Drums Chops

Drums Chops

drums chops

Many food aficionados will join the argument about which style of outdoor food preparation techniques are superb one. Sauce is better than grilling! Is better than grilling BBQ? Does it really matter?

What the sauce:

BBQ is cooking meat, usually pork shoulder, pork ribs, whole or halved chicken and beef brisket in a wood or charcoal / wood smoker, on a low heat, for a long time. The meat is typically pre-treated with a barbecue rub spice or marinade is cooked in a "smoke chamber" by smoke and indirect heat. A pork shoulder takes about eight hours to cook, a rack of pork ribs takes about four hours to cook, a whole chicken takes about two and a half and hour to cook a beef brisket takes approximately 12 hours to cook. Most of the meats are cooked at a constant temperature around 235 degrees F if possible. The meat a smoky flavor develops after Laden cooked in a smoke environment. That's why this style of cooking is often referred to as smoke BBQ.

What Grilling:

Grilling is cooking various meats over direct high heat, quickly. Grills are often fueled by coal, propane, natural gas, or even electricity. Kind of often grilled meats steaks, pork chops, hamburgers, sausages (bratwursts, Italian sausage, red hots Georgia), hot-dogs, cut up chicken, etc,. Direct heat means that when grilling, the food is placed directly over the flame or heat source of the grill. Grilling is a fairly quick process in comparison to traditional smoked roasting. Steaks can be cooked in 10-20 minutes, 15 minutes Burgers, sausages about 20 minutes, chicken around an hour.

Why are the arguments:

Why not? Foodies love to talk about food, and talking about the difference between smoke barbecue and grilled food is a good discussion. Many food people do not hold the position of grilled smoked barbecue meats are better than others. These are both very good way to cook like pieces of meat. Sa Indeed, many people who cook with the masters BBQ style grill and enjoy grilled meat, much like the grill master will sometimes smoke a pork butt for pulled pork.

For more information on how real barbecue click here: http://www.bbq-jim.com to see the review of Competition Barbecue Secrets written by Jim Hess. Jim Hess is an expert author who loves to cook, eat and write about real barbecue (and meat grilling). Click here to see much more http://www.bbq-jim.com.

What a great song to drum?

I'm drumming for about six months now, and I've gotten pretty good at double bass. Until now, I've been doing just beats up the play, but I wanted to try a song .. What a great song to try, it is not too hard, but still the heavy. Like chop suey, but with a different song ..

I know this is not your question and you ask my opinion, but your yourself a favor and put a double bass pedal away for a year or some will not have to build a decent right foot. You think metal is all you want to do right now, but I promise that will change and you suck on anything that requires a decent right foot. Even with more metal, a lot of what you think double bass is just a quick right foot. It kills me to see a new use of double bass drummer to pull off a 1 / 16 note that they should do their Sleep in a pedal. Also when the new drummers starting out on the double bass they tend to rely on it for fills instead of learning the proper chops. Many end up being overly busy drummers that one has no rent. But each his own …

Studio Drum Chops Matt McDonough

Below are some cheap but quality products related to drums chops. We are pretty sure you will find good deals with the products below relating to drums chops. Enjoy!

Lucky Chops $6.99 Includes: Lucky Chops.

Alfred Beyond Basics/Rock Rhythm Chops DVD $19.95 Nick Nolan of GIT presents the ideas and concepts needed to develop really driving rhythm guitar parts that lock in with the bass and drums. Nick also demonstrates a variety of chord voicings and techniques designed to add personality to any rhythm part. Includes: power chords; full chord voicings; common color tones; mixing bass lines and power chords; plus rock, funk, and ballad styles. Special features include Tuning Segment, Artist Video Previews, Bonus Video Tips, Getting To Know Your Amplifier, Beyond Basics Catalog, and Internet Connectivity.Driving rhythm guitar partsLock in with bass and drumsAlternate chord voicingsColor tonesPower chords

Alfred Beyond Basics/Rock Rhythm Chops Dvd $19.95 Nick Nolan of GIT presents the ideas and concepts needed to develop really driving rhythm guitar parts that lock in with the bass and drums. Nick also demonstrates a variety of chord voicings and techniques designed to add personality to any rhythm part. Includes: power chords; full chord voicings; common color tones; mixing bass lines and power chords; plus rock, funk, and ballad styles. Special features include Tuning Segment, Artist Video Previews, Bonus Video Tips, Getting To Know Your Amplifier, Beyond Basics Catalog, and Internet Connectivity.Driving rhythm guitar partsLock in with bass and drumsAlternate chord voicingsColor tonesPower chords

Pyscho Mutton Chops $11.99 Includes: Psycho Mutton Chops.

Ribs, Chops, Steaks, & Wings $12.56 Ribs, Chops, Steaks, & Wings

Steaks, Chops, Roasts And Ribs $22.04 Steaks, Chops, Roasts And Ribs

Grizzly Licking Its Chops $19.99 Grizzly Licking Its Chops – Photographic Print

Black Cat Licking Chops $24.99 Black Cat Licking Chops – Premium Poster

Black Biker Chops With Bandana $9.07 Embellish your biker look with these black Biker Chops with the Bandana.

Psycho Mutton Chops $11.99 Includes: Psycho Mutton Chops. Does not include costume,hat or glasses.

A Woman Chops Wood with an Axe $39.99 Bobby Model A Woman Chops Wood with an Axe – Photographic Print

Lion Licking His Chops $24.99 Don Grall Lion Licking His Chops – Photographic Print

Alfred 00903629 Beyond Basics Rock Guitar Rhythm Chops Music Book $34.25 Alfred Music Publishing is the world s largest educational music publisher. Alfred produces educational’ reference’ pop’ and performance materials for teachers’ students’ professionals’ and hobbyists spanning every musical instrument’ style’ and difficulty level. Nick Nolan of GIT presents the ideas and concepts needed to develop really driving rhythm guitar parts that lock in with the bass and drums. Nick also demonstrates a variety of chord voicings and techniques designed to add personality to any rhythm part. Includes power chords’ full chord voicings’ common amp;quot;coloramp;quot; tones’ mixing bass lines and power chords’ and rock’ funk and ballad styles. DVD special features include a tuning segment’ an additional artist video clip’ additional video tips’ and amp;quot;getting to know your amplifier.amp;quot;

Iowa Chops $63.73 Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. The Iowa Chops were a professional ice hockey team in the American Hockey League. The club was based in Des Moines, Iowa at the Wells Fargo Arena. Author: Miller, Frederic P./ Vandome, Agnes F./ McBrewster, John Binding Type: Paperback Number of Pages: 68 Publication Date: 2011/02/25 Language: English Dimensions: 5.98 x 9.02 x 0.16 inches

California Costumes 198848 Lucky Chops $10.67 Includes: Lucky Chops. Does not include hat.

