jeremy Davis left. The album is therefore deeply emotional but is at the same time close to conventional pop punk. Despite being close to what people would expect from pop punk though, the album failed to generate tremendous success for the group. Later in the year, Davis returned but Bynum was replaced by Hunter Lamb who also later left.

At the beginning of 2007, the creation of more Paramore albums seemed obvious. It was on this year that Riot! came out and entered the Billboard 200 at 20. Although it didn’t debut with a bang, the album did reach platinum in the U.S. At around the same time the band tasted their first success, Taylor York came in as rhythm guitarist to replace Lamb.

There was more in store for the group in 2008. They took center stage on Alternative Press’ February cover after they were voted 2007’s best band by readers. To top this recognition, they were nominated for a Grammy Award. Shortly after this, they launched their first tour called The Final Riot. By the end of it, two of their songs were already in the Twilight soundtrack. In September 2009, Brand New Eyes was released. It is the group’s most successful work in the charts to date.

There is no stopping the deluge of Paramore merchandise like music clothing. This is despite the rift rumors that have haunted and continue to haunt the group. Past rumored conflict revolved around the media’s focus on Hayley Williams. By all current appearances though, the group is as solid as platinum.

Bass Guitar Rhythm Track

Get A Boost From All Time Low’s Music

In the music industry, the All Time Low discography from the American pop punk band of the same name is considered relatively young in more ways than one. The band was only formed in 2003 in Baltimore, Maryland. Also, its members are relatively young musicians in their early 20s, with front man Alexander Gaskarth just 23 years old as of this writing.

Despite the young ages of the band members however, the group seems all set for future stardom. They’ve only just began work but vocalist and lead guitarist Alexander Gaskarth; rhytm guitarist and backup vocalist Jack Bakarat, bass guitarist Zachary Merrick and drummer Rian Dawson are well on their way to making waves in the music scene.

Band Past

All Time Low started as a high school band, eighth grade level, to be exact, doing covers of the songs made popular by the pop punk bands Blink 182 and Green Day as well as its greatest influence, New Found Glory. In fact, the name of the band is directly taken from the lyrics of the song “Head On Collision” by the said band.

It didn’t take long for the group to eventually get out of their cover band status. The All Time Low music merch already boasts of a growing collection of work. They now have three albums, eight singles and two extended plays. A DVD is set for release this year.

Band Albums

Just a year after being formed, the band signed with Emerald Moon Records. The results of that deal included their debut EP titled “The Three Words to Remember in Dealing with the End” and the debut All Time Low album “The Party Scene” which was released in July 2005.

The band eventually moved on to Hopeless Records. The move to a new label ushered a new beginning for band members who weren’t even out of high school yet. The career move was a testament to the band’s talent and the fact that it pays to start early in the music industry. The first order of business for the group was the second recording of songs from their first album. They also added new songs to their EP. This put their work in the Top Heatseekers and Independent Albums charts. Clearly, All Time Low was already on the right road up.

The year 2007 marked a new development for the band as they began to move closer to mainstream music. The year was ushered in by the album “So Wrong, It’s Right.” In 2008, they were dubbed Band of the Year by the Alternative Press Magazine.

To highlight career improvements for the band, 2009, saw their collaboration with Mark Hoppus of Blink 182. This was for the third All Time Low album, “Nothing Personal.” This is the band’s most recent work and is available in both online and offline music stores. The group is said to be working on the release of their fourth album under the label Interscope Records.

It’s unusual that the band should be called All Time Low. Clearly they are cruising on an all time high. Fans and critics alike are eagerly waiting for fresh work from this promising pop punk group.

bass guitar rhythm track

Why can not I record tracks in sync?

I want to record music on my guitar, to plug into my microphone jack and record with courage. What I usually do is to record the first track [rhythm guitar, for example] and then record the next [track your bass or lead] as I listened to the first track, that way everything is synced up, as if it were live. But when I play back, the two tracks start out in sync but gradually become out of sync. The 2nd track always seems longer than the 1st track. Is there any way I can correct this, aside from manually moving each wave of sound to match up to the first track?

Somehow, you can sync the "tick" tracks. Thanks for tipping me off to your tasks. It was a big help to me. I do not know how to sync Ticks. You may want to browse in the shops Guitar magazine. Try recording the first track. And Play track AND your second track together, a recorder. and record both at the same time. Motor speed, Tape tension, along with other things that can make the recorders run out of sync. Videomaker is a good student one to look at. If you find one, buy it. Do not try to remember it.

***Deep Purple Smoke on the Water Guitar Backing Track***

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Rhythm Collision, Vol. 1 $19.99 Personnel includes: Dave Winthrop (saxophone); John Segs (bass); Dave Ruffy (drums).Includes liner notes by Peter Wright.Full performer name: Ruts DC/Mad Professor/Zion TrainThis 2-CD collection contains the Ruts DC & Mad Professor album RHYTHM COLLISION DUB VOL. 1 (1982) plus the remixed version by Zion Train RHYTHM COLLISION REMIX (1999).Ruts DC: John Segs (vocals, guitar, bass); Paul Fox (vocals, guitar); Mitt (vocals, harmonica); David Ruffy (vocals, drums, percussion); Dave Winthrop (saxophone).Given the Ruts’ love for and incorporation of reggae into their most strident punk material, it shouldn’t have come as much surprise that they would eventually jump headlong into the more exploratory waters of dub. Dedicated to Malcolm Owen, the band’s lead singer who passed away two years prior, Rhythm Collision pairs the remaining Ruts in a sound clash with the then-upstart Mad Professor. The liner notes claim that no one was successful at the fusion of punk and dub until this record came out, which is a false proclamation. Three years prior to this release, PiL’s Metal Box, the Slits’ Cut, and the Pop Group’s Y were each released, all of which used dub as the sound anchor. So that is similar to saying that Nirvana’s Nevermind wouldn’t have gone where it did without Pearl Jam’s second album. But whatever. Unlike the other post-punk bands who were influenced by dub and mutated it into something of their own, Rhythm Collision sticks closer to the originating sound, rarely coming off like anything other than a late ’70s Trojan recording act. Buried piano motifs, melodica bleats, random percussive effects, head-spinning production techniques, and those deep, deep, deep basslines load the bases. Aside from sporadic vocal phrasings, it’s all instrumental. Most everything unwinds at a relaxed pace, save for “Push Yourself,” which would fit comfortably in a DJ set between Liquid Liquid and Grandmaster Flash. The most uncharacteristic track of the record, its handclaps, funky bassline, and Chic-like guitar flicks are capable of making the most dedicated Ruts fan forget who the artist is. As far as an homage to a style that’s provided inspiration, Rhythm Collision couldn’t have done much better. Thankfully, a couple labels have kept this still-exciting record in print throughout the years, most notably ROIR. ~ Andy Kellman

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Ibanez Btb776pb 6-String Bass Guitar Amber $999.99 Ibanez BTB776PB 6-String Bass Guitar Amber

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Emotive $8.78 Maynard James Keenan is known for venting his personal angst through the abstract metal of his former band Tool and the poisoned art rock of his current outfit A Perfect Circle. On the group’s third full-length release, however, the songwriter drops the high drama and gets blunt: War is bad. Politicians are evil. The world is doomed. To support his case he delivers a handful of politically charged…

Time Is Tight $26.02 Almost an accidental ensemble, Booker T. & the MGs came together for a functional reason–to play as the house band for Memphis’s Stax Records. But organist Booker T. Jones and guitarist Steve Cropper found alchemy, transforming rhythm-section riffing into an art, slicing through air where listeners expected vocals and doing so with tremendous success on their first single, “Green Onions,” which w…

Beautiful World $12.00 …

Stephane Grappelli: Live in New Orleans …

Stephane Grappelli: Live in New Orleans …

Standing in the Shadows of Motown: The Life and Music of Legendary Bassist James Jamerson $20.69 James Jamerson was the embodiment of the Motown spirit and groove – the invisible entity whose playing inspired thousands. His tumultuous life and musical brilliance are explored in depth through hundreds of interviews, 49 transcribed musical scores, 2 hours of recorded all-star performances, and more than 50 rarely seen photos. Features a 120-minute CD!…

The Funkmasters-the Great James Brown Rhythm Sections $18.93 In this unique rhythm section workbook, 23 James Brown classics have been transcribed, broken down into individual lessons, and meticulously recreated on two one-hour CDs….