ZAGGskins (Drums) $19.99 ZAGGskins (Drums)

Drums On Fire $6 Drums On Fire

Percussion Drums $6 Percussion Drums

Jami – Drums $6 Jami – Drums

Red Lucky Chops – Beards And Moustaches $8.24 These red Lucky Chops are an awesome enhancement to your St. Patrick’s Day Costume!

Mutton Chops Side Burns Brown $9.99 Theatrical quality pair of self-adhesive Mutton Chops style side burns.

Apron Housewife Broiling Chops in Oven $24.99 George Marks Apron Housewife Broiling Chops in Oven – Photographic Print

Smiling Housewife Turning Chops in Oven $24.99 George Marks Smiling Housewife Turning Chops in Oven – Photographic Print

Dog wearing jewelry, licking chops $19.99 Jens Lucking Dog wearing jewelry, licking chops – Photographic Print

Alfred Hitchcock Eating Lamb Chops $79.99 John Florea Alfred Hitchcock Eating Lamb Chops – Premium Photographic Print

Alfred Beyond Basics/Jazz Rhythm Chops DVD $19.95 Alfred Beyond Basics/Jazz Rhythm Chops DVD

Hal Leonard Chops Builder for Guitar (Book/CD) $14.95 Hal Leonard Chops Builder for Guitar (Book/CD)

Alfred Beyond Basics/Jazz Rhythm Chops Dvd $19.95 Alfred Beyond Basics/Jazz Rhythm Chops DVD

Hal Leonard Chops Builder For Guitar (Book/Cd) $14.95 Hal Leonard Chops Builder for Guitar (Book/CD)

Alfred Terry Bozzio – Solo Drums DVD $26.96 Terry presents his overall approach to the drum set as an orchestra in itself and performs three incredible solos, employing various techniques and concepts that he explains in full detail. Other topics include double bass drumming, hand techniques and a study of his drum part for Missing Persons’ “U.S. Drag.” Includes exercises to strengthen chops and independence. Includes printable PDF reference material. 55 minutes.

Alfred Terry Bozzio – Solo Drums Dvd $26.96 Terry presents his overall approach to the drum set as an orchestra in itself and performs three incredible solos, employing various techniques and concepts that he explains in full detail. Other topics include double bass drumming, hand techniques and a study of his drum part for Missing Persons’ “U.S. Drag.” Includes exercises to strengthen chops and independence. Includes printable PDF reference material. 55 minutes.

Irish Red Chops $7.95 Top o’ the mornin’ to yeh! If you’re going to a Halloween craic, then look no further than these lucky Irish Red Chops. These costume accessories would go great with a ton of different costumes from a revolutionary to a leprechaun to a turn of the century boxer to a confusing author you have to read the works of in college. The costume doesn’t have to be Irish or anything, the Irish Red Chops gives you a lot of options for Halloween costumes and it would behoove you to pick them up and try them out.The Irish Red Chops are a fine set of costume accessories and perfect for a costume for a Halloween craic. So says I!

Fred & Friends Beat It Chopsticks Set $6.89 4 sets of 2 chopsticksOne end is a chopstick, one end is a drumstickMade of woodFunctional yet funnyClear plastic recyclable packaging Fred & Friends Beat It are 4 sets of 2 wooden chop sticks. Each chopstick is printed with the words beat it. One end of each chopstick is a regualr chopstick shape while the other end of of the chopstick is in the shape of a drumstick. The drumstick shape allows fo…

Suck UK Chopstick Drumsticks $2.98 Continuing on our crusade against ambiguous product names, and mixing it with our trend of taking two completely disparate items and slamming them together for seemingly no reason, let us introduce our Chopstick Drumsticks – Lazy puns about playing with your food aside, there probably really is good justification for making chopsticks with drumstick ends: perhaps you know a keen drummer who absolu…

Flower Drum Song (1958 Original Broadway Cast) $5.75 All products are BRAND NEW and factory sealed. Fast shipping and 100% Satisfaction Guaranteed….

Ultimate Lessons Fills & Chops $14.52 This is the 5th releases in the series. The Ultimate Drum Lesson collections allow drummers to get a cross-section of new educational ideas from some of the most popular and accomplished drummers in the world. This DVD contains a wealth of previously released material from the vast Hudson catalog, and like the other titles in this series, have proven to be very popular with drummers. In respons…

Flower Drum Song (1961 Film Soundtrack) $8.68 a cd of songs from the flim flower drum song from 1961…

London Types: Drum Major by William Nicholson – 24H x 21W – Peel and Stick Wall Decal by Wallmonkeys $33.99 WallMonkeys wall graphics are printed on the highest quality re-positionable, self-adhesive fabric paper. Each order is printed in-house and on-demand. WallMonkeys uses premium materials & state-of-the-art production technologies. Our white fabric material is superior to vinyl decals. You can literally see and feel the difference. Our wall graphics apply in minutes and won’t damage your paint or l…

DVI DVP9012CH-OP Essex Inch Semi Flush Ceiling Light $182.71 Finish:Chrome, Glass:Half Opal, Light Bulb:(1)100w A19 Med F Incand Essex Small Semi Flush Mount Features a clear outer diffuser Can be mounted up to a 19 sloped ceiling…

DVI DVP9010CH-OP Essex Mini Pendant $306.08 Finish:Chrome, Glass:Half Opal Glass, Light Bulb:(1)100w A19 Med F Incand Essex Medium Pendant Features a clear outer diffuser…

Aaron Spears Beyond the Chops: Groove, Musicality and Technique $20.29 Beyond the Chops: Groove Musicality & Technique is a 2-disc, 3-hour program offering amazing performances, insightful drum lessons and interviews with Aaron Spears. His natural talent, deliciously fat grooves, and incredible drumming skills are showcased in a set of spectacular performances with Gospel, R&B, Motown, rock, shuffle and odd-meter tracks. The Beyond The Chops instructional DVD provide…

Nigella Kitchen: Recipes from the Heart of the Home $10.35 Comprehensive, informative, and engaging, Nigella Kitchen offers feel-good food for cooks and eaters that is comforting yet always seductive, nostalgic but with a modern twist—whether super-fast exotic recipes for the weekday rush, leisurely slow-cook dishes for weekends and special occasions, or irresistible cakes and cookies in true “domestic goddess” style. Nigella Kitchen answ…

55 Cadillac $16.99 Andrew W.K. has done a lot of unusual things in his career — not everyone can have a Cartoon Network show and be a member of Current 93 (not to mention run a club, release an album of J-pop covers, and publish a book of advice) at the same time. Still, 55 Cadillac may be one of the most unique additions to his body of work: it’s a collection of “spontaneous solo piano improvisations” — or “SSPIs” as W.K. calls them — inspired by his car. It’s also, like most of his projects, kind of ridiculous and kind of amazing. He’s completely committed to the concept, and he has the skills to pull it off. After all, W.K. is a classically trained pianist who began taking lessons at age four, and his keyboard chops added fizz to I Get Wet and Close Calls with Brick Walls and majestic heft to The Wolf. That prowess is the focus of this album; on his Steinway & Son Model D concert grand piano, Andrew W.K. weaves classical, jazz, rock, and experimental elements together with an accomplished ebb and flow from piece to piece and within each track. The fantastically named “Begin the Engine” (why merely start an engine when you can begin it?) is overtly classical-influenced, kicking off with the sound of crickets and a motor roaring to life before W.K.’s dazzling arpeggios and otherwise deft playing take over for nearly nine minutes. Shorter tracks like “Seeing the Car,” which tosses hints of ’50s-style rock into the mix, and the lunging, jazzy “Central Park Cruiser” are more immediate and nearly as impressive. Only a couple of moments on 55 Cadillac sound anything like Andrew W.K.’s previous albums: “Night Driver” ranges from atonal boogie-woogie to W.K. tapping on the piano’s edge (which might be the piano equivalent of a drum solo) and has an anthemic quality that’s fully realized by “Cadillac,” which boasts drums and laser-guided guitars that bring the album to a satisfyingly over the top close. Fans of his louder music might not play this often, but 55 Cadillac i…

Aaron Spears – Beyond the Chops (DVD) $37.95 Amazing performances, enlightening educational segments and revealing interviews are combined into this DVD featuring Aaron Spears. Aaron performs with tracks that include gospel, R&B, Motown, rock and odd-meter styles, illustrating the taste and versatility required of him on the American Idol tour, with R&B artist Usher, and on many other gigs. For each song, Aaron explains the groove, discusses the style, and answers insightful questions from the small group of drummers in attendance. For those looking for an exploration of Aaron's legendary chops, this DVD not only provides an up-close look at Aaron's abilities, it also sheds light on the context in which these techniques are used and provides insight into the unique vocabulary that Aaron has created. Many of the grooves and fills played are transcribed in an accompanying 21-page printable PDF eBook. Aaron also sits down with drumming icon Jojo Mayer for a revealing and candid interview. Conducted both at and away from the drums, Aaron and Jojo explore conceptual and technical issues including Aaron's background, his approach to technique and to fills, his overall conceptual approach to drumming, the gospel/R&B scene, playing with authenticity, and more. Special features include slow-motion replays of many of Aaron's astounding fills, behind-the-scenes footage, interviews with the Hudson team, and archival footage of Aaron's early days as a developing player. This DVD also features uncompressed PCM stereo audio for extremely high-fidelity sound! For any drummer looking to develop their versatility, groove, taste, and technique, this DVD will provide a rich educational experience. 3 hours, 7 minutes.

Billy Taylor Jazz All-Stars concert at Carnegie Hall on 25 May 74 $9.98 To open this “52nd Street Revisited” program, emcee and eminent author Arnold Shaw provides a little background on that strip of real estate in midtown Manhattan where the bebop scene took hold back in the mid-1940s: “While Harlem was the incubator of bebop, it was 52nd Street that brought the music to the public, and in so doing, itself became a musical scene of musical conflict???Jimmy Ryan’s was the bastion of the two-beat crowd as The Three Deuces, Spotlight, Downbeat and Onyx provided a showcase for fanatics of the flatted fifth.” Shaw goes on to explain how the Oscar Pettiford-Dizzy Gillespie band was the first group on 52nd Street playing bebop. A young pianist named Bill Taylor, who was working at the Three Deuces with his own trio, subbed for Pettiford’s regular pianist George Wallington one night at the Onyx, igniting his life-long infatuation for these new harmonic and rhythmic concepts in jazz. Thirty years later, Taylor was on hand to celebrate that golden era of bebop in this special Carnegie Hall concert on May 25, 1974. Accompanying him are bebop stalwart Howard McGhee on trumpet, Jimmy Heath on tenor sax, Lyle Atkinson on bass and Bobby Thomas on drums. Together they burn through three bop staples frequently heard on 52nd Street back in the day — Charlie Parker’s chops-busting anthem “Donna Lee,” Thelonious Monk’s moody meditation “‘Round Midnight” and a rousing rendition of the popular Duke Ellington-Juan Tizol jamming vehicle, “Perdido.” Thomas’ irrepressibly swinging ride cymbal pulse fuels the heated proceedings on their sizzling rendition of “Donna Lee,” which opens with tight, blistering unison lines on the head between McGhee and Heath, who each turn in potent solos as the piece develops. Taylor (who would later be known as Dr. Billy Taylor) reveals the considerable influence of another 52nd Street regular, piano great Art Tatum, with a remarkably facile solo here. And in classic bop fashion, McGhee and Heath take turns exchanging whirlwin