Guitar Hero 2 $10.24 Activision Guitar Hero 2 95073 PC Games…

Guitar Hero Encore: Rocks the 80′s $3.45 Guitar Hero Encore Rocks the 80′s PS2…

Guitar Hero 2 $4.45 RedOctane’s follow-up to the critically acclaimed rhythm game, Guitar Hero II features a brand-new and expanded track list, more venues and new play modes, and aims to rock longer and harder than its predecessor. RedOctane has once again teamed up with veteran music game developer Harmonix for the sequel, and is using famed recording studio WaveGroup for its music production, who also recorded…

…Tick…Tick…Tick $15.98 Songwriter Steve Wynn, the former Dream Syndicate frontman, has been on a tear since 1996 when he offered Melting in the Dark. Since then, his records have featured howling, wailing rock & roll and deep, dark acoustic reflections — all of them bearing his trademark noir-ish lyrics that offer the shadowy side of life, love, and violence. He’s employed a variety of musicians, and they’ve always sounded like hired guns. On …Tick…Tick…Tick he’s got himself a real band. They’re all younger than he is, and they have the hunger it takes to really execute Wynn’s unique songs. Start with drummer Linda Pitmon, who acts as co-producer (along with Wynn and Craig Schumacher) on these sides. Add to this the fact that the entire band (including Dave DeCastro on bass and guitarist Jason Victor) plots the arrangements. Wynn’s willful loss of total control has benefited him in spades. The set jumps out of the gate howling with “Wired,” where it sounds as if Wynn is singing through a megaphone. It’s followed by the creepy rocker “Cindy, It Was Always You,” co-written with ? ber hard-boiled crime fiction novelist George Pelecanos. On “Killing Me,” Wynn employs Bo Diddley’s “Who Do You Love?” guitar riff and mutates it into something utterly unhinged. The shuffle gets moved into overdrive as Victor makes his guitar scream, roar, and squeal while Wynn holds down the rhythm and overdubs a distorted slide. It’s followed by a seemingly simple ballad entitled “The Deep End,” which rises in drama to the breaking point about two thirds of the way through. It’s full of a kind of emptiness and questioning about the experience of loss; it expresses fear at the ensuing emptiness and the apprehension of being in this space. DeCastro’s bass enters about a minute in, and propels the guitars as Pitmon accents every line as if it were the gospel truth — and for the singer, it is. The swirling beauty that rises in the middle of the track transforms the protagonist’s voice, as if by …

Above All $94.95 Above All features 12 powerful songs that are sure to find a place in any Palm Sunday, Easter or Communion service. This collection is ideal for choirs, ensembles and student choirs, and the songs can be performed individually or in four mini-musicals leading up to Easter. As a finale, the DVD Accompaniment Trax features powerful visuals for the last three songs. Titles include: O Wondrous Love, The Glories of Calvary, Lord of Life and Love, Above All, Behold the Lamb. For All You’ve Done, O Mighty Cross, I Will Glory in the Cross, All the Earth Will Sing Your Praises, God So Loved, Saved the Day, My Redeemer Lives. Orchestration includes score and parts for Flute, Oboe, Clarinet, Trumpet 1, 2, 3, Horn, Trombone 1, 2, 3, Percussion 1, 2, Violin, Viola, Cello, String Bass, Rhythm (Piano/Guitar/Bass). Instrumentation varies. SATB, Listening CD, CD Accompaniment Trax (Split), DVD Accompaniment Trax, Orchestration, CD 10-Pack, CD Preview Pack also available.

Alfred Jazz Play-Along Series, Vol. I: Strayhorn & More (Book and CD) $17.05 Go beyond the typical play-along with Alfreds Jazz Play-Along Series, an innovative approach to teaching improvisation. Each volume contains parts for C, B-flat, E-flat, and bass clef instruments and includes a sample written-out jazz solo for you to listen to, study, and play.The included CD offers a demo track, play-along track, and split track functionality, featuring a professional rhythm section and horn player to learn the melodies, styles, and sample solos. In addition, the play-along tracks allow a soloist or group to learn and perform with the rhythm section only. Split tracks offer piano, guitar, and bass players the opportunity to perform with the track by dialing in/out left or right stereo channels.Each tune has specific improvisation tips and suggestions and the sample solo is an invaluable asset that makes learning how to improvise easier. Play-alongs have never been more complete, so collect the entire series!Volume 1 features six favorites from jazz legend Billy Strayhorn. The book contains such titles as "Take the A Train," "Isfahan," "Freddy Freeloader," "Caravan," "Prelude to a Kiss," "Johnny Come Lately," "UMMG (Upper Manhattan Medical Group)," and more!

Alfred Jazz Play-Along Series, Vol. II: Swingin’ Now (Book and CD) $17.05 Go beyond the typical play-along with Alfreds Jazz Play-Along Series, an innovative approach to teaching improvisation. Each volume contains parts for C, B-flat, E-flat, and bass clef instruments and includes a sample written-out jazz solo for you to listen to, study, and play.The included CD offers a demo track, play-along track, and split track functionality, featuring a professional rhythm section and horn player to learn the melodies, styles, and sample solos. In addition, the play-along tracks allow a soloist or group to learn and perform with the rhythm section only. Split tracks offer piano, guitar, and bass players the opportunity to perform with the track by dialing in/out left or right stereo channels.Each tune has specific improvisation tips and suggestions and the sample solo is an invaluable asset that makes learning how to improvise easier. Play-alongs have never been more complete, so collect the entire series!Volume 2 features favorite jazz standards including "Stella by Starlight," On Green Dolphin Street," "Have You Met Miss Jones?" "Bye Bye Blackbird," "What Is This Thing Called Love?" Days of Wine and Roses," and more!

BOSS Dual-Track Looper RC-30 $299 Boss Authorized Dealer – N030273YBOSS celebrates the 10th anniversary of the LoopStation with an exciting new lineup of RC-series loopers! First out of the gate is the RC-30, a Twin Pedal multitrack looper with two synchronized Stereo tracks and built-in loop effects. Plug in your instrument of choice, or even a microphone; an XLR Input is provided, complete with phantom power. Record for up to three hours direct to internal memory, adding effects as you go. The USB 2.0 port lets you save your loops externally, and import/export WAV files.-Create and stack multi-layered loops with twin stereo tracks ? each track being independently controllable with Dedicated volume faders and track-select buttons. Creating loops is convenient with the Auto Recording feature, which starts recording the moment you begin playing your guitar, bass, keyboard, or singing, or as soon as you start a connected Audio player. Count-In mode gives you one-bar of rhythm before recording starts. You can Undo/Redo as you go. The sky?s the limit, with three hours of recording time!-Fans of BOSS?s world-famous effects will be pleased to find a lineup of creative effects onboard the RC-30. Bend Down provides a dramatic pitch-bend effect. Step Phaser changes phase in incremental steps. Sweep Filter alters frequency in sync with the current tempo. Tempo Delay produces a tempo-synced delay effect. Lo-Fi intentionally degrades the Sound to create a distinctive character. Dunk your loops in cool effects without the cost and hassle of adding external gear.-Vocalists can plug a microphone of their choice directly into the RC-30?s XLR microphone input, complete with phantom power if you wish to use a condenser mic. Sing, overdub, and make multi-layered loops of your voice, create vocal sound-effects patterns, or point the microphone at your acoustic musical instruments, or anything that makes noise and turn it into a cool loop. You don?t have to be a musician to get in on the LoopStation action!-To keep your