Boston concert at Long Beach Arena on 16 Mar 77 $9.98 This early show from Boston’s 1977 appearance in Long Beach was recorded while the band was making Don’t Look Back, their second multi-platinum release, which was released that year. The band was still promoting the first album, and most of this show consists of songs from that classic Boston record, which yielded hits such as “More Than A Feeling,” “Rock & Roll Band,” “Something About You,” “Smokin’,” and “Long Time.” They do, however, offer up “A Man I’ll Never Be,” which, at the time, had yet to be recorded. This recording proves that while the band may have been the ultimate example of corporate rock on vinyl, they certainly were a great live band. Recorded for the King Biscuit Flower Hour, this concert is proof that Boston had strong musical chops. The band remained viable and active through 1986, when their third album, Third Stage, was released. Then Scholz, an obsessive perfectionist, began a nearly ten year hiatus where he took time to start his own successful audio processing equipment company that features a number of inventions he had developed to assist him in making Boston albums. By the time he returned with 1994′s Walk On, he had been sued by Goudreau (for hurting his solo career) and by Epic for taking too long to deliver the band’s third and fourth albums. By then, he was the lone original member left in the band. Hence, Walk On was a failure both critically and commercially. In 1975, guitarist/songwriter/inventor/electrical engineer Tom Scholz, with a master’s degree from MIT, was working by day at Polaroid. By night, he was recording feverishly with his own rock band, Boston, that also consisted of fellow Bostonians Brad Delp on vocals, Barry Goudreau on guitar, Fran Sheehan on bass, and John “Sib” Hashian on drums. Spearheaded by Scholz, they spent most of 1975 writing an album’s worth of songs that would eventually transform itself into one of the most successful debut albums by a rock band in history. Those demos, with virtually little over

Boston concert at Long Beach Arena on 16 Mar 77 $12.98 This late show from Boston’s 1977 appearance in Long Beach was recorded while the band was making Don’t Look Back, their second multi-platinum release, which was released that year. The band was still promoting the first album, and most of this show consists of songs from that classic Boston record. One that yielded such hits as “More Than A Feeling,” “Rock and Roll Band,” “Something About You,” “Smokin’,” and “Long Time.” They do, however, offer up “A Man I’ll Never Be,” which, at the time, had yet to be recorded. This recording proves that while the band may have been the ultimate example of corporate rock on vinyl, they certainly were a great live band. Recorded for the King Biscuit Flower Hour, this concert is proof that Boston had strong musical chops. The band remained viable and active through 1986, when their third album, Third Stage, was released. Then Scholz, an obsessive perfectionist, began a nearly ten year hiatus where he took time to start his own successful audio processing equipment company that features a number of inventions he had developed to assist him in making Boston albums. By the time he returned with 1994′s Walk On, he had been sued by Goudreau (for hurting his solo career) and by Epic for taking too long to deliver the band’s third and fourth albums. By then, he was the lone original member left in the band. Hence, Walk On was a failure both critically and commercially. In 1975, guitarist/songwriter/inventor/electrical engineer Tom Scholz, with a master’s degree from MIT, was working by day at Polaroid. By night, he was recording feverishly with his own rock band, Boston, that also consisted of fellow Bostonians Brad Delp on vocals, Barry Goudreau on guitar, Fran Sheehan on bass, and John “Sib” Hashian on drums. Spearheaded by Scholz, they spent most of 1975 writing an album’s worth of songs that would eventually transform itself into one of the most successful debut albums by a rock band in history. Those demos, with virtually little

Chet Baker concert at Great American Music Hall on 09 Sep 82 $9.98 One of the most visible exponents of the West Coast cool school of jazz, trumpeter Chet Baker played in an intimate style that was far more restrained and mellow than incendiary boppers like Dizzy Gillespie and Fats Navarro or aggressively blowing hard boppers like Clifford Brown and Freddie Hubbard. Baker preferred to cook on a lower flame, enthralling audiences with his warm, expressive trumpet work and alluring vocals. By the time of this Great American Music Hall performance on September 9, 1982, Baker was just 52 years old and in the midst of a career comeback. But he would sadly have only six years to live, the victim of a tragic and mysterious death in Amsterdam at the age of 58. For this GAMH concert, Baker is accompanied by a San Francisco-based trio consisting of jazz veterans Al Plank on piano, Frank Tusa on bass, and Vince Lateano on drums. They open with a rendition of pianist Enrico Pieranunzi’s loping minor key number, “Nightbird,” that has the trumpeter blowing relaxed, deliberate lines on the head while striking a forlorn vibe on his haunting solo. Ray Noble’s romantic ballad “The Touch of Your Lips” is delivered with velvet tones and some alluring close-mic crooning by Baker. Tusa also turns in a lyrical and highly expressive solo on upright bass here over a double time swing section. His swinging interpretation of the standard “Just Friends,” a tune he had been playing since the beginning of his solo career, is also a showcase for Baker’s considerable scatting chops in the falsetto while Tusa turns in another virtuosic bass solo. An evocative unnamed ballad features some gentle Bill Evans-inspired piano from Plank. Baker begin this fragile piece with some achingly beautiful statements on trumpet, and as the piece picks in intensity during the swinging middle section he wails with impunity, only to return to the serene theme with uncanny sensitivity and lyricism on his horn. The trumpet great and his San Franciscan accompanists end their set on

Creative Control With Tomas Lang (Book and CD) $23.7 Hudson Music is very proud to present Thomas Lang Creative Control, the long-awaited companion book to the award-winning DVD of the same name. Designed to be used as either a stand-alone product or in combination with the DVD, Lang presents the unique and innovative system that he has used to develop his awesome speed, control, finesse, and coordination a step-by-step system that will allow you to hone your drumming chops so that you can play more effectively in any style of music. Part I details Lang’s methodology and provides over 90 challenging exercises. Part II contains musical examples that showcase many of the techniques presented in Part I. It also includes play-along rhythm charts for five musical compositions from the DVD which were specially re-mixed without drums exclusively for this book and are included on the enclosed CD.

Deep Fried Satisfied $15.98 Hay is a one-man band from Australia who plays live with a double-necked guitar/bass that he loops with various pedals to set up a mighty wail of blues/rock guitar noise. On this album he plays drums, bass, sitar, and electronic percussion, using mainly electronics to produce the sound of a real drum kit. Hay’s feel-good music has a notable punk/funk edge and he’s got considerable chops, especially on slide guitar, and an over the top vocal approach that makes him sound like a party animal. As you might expect from the album title, Hay also has an irrepressible sense of absurd humor, although he does get relatively serious once a while. On “Friend,” one of the more sedate tunes on the disc, he gives us a slow, funkified blues with stuttering James Brown-influenced guitar accents and a wall-shaking bassline. It’s a salute to a pal who got him through some hard times, but adds a promise of a drunken binge. Think George Clinton meets J.J. Cale. “Get Me Some” gives the details of a New York City snack attack that leads Hay to the portals of a pizza joint. He salutes thin crust pizza using slashing acoustic slide and crunchy rock chords. “Deep Fried Satisfied” describes Hay’s ambivalence about fast food. He’d like a salad, but the chicken tastes so good, even as he ironically describes its affect on his arteries. While the rest of the songs are not about barbecue or fried chicken, they are greasy in that good, ol’ fashion, down-home way. He rails about dishonest used car salesmen on “Don’t Give Me That,” the tribulations of trying to pay bills over the phone on the stomping “On Hold,” and sings the praises of true love on “Heading Home” and “Miss You So.” The most surprising track is a cover of Queen’s “We Will Rock You,” an explosion of slide guitar delivered over a primitive drumbeat. Hay delivers the lyric as a staccato rap, then closes with a quiet moaning chorus that takes the tune back to the Mississippi Delta. ~ j. poet, Rovi

Great Sky River $11.99 Jazz Is Dead, one of America’s premier jam bands, delivers their breakthrough recording with Great Sky River. Recorded “live” at the IMAC Theater in Huntington, NY, with Jimmy Herring on guitar, Alphonso Johnson on bass, T Lavitz on keyboards, and Rod Morgenstein on drums, the band plays a powerful, high-energy set that features their rock chops in all their jam band glory. Three extended jams — “Estimated Prophet,” “St. Stephen/The Eleven,” and “Terrapin Station/Dark Star” — form the heart and soul of the show and the band’s true calling. Lovers of groove, electronica, and rock guitar pyrotechnics will find themselves ear deep in the guitar wizardry of Jimmy Herring on these jams. Absent is drummer Jeff Sipe, but Rod Morgenstein definitely holds down the rhythm section with an unreal and potent drum solo on “St. Stephen/The Eleven.” T Lavitz goes the distance and plays an intense set as does Alphonso Johnson, with his basslines speaking out as much more than an appendage to Lavitz’s keyboards or Herring’s guitar. Great Sky River exceeds the group’s 1999 “live” release, Laughing Water: Wake of the Flood Revisited — which also explored and featured classic Grateful Dead compositions — because the performance was not altered or overdubbed. This CD is truly “live” and a cool 21st century representation of Jerry Garcia and Robert Hunter’s ripe rock repertoire. ~ Paula Edelstein, Rovi

Guitar Tracks Pro 4 Guitar Software $99 Introducing the all new Guitar Tracks Pro 4 Designed for guitarists and singer-songwriters, Guitar Tracks Pro is the recording solution takes your music from riff to hit easier than ever.With Guitar Tracks Pro you get much more than just recording software. You get an amazing virtual guitar amp for inspired, arena ready toneswithout disturbing the neighbors. You also get an entire backing band of virtual instrumentsalways ready to accompany you. Plus: precise editing tools to comp the perfect solo or vocal track, a mixing console, effects arsenal, even burn CDs or upload your music directly to the weball for less than a few hours in the recording studio. Get it all in Guitar Tracks Pro.Multitrack Recording SoftwareEasyto-use interface puts key features just a mouse click away, while precise editing tools help you tweak your tracks to perfection. You dont have to be a professional recording engineer to create your own high-quality tracks.Virtual AmpGreat tone, right inside your PCjust plug in your guitar and go. Access authentic sounds from classic country to arena rock and everything in between; Guitar Rig 3 LE has you covered.Your Backing BandNo band? No problem. Cakewalk Studio Instruments boasts top-quality electric bass, drums, piano, and strings its like having session players at your disposal 24/7.Studio-quality EffectsClassic Phaser, Modfilter, Chorus/Flanger, Tempo Delay, Bit Decimator, Studioverb, HF Exciter, Compressor/Gate, Para-Q, and more.Additional ContentPerfect your chops with a collection of Guitar World instructional videos. Play along with drum loops recorded by world class players.Guitar Tracks Pro USBLooking for a complete solution? Guitar Tracks Pro USB offers all the same features as Guitar Tracks Pro, plus you get the Cakewalk UA-1G USB audio interface, giving you everything you need to start recording immediately.System Requirement Minimum RecommendedOperating System: Windows XP (32-bit) / Vista (32-bit)Processor Speed: Intel Pentium 4

HAL LEONARD HL 00320836 Vic Firth Presents Groove Essentials 2.0 with Tommy Igoe $29.12 The second edition of the best-selling original Groove Essentials features a DVD and companion book/CD package with 53 brand new grooves and over 100 variations for intermediate to advanced players. Students will learn the difference between ghost and grace notes (while being encouraged to experiment with both in all six groove ?families”) as well as important ?go-to” grooves, like the Train and Bo-Diddley beats. For more advanced players and professionals, GE 2.0 introduces the concepts of groove construction, interpretation and manipulation- training drummers to think like musicians in order to maximize their full potential. The DVD features more than 70 new songs covering 4/4, 2/2, 6/8 and 3/4 time signatures, with three levels of difficulty for 5/4, 7/8 and 9/8 meters. On the 3-hour, 45-minute DVD, Igoe discusses and demonstrates each groove in multiple tempos, alone and with a band, with many patterns shown on both acoustic and on Roland HD-1 and TD-9 electronic drum kits. The grooves span rock, funk, R&B/hip-hop, Jazz (sticks and brushes), world/specialty, extreme tempos, all-purpose, hybrid, rideless, classic and odd-meters. The companion play-Along book and CD contain over 90 tracks, including every song from the DVD in their full-length versions, minus the drums; allowing you to expand your skills by playing any of the grooves with a band and Recording yourself on Audio or Video (optional) to help facilitate the learning process. These tracks also supply a variety of fill-in and soloing opportunities to challenge you. In addition, the book features Igoe’s extended ?global tours” that will test even the most seasoned professional’s chops, creativity and stamina and, as a ?first of its kind” bonus, there is a full-length orchestral play-along track designed to provide a taste of playing in a full orchestra, complete with multiple moving tempos, dynamics and feels.