BPM Beat Production Machine Virtual Instrument Plug In $279 Sound libraries these days are awash with loops. And what is a loop, exactly? Someone else's beat. Isn't it time to take back creative ownership over your grooves? Isn't it time to once again release your own unique, inspired beats on the world? If only you had a rhythm production instrument that let you program beats as fast as your mind can "hear" them. There just hasn't been anything even close…until now.Experience the ultimate Beat Production MachineBPM unites drum machine-style operation with advanced virtual instrument technology to give you the ultimate rhythm programming experience. Combine drum kits, sequenced patterns, sliced loops and instrument sounds to realize your rhythmic vision, mixing and matching any playing style with any drum kit. Or plug in your pad controller or MIDI keyboard to capture your live, groove-quantized performance directly in BPM.Explore a new universe of new soundsBrowse BPMs vast 15 GB sound library of expertly recorded and mastered 24-bit 96 kHz rhythmic material for urban, R&B, hip hop, techno, electro, house, pop, rock and other music styles. Sample your own drum sounds directly into BPMs drum pads, or simply drag and drop clips from your computer desktop, to add infinite possibilities to your own, unique sound. Add further punch with BPMs Drum Synthesizer. Combine unlimited sample layers per pad with programmable layer switching. Now add guitar, bass and other multi-sample instrument sounds from BPMs included library, MachFive or any other MOTU or UVI sample instrument library.Let your beats flow, from start to finishTrigger scenes during live performance from pads or MIDI notes. Drag and drop scenes into a song to build an entire track in seconds. Finalize your track with BPMs comprehensive graphic mixer, unlimited effects processing and dozens of world-class effects, including multi-band EQ, filter, delay, drive, distortion and convolution reverb. Advanced features include drag & dro

BR1200CD Digital Multitrack Recorder $1199 From guitar pick to compact disc, the BR-1200CD can turn your ideas into radio-quality songs with power and ease. Packed with great COSM effects and amp models derived from BOSSs GT-6/6B multi-effects processors, plus a great-sounding bass and drum rhythm programmer for instant backing tracks, the BR-1200CD is the friendliest and most comprehensive hard disk recorder on the market.Hassle-Free Recording & CD Burning Fly from point A to B in record time, thanks to the BR-1200CD's logical arrangement of buttons, knobs, and faders, and its inviting icon-based user interface. Recording, mixing, and CD burning is simple. To record, simply connect an instrument or microphone (XLR inputs with phantom power are provided), and follow the logical flow of controls on the left side of the panel. Use the fader pack in the middle to mix, and press the "Audio CD Write/Play" button to jump to the CD Burning menu.Multi-Effects & COSM Models From full dunk to subtle sweetening, the BR-1200CD is equipped with a powerful multi-effects processor derived from the famous BOSS GT-6/GT-6B. A lineup of COSM amp models are in the lineup, including the world standard Roland JC-120 Jazz Chorus, R-FIier Vintage, Metal Stack, BOSS Compact Pedal models such as OD-1 and MT-2, and more. Also onboard COSM Mic Models, which emulate expensive condenser mics. Correct pitch and add hamornies with the Vocal Tool Box, and for the finishing touch, tap into the Mastering Tool Kit to put a pro-quality polish on your track.Backing Band Built In Another distinguishing feature of the BR-1200CD is its world-class bass and drum programmer, packed with instruments and patterns to suit a variety of styles. Realistic acoustic drums and percussion are included, as well as many electronic sounds to compose modern hybrid type of music. For bass, you can choose from a variety of bass sounds, such as slapped basses, picked basses, and fretless basses. Jam along with the supplied patterns or create y

Batman Theme (from the Original TV Series) for Flute $14.25 Ensemble for flute choir (1st C flute, 2nd C flute, 3rd C flute, 4th C flute, 5th C flute, guitar, bass, drums, and piano).Download free full-performance and accompaniment recordings. Play along with the music and learn the correct style with the full-performance track. The accompaniment track includes only piano, guitar, bass, and drums, so if you don’t have a rhythm section, you can play along with this track in rehearsal and performance.

Bigger Than Life $95 This collection captures a unique multi-cultural blend of original songs, worship favorites and traditional hymns. The many resources are perfect for worship leaders and the contemporary worshiping choir. Titles include: Arise, Bigger Than Life, Come to Jesus (with What a Friend We Have in Jesus), Friend of God, In This Place, In Your House, Never Gonna Let the Rocks, Not Unto Us, On Mountains High, Peace Will Be Mine (with Wonderful Peace), Praise the Lord (Psalm 103), Saved the Day, This Is the Day. Orchestration includes score and parts for Flute 1, 2, Oboe, Clarinet 1, 2, Bass Clarinet, Bassoon, Trumpet 1-4, Horn 1, 2, (Alto Sax), Trombone 1, 2 (Tenor Sax/Bari Sax), Trombone 3/Tuba, Harp, Violin 1, 2, Viola (Clarinet 3), Cello, String Bass, Keyboard String Reduction, Drums, Percussion 1, 2, Rhythm (Piano/Guitar/Bass). Instrumentation varies. SATB, Listening CD, CD Accompaniment Trax, Rehearsal Trax (CD), Orchestration, CD 10-Pack, Preview Pack (CD) also available.

Biscuits for Breakfast $12.98 One has to give the NinjaTune label credit for taking a chance on Biscuits for Breakfast. When we last listened in on Finian Greenhall (aka Fink), he was making ambient trip-hop beats (2000s Fresh Produce), and a long six years later he’s become a full-blown, guitar picking singer/songwriter. No, we’re not speaking of the whiskey-rotted, cowboy-hatted, delusional Americana of a Townes Van Zandt wannabe, nor the wasted Cocaine California decadence of the Jackson Browne-Eagles brood, nor the weepy, terminally depressed Nick Drake-wish-upon-a-Pink Moon-songstrelsy either. Instead, Fink’s gone his own way. That’s not to say the sounds of his heroes aren’t in here: one can hear John Martyn in his noirish approach to jazzy acoustic blues, the bottleneck influence of Peter Green (post-Fleetwood Mac y’all) and even the fingerpicking toughness of Davy Graham. There is a wonderfully intimate smokiness in Fink’s approach to his songs. It’s intimate, but utterly lacking in sentimentalism,. Check the opener “Pretty Little Thing,” on which he plays the whole menagerie: bass, guitar (nylon strings, no less), and B-3. The lyrics in this cut are not much to be sure, but as a first track Fink’s looking to usher in the set’s atmosphere, and as such it works beautifully. Dave Matthews would kill to have written a tune like this one for his “solo” album Some Devil. The real surprise is when his co-writers — bassist Guy Whittaker and drummer Tim Thornton — and bandmates jump in on “Pills in My Pocket.” The steel-string acoustic comes out, as does the bottleneck slide, a shuffling rhythm ushers in his streetlife tale matter-of-factly. Vocalist Tina Grace (Nitin Sawhney, Cirque du Soleil) sings lead on the swampy, spooky love song “Hush Now,” as Fink plays slide, and sings backup and creates a series of shuffling little loops that enter the picture. The title track has a few sparse FX on it, but the tone is a moaning little streetwise blues and the main instrument is his voice…