HPD10 Handsonic Percussion Pad $699.99 From the company that made electronic hand percussion world-famous, Roland announces the second member of its HandSonic family: the HandSonic 10 (HPD-10). More affordable and streamlined than its big brother, it offers the same great pad response that made the original HandSonic so popular, but with a specialized set of features and a fresh batch of sounds, rhythms, and effects.All-new sounds and patterns (approx. 400) 10 individual pads with pressure sensing Large icon-driven LCD D Beam controller for sound/pitch/effects control New metronome function with backing rhythm patterns 20 multi-effects Rhythm Coach functionNew Sounds & PatternsAn all-new collection of sounds has been created for the HandSonic 10; approximately 400 high-quality instruments are onboard. All of the percussive essentials have been included congas, bongos, tabla, djembe, cajon, etc. as well as melodic percussion, drum kit, special effects, and more.Sensitive SurfaceWhether youre laying down the most delicate finger rolls or the sharpest slaps, the HandSonic 10s playing surface can handle anything you give it. The comfortable round surface is divided into ten individual pads with pressure- and positional-sensitivity. The popular D Beam is also included for dramatic triggering. Strike a virtual gong with your head, throw your fist into a crash cymbal, wiggle your fingers over a perfect chime gliss you get the picture.Rhythm CoachFlaunting your chops on the stage or in the studio is the fun part, but behind the scenes its practice that gets you the gigs in the first place. For this purpose, Roland has equipped the HandSonic 10 with a Rhythm Coach. This virtual trainer provides exercises to improve your timing, consistency, and endurance.I/O OptionsWhile the HandSonic 10 is primarily a hand percussion instrument, users can add a Roland kick pad (optional) via the external trigger input, or add a Roland V-Pad. The input is dual-trigger compatible for double the triggering power via an

Hard Rock Trackpak: Apple Loops for Garageband and Logic $36.24 New – We’ve taken 12 choice cuts from ’70s and ’80s hard rock and metal and created Apple Loops for you to jam with, remix, or edit any way you like! Using the power and flexibility of GarageBand, you can play along and hone your own chops, create your own versions, or use them in your own project. Guitars, bass, drums, and synth – everything’s here from the early metal of Black Sabbath and Judas Priest to the hair metal of Bon Jovi and Dokken! Songs include: Ain’t Talkin’ ‘Bout Love (Van Halen)

Hard Rock Trackpak: Apple Loops for Garageband and Logic $36.31 Used – We’ve taken 12 choice cuts from ’70s and ’80s hard rock and metal and created Apple Loops for you to jam with, remix, or edit any way you like! Using the power and flexibility of GarageBand, you can play along and hone your own chops, create your own versions, or use them in your own project. Guitars, bass, drums, and synth – everything’s here from the early metal of Black Sabbath and Judas Priest to the hair metal of Bon Jovi and Dokken! Songs include: Ain’t Talkin’ ‘Bout Love (Van Halen

Hard Rock Trackpak: Apple Loops for Garageband and Logic $50.95 New – We’ve taken 12 choice cuts from ’70s and ’80s hard rock and metal and created Apple Loops for you to jam with, remix, or edit any way you like! Using the power and flexibility of GarageBand, you can play along and hone your own chops, create your own versions, or use them in your own project. Guitars, bass, drums, and synth – everything’s here from the early metal of Black Sabbath and Judas Priest to the hair metal of Bon Jovi and Dokken! Songs include: Ain’t Talkin’ ‘Bout Love (Van Halen)

Hard Rock Trackpak: Apple Loops for Garageband and Logic $50.95 Used – We’ve taken 12 choice cuts from ’70s and ’80s hard rock and metal and created Apple Loops for you to jam with, remix, or edit any way you like! Using the power and flexibility of GarageBand, you can play along and hone your own chops, create your own versions, or use them in your own project. Guitars, bass, drums, and synth – everything’s here from the early metal of Black Sabbath and Judas Priest to the hair metal of Bon Jovi and Dokken! Songs include: Ain’t Talkin’ ‘Bout Love (Van Halen

Jimmy Smith Trio concert at Newport Jazz Festival on 05 Jul 64 $5.98 The undisputed heavyweight champion of the Hammond B-3 organ, Jimmy Smith revolutionized the unwieldy instrument by bridging the gap between bebop and blues with his earthy virtuosity. Though he wasn’t the first to play organ in a jazz context (Fats Waller, Milt Buckner and Wild Bill Davis had been there before), Smith took the B-3 to places that it had never been before. With Quentin Warren on guitar and William (Billy) Hart on drums, Smith opens his July 5th set at the 1964 Newport Jazz Festival with the bluesy “Sonnymoon for Two,” a quintessential jamming vehicle composed by tenor saxophonist Sonny Rollins. Coming out of the familiar head, guitarist Warren offers a few swinging chorus on guitar before Smith enters with some blues statements on the B-3, gradually building his solo to stratospheric heights while anchoring the tune with his grooving foot pedal bass lines. Hart’s playing is relaxed, loose and syncopated here, perfectly complementing Smith’s incendiary keyboard work. By the halfway point of this nearly 15-minute marathon, it would seem that the organist might exhaust his supply of ideas, but he keeps blazing on with an audacious combination of chops, endurance and soul that leaves the audience stunned. His dynamic solo goes on for a full 10 minutes on this opening number without ever losing energy or excitement. From that stratospheric, swinging opener, the Smith trio heads into more earthbound terrain with a rendition of Ray Charles’ funky gospel-fueled hit from 1959, “I Got a Woman.” They follow with a lush version of “Moonlight in Vermont,” a huge hit in 1953 for guitarist Johnny Smith (with Stan Getz on tenor). Guitarist Warren carries this appealing melody while Smith lays a velvety cushion beneath his deliberate lines and drummer Hart underscores the proceedings with gently swinging brushwork. Smith does offer yet another dazzling keyboard solo here, but it’s well within the context of the lyrical offering. The bluesy shuffle number “The Sermo

Practice Conga with Video $49.2 This revolutionary instrument is the perfect tool for learning, practicing, and warming up your chops on hand drums. The 12" diameter, lightweight wooden drum secures comfortably to your lap via a Velcro strap. The included video, featuring one of Pearl Percussion's top artists, Glen Caruba, as he walks you step by step on basic hand techniques, exercises, and rhythms. Finished in beautiful Wine Red, the Practice Conga will be a huge asset to the beginner as well as the seasoned pro.

Randy Rogers Band – Just a Matter of Time $8.99 Randy Rogers Band: Geoffrey Hill (guitar); Brady Black (fiddle); Jon “Chops” Richardson (bass guitar); Lucy Lawless (drums). An…

Rock Rhythm Chops DVD $18.95 Nick Nolan of GIT presents the ideas and concepts needed to develop really driving rhythm guitar parts that lock in with the bass and drums. Nick also demonstrates a variety of chord voicings and techniques designed to add personality to any rhythm part. Includes: power chords, full chord voicings common “color” tones, mixing bass lines and power chords, and rock, funk and ballad styles. Special Features Include: ~Tuning Segment ~Artist Video Previews ~Bonus Video Tips ~Getting To Know Your Amplifier ~Beyond Basics Catalog ~Internet Connectivity.  

Studio Drummer Virtual Instrument $79.99 Native Instruments Studio Drummer includes top-of-the-line drum kits, detailed mixing options, and a ready-to-go groove library, packed with authentic beats of all colors and flavors. It's much more than state-of-the-art sampled drums. Thanks to more than 3,500 authentic grooves, STUDIO DRUMMER makes it easy for anyone to produce lifelike, dynamic drum tracks. And the on-board mixer and powerful effects deliver enough usability, versatility and tweakability to meet the demands of eclectic modern producers.Native Instruments STUDIO DRUMMER gives you three premium acoustic kits a Pearl Masters Premium Maple kit, a Yamaha Maple Custom Absolute kit and a Sonor SQ2 Drum System. The kits are set up with Paiste, Zildjian, Sabian and Masterworks cymbals, and snares by Sonor, Mapex, Ludwig, and Masshoff. To round things off, you also get percussion, with tambourine, sticks, cowbell and handclaps. All drums were painstakingly recorded using the best mics and outboard gear at Teldex Studios, in Berlin. The result: Over 17 GB of pristine, 24-bit drum samples, capturing the unique sound and responsiveness of the original kits.Behind the glass, NIs STUDIO DRUMMER provides a dedicated mixing environment. All drums close micd, plus adjustable snare bleed, stereo overheads, room mics for ambience and an additional mono mic on the entire kit. Mixer presets, with precision mic levels, room sound and effects, provide fast-track settings for a wide range of sounds. A high-quality studio effects section gives you warm tape saturation, convolution reverb and three big-league effects: the SOLID G-EQ, the SOLID BUS COMP compressor and the awe-inspiring TRANSIENT MASTER.What good is an awesome drum kit without the skills to play it? STUDIO DRUMMER gives you the chops on a plate, with over 3,500 drum patterns and fills in a wide range of genres and styles. All grooves were recorded live especially for STUDIO DRUMMER, for 100 percent realism. Find the beat that suits the track youre work

Swing Favorites: Piano: Instrumental Play-Along Book/CD Pack $37.95 New – These revolutionary play-along packs let you sit in with a professional big band, without the pressure of playing solo. They’re perfect for current players who want to practice their chops and for those former players who want to get back in the swing! Each volume includes: easy-to-read, authentic big band arrangements; professional recordings of all the big band instruments, including the lead part; book/CD packs for alto sax, tenor sax, trumpet, trombone, guitar, piano, bass and drums. V

Swing Favorites: Piano: Instrumental Play-Along Book/CD Pack $28.65 New – These revolutionary play-along packs let you sit in with a professional big band, without the pressure of playing solo. They’re perfect for current players who want to practice their chops and for those former players who want to get back in the swing! Each volume includes: easy-to-read, authentic big band arrangements; professional recordings of all the big band instruments, including the lead part; book/CD packs for alto sax, tenor sax, trumpet, trombone, guitar, piano, bass and drums. V

Swing Favorites: Piano: Instrumental Play-Along Book/CD Pack $36.75 Used – These revolutionary play-along packs let you sit in with a professional big band, without the pressure of playing solo. They’re perfect for current players who want to practice their chops and for those former players who want to get back in the swing! Each volume includes: easy-to-read, authentic big band arrangements; professional recordings of all the big band instruments, including the lead part; book/CD packs for alto sax, tenor sax, trumpet, trombone, guitar, piano, bass and drums.

Swing Favorites: Piano: Instrumental Play-Along Book/CD Pack $13.84 Used – These revolutionary play-along packs let you sit in with a professional big band, without the pressure of playing solo. They’re perfect for current players who want to practice their chops and for those former players who want to get back in the swing! Each volume includes: easy-to-read, authentic big band arrangements; professional recordings of all the big band instruments, including the lead part; book/CD packs for alto sax, tenor sax, trumpet, trombone, guitar, piano, bass and drums.

Swing Favorites: Piano: Instrumental Play-Along Book/CD Pack $13.83 Used – These revolutionary play-along packs let you sit in with a professional big band, without the pressure of playing solo. They’re perfect for current players who want to practice their chops and for those former players who want to get back in the swing! Each volume includes: easy-to-read, authentic big band arrangements; professional recordings of all the big band instruments, including the lead part; book/CD packs for alto sax, tenor sax, trumpet, trombone, guitar, piano, bass and drums.

The Modern Jazz Quartet concert at Newport Jazz Festival on 01 Jul 65 $7.98 Formed in 1952, the Modern Jazz Quartet played at the first Newport Jazz Festival in 1954 with an intriguing variation on the lineup that featured Horace Silver on piano (subbing for John Lewis), Milt Jackson on vibraphone, Percy Heath on bass, and Kenny Clarke on drums. The following year they appeared at George Wein’s festival with the more familiar lineup of Lewis, Jackson, Heath, and drummer Connie Kay. That same unit appeared at the 1959 Newport Jazz Festival with their unique approach to blending chamber-like delicacy with blues feel and jazz improvisation, and re-visited the festival in 1965. They open their Thursday evening performance with Milt Jackson’s “True Blues,” an earthy, laid back number which was originally recorded by the group in 1952 for their self-titled debut. Kay initially underscores the proceedings with some supple brushwork, as Heath lays down some deep grooving walking bass lines. Lewis’ piano comping is sparse behind Jackson’s profoundly blue vibes solo, as Kay switches to sticks and eases into a lazy, behind-the-beat shuffle. Lewis then brings his own blues-tinged chops to bear on a brilliant piano solo. “Newport Miss” is a catchy new piece written by Lewis for this occasion of the 11th annual Newport Jazz Festival. A sublime version of George Gershwin’s “Summertime” expertly dips into that chamber-like aesthetic that the MJQ is so well known for, while also leaving plenty of room for personal expression in the individual improvisations. Jackson’s shimmering vibes solo here is one of the highlights of the set. “Home” is a jaunty blues number co-composed by Lewis and David Murray (and which had been recorded in big band form earlier in the year on the group’s 1965 recording Jazz Dialogue). They next interpret Gershwin’s lament “Man Man’s Gone Now” (like “Summertime,” it was also recorded for the group’s 1965 release, Plays George Gershwin’s Porgy and Bess) with uncommon delicacy and soul. Lewis’ unaccompanied solo near the end of