Boss BR-1200CD Digital Recording Studio $1399 From guitar pick to compact disc, the BR-1200CD can turn your ideas into radio-quality songs with power and ease. Packed with great COSM® effects and amp models derived from BOSS’s GT-6/6B multi-effects processors, plus a great-sounding bass and drum rhythm programmer for instant backing tracks, the BR-1200CD is the friendliest and most comprehensive hard disk recorder on the market. Hassle-Free Recording & CD Burning Fly from point A to B in record time, thanks to the BR-1200CD’s logical arrangement of buttons, knobs, and faders, and its inviting icon-based user interface. Recording, mixing, and CD burning is simple. To record, simply connect an instrument or microphone (XLR inputs with phantom power are provided), and follow the logical flow of controls on the left side of the panel. Use the fader pack in the middle to mix, and press the “Audio CD Write/Play” button to jump to the CD Burning menu. Multi-Effects & COSM Models From full dunk to subtle sweetening, the BR-1200CD is equipped with a powerful multi-effects processor derived from the famous BOSS GT-6/GT-6B. A lineup of COSM amp models are in the lineup, including the world standard Roland JC-120 Jazz Chorus™, R-FIier Vintage, Metal Stack, BOSS Compact Pedal models such as OD-1 and MT-2, and more. Also onboard — COSM Mic Models, which emulate expensive condenser mics. Correct pitch and add harmonies with the Vocal Tool Box, and for the finishing touch, tap into the Mastering Tool Kit to put a pro-quality polish on your track. Backing Band Built In Another distinguishing feature of the BR-1200CD is its world-class bass and drum programmer, packed with instruments and patterns to suit a variety of styles. Realistic acoustic drums and percussion are included, as well as many electronic sounds to compose modern hybrid type of music. For bass, you can choose from a variety of bass sounds, such as slapped basses, picked basses, and fretless basses. Jam along with the supplied patterns or create y

Boss BR-800 Digital Recorder $524 BOSS continues its top-selling tradition of portable, affordable multi-trackers with the new BR-800 — a battery-powered studio to go. The sleek new design is made possible by touch-sensor switches and SD-card recording media. Up to four tracks can be recorded simultaneously with eight tracks of simultaneous playback plus an additional stereo track dedicated to the built-in rhythm generator. The BR-800’s powerful onboard effects processor includes GT-10/10B effects, VE-20 vocal effects and harmonies, and COSM®-based acoustic-guitar body modeling. EZ Recording feature interactively guides through the recording process. A stereo microphone is also built into the BR-800 for instant “Song Sketch” recording. No matter where you roam, you’ll never miss a moment of musical inspiration with the BR-800. EZ Recording Whether you’re creating intricate, multi-layered songs or point-and-capture field recordings, the BR-800 makes the recording process fast and easy. Beginners will love the new EZ Recording mode that interactively guides you through the recording process. Other helpful features include the convenient Retry function, which recues automatically to fix mistakes, and Song Sketch recording for instant, one-touch capture. There’s also a built-in stereo condenser microphone plus a DR-880-quality rhythm generator for adding drum and percussion tracks to your songs. Pro Effects Enhance your recordings with the powerful BOSS effects onboard the BR-800. Many of the effects are derived from BOSS’s flagship processors, including vocal effects from the VE-20, COSM® guitar/bass amps and effects from the GT-10 series, modeled acoustic-guitar body effects from the AP-1 preamp, which imparts pro-quality miked-up sound and rich body tone to line-recorded acoustic guitar. You’ll be amazed at how much processing power is built into this little recorder, and how excellent the effects sound. Mobility You can power the BR-800 from the included AC adaptor, or, for ult

Boss RC-30 Stereo Loop Station $418.4 BOSS celebrates the 10th anniversary of the LoopStation with an exciting new lineup of RC-series loopers! First out of the gate is the RC-30, a Twin Pedal multitrack looper with two synchronized stereo tracks and built-in loop effects. Plug in your instrument of choice, or even a microphone; an XLR input is provided, complete with phantom power. Record for up to three hours direct to internal memory, adding effects as you go. The USB 2.0 port lets you save your loops externally, and import/export WAV files. Twin Stereo Loops Create and stack multi-layered loops with twin stereo tracks — each track being independently controllable with dedicated volume faders and track-select buttons. Creating loops is convenient with the Auto Recording feature, which starts recording the moment you begin playing your guitar, bass, keyboard, or singing, or as soon as you start a connected audio player. Count-In mode gives you one-bar of rhythm before recording starts. You can Undo/Redo as you go. The sky’s the limit, with three hours of recording time! Onboard Effects Fans of BOSS’s world-famous effects will be pleased to find a lineup of creative effects onboard the RC-30. Bend Down provides a dramatic pitch-bend effect. Step Phaser changes phase in incremental steps. Sweep Filter alters frequency in sync with the current tempo. Tempo Delay produces a tempo-synced delay effect. Lo-Fi intentionally degrades the sound to create a distinctive character. Dunk your loops in cool effects without the cost and hassle of adding external gear. Mic Input Vocalists can plug a microphone of their choice directly into the RC-30’s XLR microphone input, complete with phantom power if you wish to use a condenser mic. Sing, overdub, and make multi-layered loops of your voice, create vocal sound-effects patterns, or point the microphone at your acoustic musical instruments, or anything that makes noise and turn it into a cool loop. You don’t have to be a musician to get in on the LoopStati

Dirty Pool $16.98 Fans of Stevie Ray Vaughan will notice the title of this disc is that of a Vaughan song. Indeed, three selections from his songbook are covered here: “Too Sorry,” “Telephone Song,” and the title track. The impressive Melvin Taylor is an electric blues guitarist who will appeal to the fans of the legendary Texan for his skilled and precise playing along with his smooth and expressive vocals. Taylor definitely continues the Chicago blues tradition that begot Luther Allison, Buddy Guy, and Otis Rush. Taylor gives his version of Rush’s “Right Place, Wrong Time” on this collection of nine covers. His lineup here is a trio — a reliable bass and drum rhythm section keeps up a steady bottom end, showcasing his ability to handle all vocals and guitar parts. Every track here is rife in the easy genius that marks a true master of the blues craft. ~ Tom Schulte, Rovi

False Start $13.98 Arthur Lee (rhythm guitar/lead vocals/piano) chose to keep the Love moniker alive after disintegrating the band’s original incarnation. By the close of the 1960s, Lee was joined by a new lineup featuring a rhythm section of Frank Fayad (bass) and George Suranovich (drums), with Jay Donnellan (lead guitar) and then Gary Rowles (lead guitar) holding court as the band’s primary stringman with the latter present on False Start (1970). While the Lee-supplied material isn’t his most memorable, one positive factor is the combo’s consistency and cohesiveness. This can be traced back to Love having just completed a successful European tour and Lee being able to collaborate with his longtime pal Jimi Hendrix, who would not only help Lee write the LP’s jammed-out opener “The Everlasting First,” but also even stick around long enough to lend his unmistakable southpaw to the recording. The track starts abruptly — as if someone inadvertently jostled a power cord loose — joining the action in-progress. Ostensibly, Hendrix’s instrumental interaction is the impetus behind the number, but it is Lee’s sorely underappreciated lyrical abilities that turn it into a bluesy love ballad. The catchy “Flying” typifies the early-’70s boogie that Jo Jo Gunne was able cash in on. Otherwise, it is pretty much fluff. Considerably more interesting is the heavier poppy (think the Raspberries) sound of “Gimi a Little Break” with engaging chord progressions that conjure up Lee’s work on “August” from their previous outing Four Sail (1969). The concert extract “Stand Out” — a prime example of Love’s aforementioned on-stage unity — does just that as the spirited side was derived from the then-recent round of live dates that preceded False Start’s creation. It’s packed with a compact, hard-edged energy that could be mistaken for Grand Funk or even a mellowed-out MC5. Proving his uncanny ability to jump from genre to genre, Lee heads down-home for the countrified “Keep on Shining” with …