USED: Fury and Flames $7.99 Although the Scandinavian countries have been dominating death metal and black metal for a long time, one shouldn’t forget that many of the early death metal bands came out of the United States — and one of North America’s extreme metal pioneers was Erik Rutan, who was playing death metal and grindcore in the band Ripping Corpse as early as 1987 and continued in that vein in the ’90s and 2000s with Hate Eternal — all of which in addition to his contributions to Morbid Angel. Hate Eternal have had their share of lineup changes since the band’s formation in 1997 (which is certainly not unusual for a death metal/grindcore combo), and on Fury and Flames, the outfit unveils a new lineup consisting of Rutan on lead vocals and guitar, Shaune Kelley (another ex-member of Ripping Corpse) on guitar, Alex Webster (known for his contributions to Cannibal Corpse) on bass, and Jade Simonetto on drums. Of the four, Rutan is the only one who was part of Hate Eternal’s original lineup, but all those personnel changes haven’t changed their sound. Rutan, after all, is the brains behind Hate Eternal; the band has always been the brainchild of Rutan, who is known for liking his metal bombastic, harsh, dense, and ultra-fast. That has been Rutan’s mindset since the Ripping Corpse days, and he maintains his unapologetic viciousness on Fury and Flames. With this early-2007 recording, Hate Eternal provide yet another dose of unforgiving, head-crushing bombast that is usually delivered at breakneck speed. Nothing groundbreaking occurs, and anyone who expects a lot of nuance and melody from death metal should stick to bands like In Flames and At the Gates. But the songs on this album are well executed (never let it be said that Hate Eternal lack chops). And despite the obvious limitations of this approach, Rutan’s longtime fans will find Fury and Flames to be a decent, if predictable, exercise in sensory assault for the sake of sensory assault. ~ Alex Henderson, Rovi

USED: The Glorious Revolution $4.99 The pulsing, kinetic sound that vaulted the Rocket Summer and the David Crowder*Band to the top of Christian rock charts apparently was contagious. It spread south down Interstate 35 from the homes of these heavyweights to find the next big thing from Texas — San Antonio’s Grey Holiday. Longtime friends Matt Minor (vocals/guitar), Steven Bedingfield (guitars/programming), R.T. Bodet (bass), and Josh Fenoglio (drums) had gigs fall in their laps practically while they were still honing their craft. Christian listeners who had their fill of Casting Crowns, MercyMe, and countless Brit-pop knockoffs had no problem sinking their teeth into this sumptuous serving of modern rock. Without gimmicks, the quartet’s earnestness was its strength on tracks like “Let Go” and “Where You Want Me.” The worship element of The Glorious Revolution doesn’t take a back seat so much as it is comfortably dressed up in a magnetic soundscape of guitars and heavy beats. The bandmembers described their sound to be somewhere between Maroon 5 and Muse, which is an expanse wide enough to drive a truck through. It may raise eyebrows to note Jason Ingram’s appearance as co-producer, since he made his name working with toned-down pop acts like Bebo Norman and Rush of Fools. However, the band trusted that he could bless a full-throttle rock record with his Midas touch, and Ingram delivered. He showed impressive chops by not only producing, but by co-writing every song. A downside is the album’s length, a mere six tracks recorded with the promise of “new music, more often” — meaning that the band committed to release another project within ten months and attempted to make up for the lack of music with multimedia material on the disc (mostly videos and an extended band interview). The Glorious Revolution is a surefire buzz-builder, an intriguing yet unfortunately short release by a band to watch over the coming years. ~ Jared Johnson, Rovi

USED: West for Wishing [EP] $2.99 The West for Wishing EP is Matchbook Romance’s debut for Epitaph, who signed the upstate New York band after hearing their demo online. The newfound exposure also led to a name change — Matchbook Romance used to be known as the Getaway, but Epitaph put the kibosh on that moniker, as it was already in use. Matchbook Romance’s debut places the band at a crossroads. Vocalists/guitarists Andrew Jordan and Judas Depaolo aren’t as cry baby-ish as most emo in the wake of the genre’s popular breakthrough. But neither is the racket they and Ryan Kienle (bass) and Aaron Stern (drums) create angry or tough enough to be hardcore. Producer/mixer (and Epitaph owner/Bad Religion frontman) Brett Gurewitz has groomed tracks like “14 Balloons” and “Farewell to Friends” to feature both the plaintive and the powerful. Lyrics like “The stars, they lay across the sky perfectly/It’s our last night together” are finger-down-throat gagworthy, but Stern’s muscular percussion and the spiraling, crashing guitars definitely aren’t. This EP is a teaser for an eventual Epitaph full-length that should better align Matchbook Romance’s stage-burning musical chops with its sappy songwriting. ~ Johnny Loftus, Rovi

Wailing Wall $16.98 Released in 1970 by the El Paso, TX, label Suemi, Wailing Wall’s sole LP is mostly an item for the psychedelic rock collector’s wish list, but it delivers an interesting enough listen for more casual fans of obscure American ’70s rock. Mike Cancellari (guitar), Doug Adams (vocals), Darrel Adams (bass), and David Rutledge (drums) were not the best of musicians, but what they lacked in tightness (and they did) they almost made up in feeling and a certain level of creativity. Cancellari was obviously a quick learner of Jimi Hendrix’s chops, but while other guitarists at the time were focusing on the genius’ sound and riffs, Cancellari picked up his bluesy soul (“Meet My Dreams” borrows the moody feel of “Rainy Day, Dream Away”). Doug Adams misses a few easy notes, but he has a deep soul-blues voice, between the range and strength of Chicago’s Robert Lamm and Terry Kath. The vocal harmonies in “Scissor-Tailed Swallow” and the addition of two trombones in “Meet My Dreams” provide extra similarities with early Chicago, although Wailing Wall’s brand of rock is heavier and definitely Southern. The heartfelt delivery and hard-thumping grooves (“Mad Rapper” crosses Hendrix’s “Red House” with the rootsier moments of early Captain Beefheart) compensate for some awful lyrics, especially in “Country of the Goose,” which could have been a strong song at four or five minutes, but becomes embarrassing at nine. Still, this album deserved to receive a wider audience than the El Paso locals. Shadoks reissued the album in 2004 with decent sound quality. ~ Fran? ois Couture, Rovi

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