God For Us – A Worship Experience for All Seasons $95 God for Us proclaims God’s goodness and encourages believers that He is with us, and He is also for us. This Don Moen musical, following on his God with Us, features beautiful orchestral music, choirs, spoken parts, and testimonies. Titles include I Worship You Almighty God, Awesome God, Think About His Love, Mighty Is Our God and more. Orchestration includes score and parts for Flute 1, 2, Oboe, Clarinet 1, 2, Trumpet 1-3, Horn 1, 2 (Alto Sax), Trombone 1, 2 (Tenor Sax/Baritone Treble Clef), Trombone 3/Tuba, Violin 1, 2, Viola (Clarinet 3), Cello (Bassoon/Bass Clarinet), String Bass, Synthesizer String Reduction, Drums, Percussion 1, 2, Rhythm (Piano/Guitar/Bass). SATB, Listening Cassette, Listening CD, Cassette Accompaniment Trax (Split), Cassette Accompaniment Trax (Stereo), CD Accompaniment Trax (Split) CD Accompaniment Trax (Stereo), Ochestration, Preview Pack (Cassette), Preview Pack (CD), Bulletin Pack (100).

God in Us – A Worship Experience for All Seasons $95 This eagerly awaited follow-up to the best selling Don Moen’s God with Us and God for Us is a dramatic presentation examining the attributes of God within us. With inspiring narration, intimate testimonials, and over 20 songs like More Precious Than Silver, Shout to the Lord, My Life Is in You, and Ancient of Days, this musical is a valuable resource for worshiping churches and an encouraging addition in this worship series. Orchestration includes score and parts for Flute 1, 2, Oboe, Clarinet 1, 2, Bass Clarinet, Bassoon, Trumpet 1-3, Horn 1, 2 (Alto Sax), Trombone 1, 2, (Tenor Sax/Baritone Treble Clef), Trombone 3/Tuba, Harp, Violin 1, 2, Viola (Clarinet 3), Cello, String Bass, Keyboard String Reduction, Drums, Percussion 1, 2, Rhythm (Piano/Guitar/Bass). SATB, Listening Cassette, Listening CD, Cassette Accompaniment Trax (Split), CD Accompaniment Trax (Split), Cassette Accompanimnet Trax (Stereo), CD Accompaniment Trax (Stereo), Orchestration, Cassette 10-Pack, Preview Pack (Cassette), Preview Pack (CD), Bulletin Pack (100), Poster Pack (10).

God with Us – A Worship Experience for All Seasons $95 This is Integrity Music’s first Praise and Worship Musical and a bestseller, created by Don Moen. Titles include Give Thanks, Celebrate Jesus, Worthy, You Are Worthy, Come Into His Presence and more. Orchestration includes score and parts for Flute 1, 2, Oboe, Clarinet 1, 2, Bass Clarinet, Bassoon, Trumpet 1-3, Horn 1, 2 (Alto Sax), Trombone 1, 2, (Tenor Sax/Baritone Treble Clef), Trombone 3/Tuba, Harp, Violin, Viola (Clarinet 3), Cello, String Bass, String Synthesizer Reduction, Drums, Percussion 1, 2, Rhythm (Piano/Guitar/Bass). SATB, CD Accompaniment Trax (Split), Rehearsal Trax (Cassette), Slide Pack, Bulletin Pack (100), Poster Pack (10), Video also available.

Have Yourself a Merry Little Christmas (Clarinet Choir with Rhythm Section) $14.25 Ensemble for clarinet choir with rhythm section accompaniment. Download free full-performance and accompaniment recordings. Play along with the music and learn the correct style with the full-performance track. The accompaniment track includes only piano, guitar, bass, and drums, so, if you don’t have a rhythm section, you can play along with this track in rehearsal and performance.

Hillsongs Choral Collection, Vol. 2 $95 Second in a series featuring some of the best from HillSongs, this choral collection includes My Redeemer Lives, Dwelling Places, Worthy Is the Lamb, Jesus, Lover of My Soul and more. Orchestration includes score and parts for Flute 1, 2, Oboe, Clarinet 1, 2, Bass Clarinet, Bassoon, Trumpet 1-3, Horn 1, 2 (Alto Sax), Trombone 1, 2, (Tenor Sax/Baritone Treble Clef), Trombone 3/Tuba, Harrp, Violin 1, 2, Viola (Clarinet 3), Cello, String Bass, Synthesizer String Reductioon, Drums, Percussion 1, 2, Rhythm (Piano/Guitar/Bass). Instrumentation varies. SATB, Listening Cassette, Listening CD, CD Accompaniment Trax (Split), CD Accompanimnet Trax (Stereo), Orchestration, CD 10-Pack, Preview Pack (Cassette), Preview Pack (CD) also available.

Imagine $17.98 Following on from the success of his sophomore set Shivers, DJ/remixer/producer Armin Van Buuren returned with 2008′s Imagine. More musically adventurous than its predecessor, the Dutch club hero continues to push the boundaries of trance to their limits on the set-opening title track. “Imagine” begins in, of all places, pomp rock, then storms into the clubs on battering beats and pulsing bass, but even after it settles into its groove, the majestic melody and synthetic guitar licks keep the excitement level at fever pitch. “Going Wrong” is just as inspired, New Romantic and new wave-edged but doused in house, with vocalist Chris Jones adding to the classic status of this obvious crowd pleaser. “Hold on to Me”‘s melody line initially soars like U2, but then the piece breaks towards synth-pop while Audrey Gallagher bounces overhead. It’s a stirring mix of wave, pop, and trance. “In and Out of Love” beautifully blends an angular post-punk rhythm with a New Romantic atmosphere, the latter emphasized by Sharon den Adel’s soaring vocals and creating a glimmering, entrancing piece. Ethereal vocals float over the coursing “Face to Face,” a number as beholden to its New Romantic mood as it is to its pounding beats; eventually, though, the number slides into house and even pushes towards techno. “Unforgivable,” too, has a house-y tinge and a wonderfully squelchy bassline, the percussion adding a dollop of industrial to the sound, with Jaren’s warm, sultry vocals adding heat to the number’s fire. “Never Say Never” adds elements of old-school house to the mix, as does “What If,” which also boasts a quite intricately arranged rhythm. “Fine Without You” increases the tempo and the tension, while “Rain” storms straight into trance. The set closing “Intricacy” is a roller coaster ride, skirting around gabba territory before shooting down into house and back up into trance, the insistent four on the floor beats driving the number to its ecstatic conclusion…

It Don’t Mean a Thing (If It Ain’t Got That Swing) for Brass Choir $14.25 Download free full-performance and accompaniment recordings. Play along with the music and learn the correct style with the full-performance track. The accompaniment track includes only piano, guitar, bass, and drums, so, if you don’t have a rhythm section, you can play along with this track in rehearsal and performance.

J. Geils Band concert at Oakland Coliseum Arena on 22 Mar 80 $9.98 This performance by blues-rock outfit J. Geils Band was captured on March 22, 1980 at the legendary Oakland Coliseum for the King Biscuit Flower Hour. The concert finds the band on the cusp of its greatest success. The group is touring behind its 1980 release Love Stinks, an album that climbed all the way to No. 18 on Billboard’s Pop Albums chart. The group is at its kinetic best, as evidenced by their opener “Jus’ Can’t Stop Me,” the last track from their tenth album, 1978′s Sanctuary. From there, they keep the energy up with storming versions of “Night Time,” “Just Can’t Wait,” and “Come Back”???all key tracks from Love Stinks. John “J.” Geils’ guitar work is up to his high standard, with his bluesy licks peppering the songs and really bringing them to life. Lead vocalist, the aptly named Peter Wolf, is full of personality and spirit, and he consistently engages the crowd with his quirky banter and passionate vocals. The rhythm section, comprised of drummer Stephen Jo Bladd and bassist Danny Klein, serve as the group’s powerful engine room, providing a solid template for Geils, Wolf, keyboard player Seth Justman, and multi-instrumentalist Magic Dick (trumpet, saxophone, harmonica) to play off. The group sets a party mood, and the audience really responds. This recording makes it clear why J. Geils Band remained a popular touring band for almost 20 years and is still remembered fondly by music fans who know them for more than a certain 1980′s radio smash. Though J. Geils band was best known for their 80s-pop hit “Centerfold,” they formed 15 years before the release of said song. In the mid ’60s, Worcester, Massachusetts blues guitarist John Geils formed a blues group called Snoopy and the Sopwith Camels with Danny Klein on bass and Richard “Magic Dick” Salwitz on harmonica. In 1967, the group recruited Peter Wolf to sing and Stephen Jo Bladd on drums, under the moniker the J. Geils Blues Band. By 1970, the group had signed with Atlantic Records, picked up Seth

Michael Schenker/Michael Schenker Group – Rock Will Never Die [Bonus Track] $17.99 Personnel: Michael Schenker (guitars), Gary Barden (vocals), Derek St. Holmes (rhythm guitar), Andy Nye (keyboards), Chris Glen (bass),…

Over The Rainbow (Flute Choir with Rhythm Section) $14.25 Ensemble for flute choir (1st C flute, 2nd C flute, 3rd C flute, 4th C flute, 5th C flute, guitar, bass, drums, and piano).Download free full-performance and accompaniment recordings. Play along with the music and learn the correct style with the full-performance track. The accompaniment track includes only piano, guitar, bass, and drums, so, if you don’t have a rhythm section, you can play along with this track in rehearsal and performance.

PA500 Professional Arranger 61 Key Pro Keyboard $1099 For the musician, composer, performer and entertainer, the interactive Pa500 is the perfect musical partner. Like its big brothers the Pa800 and the Pa2XPro the Pa500 uses our RX (Real eXperience) technology to deliver a sound unprecedented in an arranger keyboard. With exclusive Korg features such as the XDS Dual Sequencer, intuitive TouchView interface, quarter-tone on-the-fly and a four way joystick for realistic articulation, the only thing really missing is a big price tag.Stunning SoundIt all begins with sound. Based on the EDS (Extended Definition Synthesis) engine found in the Korg M3, Pa800 and Pa2XPro, the Pa500 provides 80 voices of polyphony and a breathtaking quality of sound. Over 880 fully editable sounds are preloaded (including a full GM soundset and 56 drumkits), representing a full range of musical instruments from almost every genre – each exploding with depth, nuance, subtlety, accuracy and richness. The User area has space for up to 128 user sounds and 64 drum kits.Effects EverywhereFor many years, Korg workstations, synthesizers and digital recording studios have included outstanding studio quality effects that are simply breathtaking. In that same tradition, the Pa500 offers four stereo processors plus a Final semi-parametric three band EQ containing a treasure trove of effects, from rich reverbs and dazzling delays to guitar-type modeling effects from Korgs renowned REMS series 124 different effects in all. And youll appreciate the separate three-band EQ on each track so you can shape the tone for that perfect sound. Done with StyleNo doubt: Korgs Style programming is world class. The Pa500 delivers a deluxe set of styles, programmed by some of the leading arrangers in the world; each of whom worked according to their musical strengths. The result is over 320 preloaded Styles that provide unparalleled realism and detail, adding anything from tasteful guitar picking, a tight bass and drum groove, a powerhouse R & B rhythm section all t

Paralyzed $15.98 Paralyzed is an ironic title for an album that’s anything but sedentary and inert. Although the dirgey Sabbath grind of Witch’s debut release is retained here, there’s also a newfound amphetamine rush to this material, the band drawing more explicitly on some of its punk and hardcore roots. Speed is of the essence and, in contrast with the first album, just one track lasts for over five minutes. Short and sharp, “1000 MPH” and “Mutated” suggest a band gripped by white-line fever: furious riffing sets the pace, but the rhythm section’s relentless, stripped-down drive is the engine of Witch’s attack, with drummer J Mascis playing Philthy Animal Taylor to bassist Dave Sweetapple’s Lemmy. Indeed, Paralyzed mates metallic heft with punk’s economy and tempo in a coupling that evokes the New Wave of British Heavy Metal. Nowhere is this louder and clearer than on the opener, “Eye,” its pummeling charge and twin guitar lines channeling Diamond Head and Iron Maiden. Despite the revved-up assault, on several more expansive numbers Witch reprises its trademark sludgy trippiness. “Old Trap Line” emphasizes the band’s spacier tendencies, its fuzzed-out Om-like bass anchoring a spiraling, mesmeric groove; elsewhere, the trudging “Sweet Sue” makes room for some of the melody squeezed out of the compressed, riffcentric tracks. However, the most memorable numbers bring together the two competing sides of Witch’s sonic character: “Gone,” for instance, oscillates between zoned-out torpor and surging intensity, while the bad trip of “Psychotic Rock” moves from a “Vegetable Man”-style disoriented plod to a frenzied climax. Witch might be something of a side project for its members, yet it bears none of the signs of ironic hipster-dabbling that often mark such ventures: not only does Paralyzed attest to absolute fluency in the metal idiom, it shows a band prepared to experiment with and expand it. ~ Wilson Neate, Rovi

Rock/Fusion Improvising (Book/CD) $17.05 Carl Filipiaks Private Lessons Series on Rock/Fusion Improvising is the perfect vehicle for the rock guitarist who wants to add elements of jazz to their playing. Discover many of the concepts that fusion, jazz, and jam bands use. Intervallic harmony, diminished scales and how to use them are just a few topics that are covered. Take your blues/rock licks to another level! This play-along CD includes odd-time signatures, funk and Indian grooves and features Carl Filipiak on guitar and a smokin rhythm section, which includes John Thomakos on drums and Steve Zerlin on bass. Also included on one track is world-renown drummer, Dennis Chambers.

Roland BR-800 Mobile Digital Recorder $449 Roland Authorized Dealer – N030273YGood Music needs no translation. It?s understood worldwide, from the moment it?s played. No matter where you are, or when the inspiration strikes, Roland and BOSS deliver the artist-focused tools to express your inspiration. Worldwide.-BOSS continues its top-selling tradition of portable, affordable multi-trackers with the new BR-800 ? a battery-powered studio to go. The sleek-new design is made possible by touch-sensor switches and SD-card Recording media. Up to four tracks can be recorded or eight tracks played back simultaneously, plus an additional Stereo track Dedicated to the built-in rhythm generator.-Whether you?re creating intricate, multi-layered songs or point-and-capture field recordings, the BR-800 makes the recording process fast and easy. Beginners will love the new EZ Recording mode that interactively guides you through the recording process. Other helpful features include the convenient RETRY function, which re-cues automatically to fix mistakes, and SONG SKETCH recording for instant, one-touch capture. There?s also a built-in stereo condenser microphone, plus a DR-880-quality rhythm generator for adding drum and percussion tracks to your songs.-Enhance your recordings with the powerful BOSS effects onboard the BR-800. Many of the effects are derived from BOSS? flagship processors, including vocal effects from the VE-20, COSM guitar/bass effects from the GT-10 series, and modeled acoustic-guitar body effects from the AP-1 preamp, which imparts pro-quality miked-up Sound and rich body tone to line-recorded acoustic guitar. You?ll be amazed at how much Processing power is built into this little recorder, and how excellent the effects sound.-You can power the BR-800 from the included AC adaptor, or for ultimate mobility, it can be powered from six AA batteries. Record anywhere! The BR-800?s USB compatibility enables a variety of functionality with computers. Connected to a PC, the BR-800 will function as a USB Audio I

Roland MICRO-BR Digital Recorder $399 Small enough to fit in your pocket, the BOSS MICRO BR BR-80 is the ultimate new portable recording and jam-along tool for guitarists and other musicians. It’s equipped with three modes to create, record, and perform your music: an eight-track MTR (Multi-Track Recorder) mode; an eBand mode for onstage backing tracks and phrase training; and a Live Rec mode for instantly capturing high-quality stereo recordings. You can even combine the three modes seamlessly. Record your phrase ideas using Live Rec mode, for example, and then import the recordings into MTR mode to use as foundations for song production. Once you’ve added tracks, import your finished songs into eBand mode for backing-track accompaniment at the gig. The MICRO BR BR-80 is truly a must-have for all musicians! The Complete Studio To Go Don’t be fooled by its size — this little studio is loaded! The MTR (Multi-Track Recorder) mode offers 64 V-Tracks with eight simultaneous playback tracks. In addition, a dedicated stereo rhythm track is provided, as well as an onboard library of great grooves to choose from. The intuitive user-interface continues the simple-to-use tradition of BOSS’ acclaimed BR series, with a graphical design that follows the layout of a conventional recording console. With EQ, reverb, and mastering tools plus, world-class COSM® amps and effects for guitar, bass, and vocals the MICRO BR BR-80 is ready to deliver complete, pro-quality recordings with ease. Virtual Jam Band The MICRO BR BR-80’s eBand mode offers musicians a fun way to play along with their favorite songs. With the bundled eBand Song List Editor software, you can import CD, MP3, and WAV audio files from a computer via USB. The Center Cancel function can be used to minimize the volume of pre-recorded vocals and solos for play- and sing-along enjoyment. eBand mode is also an excellent partner for musical training, as it lets you record your performance adjust playback speed and/or pitch as desired. Built-In Ster

Roots-Style Rhythm Tracks $7.9 Used – A fifteen track CD of play-alongs recorded in stereo. Each track has a one-bar click track intro. The tracks are approximately five minutes each, in varying keys and tempos which are specified in the liner notes. The tracks are built out of guitar, bass and drums. The styles covered include blues, rockabilly in both straight-eighth note and shuffle grooves, surf and train-beat country.

Roots-Style Rhythm Tracks $10.9 New – A fifteen track CD of play-alongs recorded in stereo. Each track has a one-bar click track intro. The tracks are approximately five minutes each, in varying keys and tempos which are specified in the liner notes. The tracks are built out of guitar, bass and drums. The styles covered include blues, rockabilly in both straight-eighth note and shuffle grooves, surf and train-beat country.

Roots-Style Rhythm Tracks $12.52 New – A fifteen track CD of play-alongs recorded in stereo. Each track has a one-bar click track intro. The tracks are approximately five minutes each, in varying keys and tempos which are specified in the liner notes. The tracks are built out of guitar, bass and drums. The styles covered include blues, rockabilly in both straight-eighth note and shuffle grooves, surf and train-beat country.

Roots-Style Rhythm Tracks $9.54 Used – A fifteen track CD of play-alongs recorded in stereo. Each track has a one-bar click track intro. The tracks are approximately five minutes each, in varying keys and tempos which are specified in the liner notes. The tracks are built out of guitar, bass and drums. The styles covered include blues, rockabilly in both straight-eighth note and shuffle grooves, surf and train-beat country.

Strike Up the Band (Saxophone Choir with Rhythm Section) $14.25 Ensemble for saxophones and rhythm accompaniment (3 alto saxophones, 2 tenor saxophones, 1 baritone saxophone, electric piano, bass, guitar, and drums).Download free full-performance and accompaniment recordings. Play along with the music and learn the correct style with the full-performance track. The accompaniment track includes only piano, guitar, bass, and drums, so, if you don’t have a rhythm section, you can play along with this track in rehearsal and performance.

The Mezcal Brothers – Go Go Rhythm [Bonus Track] $15.99 The Mezcal Brothers: Gerardo Meza, Ben Kushner (guitar); Charlie Johnson (upright bass); Shaun Theye (drums). Recording information:…

The Pink Panther (Clarinet Choir with Rhythm Section) $14.25 Ensemble for clarinet choir with rhythm section accompaniment. Download free full-performance and accompaniment recordings. Play along with the music and learn the correct style with the full-performance track. The accompaniment track includes only piano, guitar, bass, and drums, so, if you don’t have a rhythm section, you can play along with this track in rehearsal and performance.

U.Play.Plus: Pops (Viola) $7.59 The U.Play.Plus Series, arranged by Victor Lpez, provides solos, duets, trios, quartets, and larger ensembles with flexible instrumentation. Each book has a two-line score for every title. The top line (A) is the melody. The second line (B, C, or D) may be played as a duet with line A and is one of the four-part harmony lines. Adding instruments with B, C, and D lines will complete the harmony. Cue notes are included to fill in missing parts. Woodwinds, brass, strings, and percussion may play together, with or without the rhythm section accompaniment (Piano/Guitar/Score book) or the CD. The CD includes a concert Bb tuning note and two tracks for each song. The first is a demonstration track, and the second is the rhythm section accompaniment (piano, guitar, electric bass, and drums). Titles: Billie Jean * Blitzkrieg Bop * Dont Stop Believing * Eye of the Tiger * Hey! Baby! * Know Your Enemy * Lets Get Loud * Open Arms * (I Cant Get No) Satisfaction * Wizard Wheezes (From Harry Potter and the Half-Blood Prince) * You Raise Me Up.

USED: GUITAR HERO 2 BUNDLE $69.99 RedOctane’s follow-up to the critically acclaimed rhythm game. Guitar Hero II features a brand-new and expanded track list, more venues and new play modes, and aims to rock longer and harder than its predecessor. RedOctane has once again teamed up with veteran music game developer Harmonix for the sequel, and is using famed recording studio WaveGroup for its music production, who also recorded the covers for the licensed tracks in the original Guitar Hero. The game’s all-important track list encompasses all forms of rock and metal music including classic rock, “hair metal”, heavy metal, modern rock and alternative rock. In total, Guitar Hero II features more than 55 songs. New modes include a multiplayer co-op mode where players can play not only the lead guitar track, but rhythm or bass as well, allowing players to take on two different sections of the song simultaneously. Supports the Guitar Hero SG controller. Guitar Hero II Track List: Motley Crue – Shout at the Devil Danzig – Mother Cheap Trick – Surrender Wolfmother – Woman Spinal Tap – Tonight I’m Gonna Rock You Tonight Kiss – Strutter Nirvana – Heart-Shaped Box Police – Message in a Bottle Van Halen – You Really Got Me Kansas – Carry on Wayward Son Foo Fighters – Monkey Wrench Alice in Chains – Them Bones Iggy Pop and the Stooges – Search and Destroy Pretenders – Tattooed Love Boys Black Sabbath – War Pigs Warrant – Cherry Pie Butthole Surfers – Who Was in My Room Last Night Mathew Sweet – Girlfriend Rolling Stones – Can’t You Hear Me Knockin’ Guns N’ Roses – Sweet Child O’ Mine Rage Against the Machine – Killing in the Name Of Primus – John the Fisherman Sword – Freya Thin Lizzy – Bad Reputation Aerosmith – Last Child Heart – Crazy on You Stone Temple Pilots – Tripping on a Hole in a Paper Heart Stray Cats – Rock This Town Allman Brothers – Jessica Jane’s Addiction – Stop Anthrax – Madhouse Living End – Carry Me Home Lamb of God – Laid to Rest Reverend Horton Heat – Psychobilly Freakout Rush – YYZ Ave…

USED: Imagine $9.99 Following on from the success of his sophomore set Shivers, DJ/remixer/producer Armin Van Buuren returned with 2008′s Imagine. More musically adventurous than its predecessor, the Dutch club hero continues to push the boundaries of trance to their limits on the set-opening title track. “Imagine” begins in, of all places, pomp rock, then storms into the clubs on battering beats and pulsing bass, but even after it settles into its groove, the majestic melody and synthetic guitar licks keep the excitement level at fever pitch. “Going Wrong” is just as inspired, New Romantic and new wave-edged but doused in house, with vocalist Chris Jones adding to the classic status of this obvious crowd pleaser. “Hold on to Me”‘s melody line initially soars like U2, but then the piece breaks towards synth-pop while Audrey Gallagher bounces overhead. It’s a stirring mix of wave, pop, and trance. “In and Out of Love” beautifully blends an angular post-punk rhythm with a New Romantic atmosphere, the latter emphasized by Sharon den Adel’s soaring vocals and creating a glimmering, entrancing piece. Ethereal vocals float over the coursing “Face to Face,” a number as beholden to its New Romantic mood as it is to its pounding beats; eventually, though, the number slides into house and even pushes towards techno. “Unforgivable,” too, has a house-y tinge and a wonderfully squelchy bassline, the percussion adding a dollop of industrial to the sound, with Jaren’s warm, sultry vocals adding heat to the number’s fire. “Never Say Never” adds elements of old-school house to the mix, as does “What If,” which also boasts a quite intricately arranged rhythm. “Fine Without You” increases the tempo and the tension, while “Rain” storms straight into trance. The set closing “Intricacy” is a roller coaster ride, skirting around gabba territory before shooting down into house and back up into trance, the insistent four on the floor beats driving the number to its ecstatic conclusion…

USED: Johnny Cash Remixed $5.98 Johnny Cash earned his legendary status with his music and his life. In a career that stretches from the dawn of commercial country and pop music to the dawn of the 21st century, he made his rep as an artist of uncommon integrity. Too bad the same can’t be said for his record labels. Even before he passed, his music was subjected to a massive repackaging and reissue program, and Johnny Cash Remixed continues the trend, with the expected unfortunate results. Who knows what Cash thought about hip-hop, but it’s hard to believe he would have enjoyed this bastardization of his work. The collection was produced by John Carter Cash and Snoop Dogg, and while it has its amusing moments, the original Sun Recordings Cash made in the 50s will still sound timeless long after the junk on this album has faded from memory. “I Walk the Line” gets smothered by Snoop Dogg’s big, bass heavy production; “Get Rhythm” is transformed into an electro-funk track with the original track broken into snippets and sprinkled onto the pounding backbeats; “Doin’ My Time” sounds like a soul band cover with Cash making a brief “appearance” near the end of the track; Alabama 3, the guys who recorded the song that became the theme for The Sopranos use a snippet of “Leave That Junk Alone” but reinvent the track as their own. Machine Drum’s “Belshazzar” remix leeches all the drama out of the song, and Apparat’s take on “I Heard That Lonesome Whistle Blow” also tries to make a desolate song more desolate by adding industrial sound effects, but the effort is wasted. On the positive tip, as the kids would say, there’s Count de Money’s remix of “Big River,” which adds a few dub effects and an electric guitar solo that isn’t bad, but is unnecessary. Sonny J’s “Country Boy” breaks up Cash’s solo and makes it sound like a rap, complemented by gospel-esque female vocals, while on “Folsom Prison Blues,” Pete Rock adds slide guitar (probably from Carter Cash) and a thumping club beat, but th…

USED: Rockabilly Riot, Vol. 1: A Tribute to Sun Records $7.99 The concept is stated in the title and the execution is about what you’d expect from one of the most popular rockabilly revivalists in contemporary music. It’s not much of a stretch for Stray Cat Brian Setzer to take a break from writing his own rockabilly tunes that often sound like classic Sun material anyway, but by narrowing his focus roughly from 1954 to early 1957 and sticking with music produced by the king of country music record labels, he scores credibility points. The 23-track set is peppered with obvious choices like Carl Perkins’ “Blue Suede Shoes” and “Boppin’ the Blues” and Johnny Cash’s “Get Rhythm,” but dominated by more obscure fare from lesser-known acts such as Kenny Parchman, Ernie Barton, and Tommy Blake. Setzer even tracked down Jumpin’ Gene Simmons to finish off “Peroxide Blonde in a Hopped Up Model Ford” when part of the original master copy was found to have been erased. Elvis is represented only by “Just Because,” a brief nod to the King that also illustrates how many other acts had produced music nearly as vital from the same little room in Memphis. Setzer even calls in the Jordanaires to provide background vocals, bringing even more authenticity to this project. These versions are refreshingly stripped down, with standup bass, skeletal drums, acoustic piano, and occasional sax providing all the instrumental excitement. Even Setzer’s fiery guitar solos are lean, mean, and never dominate the songs. He’s in terrific form throughout; clearly his heart is in it and it sounds like he’s having a blast. Whether listeners need covers that stick so closely to the originals, if with slightly fuller sound, when the real McCoys are easily available is something listeners will have to decide for themselves. Regardless, this is a rollicking, ballad-free, nonstop hour of classic rockabilly that shows how much great music emerged from such a short period, and from only one record label. Setzer fans will be thrilled and those first hearing th…

Violent Pornography $66 New – “Violent Pornography” is a promo single by System of a Down. It was released only in Japan. It’s the 7th track on the album Mezmerize. System of a Down, also known by the acronym SOAD and often shortened to System, is a rock band from Southern California. The band was formed in 1994. It consists of Serj Tankian (lead vocals, keyboards, rhythm guitar), Daron Malakian (guitar, vocals), Shavo Odadjian (bass, background vocals) and John Dolmayan (drums). All four members are of Armenian descen

Violent Pornography $47.2 New – “Violent Pornography” is a promo single by System of a Down. It was released only in Japan. It’s the 7th track on the album Mezmerize. System of a Down, also known by the acronym SOAD and often shortened to System, is a rock band from Southern California. The band was formed in 1994. It consists of Serj Tankian (lead vocals, keyboards, rhythm guitar), Daron Malakian (guitar, vocals), Shavo Odadjian (bass, background vocals) and John Dolmayan (drums). All four members are of Armenian descen

Violent Pornography $66 Used – “Violent Pornography” is a promo single by System of a Down. It was released only in Japan. It’s the 7th track on the album Mezmerize. System of a Down, also known by the acronym SOAD and often shortened to System, is a rock band from Southern California. The band was formed in 1994. It consists of Serj Tankian (lead vocals, keyboards, rhythm guitar), Daron Malakian (guitar, vocals), Shavo Odadjian (bass, background vocals) and John Dolmayan (drums). All four members are of Armenian desce

Violent Pornography $47.2 Used – “Violent Pornography” is a promo single by System of a Down. It was released only in Japan. It’s the 7th track on the album Mezmerize. System of a Down, also known by the acronym SOAD and often shortened to System, is a rock band from Southern California. The band was formed in 1994. It consists of Serj Tankian (lead vocals, keyboards, rhythm guitar), Daron Malakian (guitar, vocals), Shavo Odadjian (bass, background vocals) and John Dolmayan (drums). All four members are of Armenian desce

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