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Drums Jazz Music
Christian Ringtones: In Jazz Music And More
Christian ringtones are available for those who want inspirational ringtones. However, Christian music might not be soft and slow. Since Christianity is really a life style, modern Christian musicians are actually composing songs who have attributes of well-known music. Themes of these songs can touch any aspect of life. They do this not only to earn. Christian musicians also do that because they understand that music can touch many lives.
Christian songs aren't popular for some. There are those who feel that Christian music is judgmental. When servings of the song can be obtained as Christian ringtones, it could bring in an individual who hears the ringtone. If he likes it, he could have the interest to know the complete song and realize the beauty of Christian music.
To demonstrate that Christian music is not boring, you will find Christian Jazz musicians which come together who're prepared to promote outcomes of talent, jazz music, spirituality and faith in God. It should not surprise should you hear Christian Jazz ringtones.
Many people love jazz music. The improvisation, syncopation, swings and rhythm makes jazz an alternative sort of music. For people who have no idea what correct jazz music is, the usage of trumpets, saxophones, trombones and clarinets is the thing that jazz is all about for the kids. However, the piano, the double bass and drums may also be beneficial in jazz music.
The Christian ringtones you will hear with jazz themes may display the skill of special technique in playing a specific instrument. Because ringtones lasts just for a couple of seconds, the various of songs that workout the use of syncopation are well-known choices for ringtones. Syncopation is a disturbance from the typical flow of rhythm in jazz music. Christian Jazz ringtones highlights this section of a song.
Swing is an additional robust feature of jazz music. It is in these sections when double bass and drums provide robust rhythm. With swing bands, there are generally solo parts. The soloist plays his instrument by improvising a melody on the original arrangement. This portion can create a number of excellent Jazz ringtones.
African tribal music is the inspiration from the rhythm that jazz music uses. It's continuously creating and now is more popular as “rhythm and blues” or R&B. These days, this type of music incorporates with gospel and soul music which are sources of Christian Jazz ringtones.
Again, Christian music is not all soft and slow. Christian musicians compose praise and worship songs sung by children with happy melodies. Christian music even offers enjoy songs, wedding songs and many inspirational songs that may encourage in the everyday lives of listeners. You can get Christian ringtones that won't make you feel too spiritual only lets you to become lover of fine music.
Drums Jazz Music
Why Plastic Drums Are Excellent Alternatives To Ship Goods
Shipping industries are becoming some of the most successful businesses around the globe. The reason behind is that is actually because all kinds of product trades should go through shipping. In terms of materials involved industrially, they are actually kept securely in steel or perhaps in some cases plastic drums and through this they can be shipped from one country to another until they reach where they are supposed to be. In the United States, steel drums tend to be used by shipping companies for containing products for transports, especially highly corrosive materials such chemicals along with other industrial and flammable substances. However, there are lots of disadvantages in using steel drums. You can see that a poly drum can be beneficial for shipping many items.Exactly why a lot of shipping companies do use steel drums for durable and structural containment. Even so, let's consider the disadvantages. Steel drums contain the tendency to rust and that makes them unqualified to contain substances that may be harmful if open unnecessarily. It might definitely cost you so much to keep steel drums though there might be ways on how to do it. To maintain the quality of such container drums, painting and cleaning will have to be done every now and then. Make this happen accordingly to prevent leakages that can harm the environment. This is really true and these type of drums have actually become the most biggest pollutants in our seas and communities all over the world. You might be asking at this time what can be the answer to this problem and all that is left is plastic container drums.
Consider plastic drums for shipping different items These kinds of drums are definitely qualified for shipping goods because of the characteristics they have. Although steel drums are prone to rusting, plastic drums are a 100 % rust proof and are highly protected to various climate conditions. Plastic drums are indeed the best means for successful storage and shipping because of the protection and containment they can give to even the most harmful chemical and flammable materials. You could be seeking more? If you might notice plastic drums comes in different shapes and forms making them suitable for any kind, amount, or volumes of items, products, or materials. It is true that a poly drums may be your best choice for transporting many liquds.
Much more advantages can be carried out in merely using plastic drum containers. With regards to value, plastic drums are definitely far cost effective that steel drums. Two, plastic drums for containment and shipping are produced well with the best polymer materials and engineered with great precision to prevent spilling of harmful chemicals. One more thing, the load won't be a problem for they are not that heavy when compared with steel drums, making them simple to transfer. Last and not the least, plastic drums are compatible to hand trucks, parrot breaks, forklift and hoists.
They may not be as extravagant as steel drums, but a lot of industrial companies for example shipping lines have actually transitioned by using plastic drums for containment of various materials for transport. When you are wanting to have those products or goods you have be shipped to another place, consider keeping them in plastic drum containers for they cannot only guarantee safety of the items, but most especially being inexpensive and 100% effective.
drums jazz music
Nelson Rangell Look Again Jazz Music CD Review
The exceptionally talented Jazz artist Nelson Rangell has released him CD entitled Look Again. I am very confident and happy to announce that I believe Nelson Rangell fans, and Jazz fans alike will be pleased with this one. With the release of Look Again Nelson Rangell’s artistic excellence is on full display as Rangell has once again delivered a brilliant collection of tracks that could very well be him best work to date.
Nelson Rangell has been a heavy hitter in the Jazz genre for quite some time now and Look Again is an excellent illustration as to why.
One of the nicer things about a CD like this is when the talent is this rich even if Jazz isn’t your favorite genre you still can’t help but appreciate the greatness of the artist.
If you’re a Nelson Rangell fan, or just a fan of Jazz music this is a CD your collection simply should not be without.
While this entire CD is outstanding some of my favorites are track 3 – Good Morning Love, track 8 – Somethin’s Goin On, and track 11 – Scenario
My Bonus Pick, and the one that got Sore [...as in "Stuck On REpeat"] is track 1 – Look Again. Good stuff!
Look Again Release Notes:
Nelson Rangell originally released Look Again on March 11, 2003 on the A440 Music Group label.
CD Track List Follows:
1. Look Again 2. Dedication 3. Good Morning Love 4. Off The Hook 5. Saturday Night 6. Long Walk 7. Steppin’ 8. Somethin’s Goin On 9. With All My Heart 10. Whisper 11. Scenario
Personnel includes: Nelson Rangell (saxophone); Terry Black (vocals, keyboards, Moog bass, programming); Will Downing (vocals); Jeff Kivet (trumpet); Ozzie Melendez (trombone); John Blasucci (keyboards, Hammond B-3 organ); Chris Davis, David Mann, Tejai (keyboards, programming); Gerey Johnson, Rhon Lawrence (guitar); Will Lee, Lamar Jones, Richard Patterson, Vernon Barbary (bass); Khari Parker, Ralph Rolle, Tarell Martin (drums); Lenny Castro (percussion); Craig Bauer (programming).
Producers include: Chris Davis, Darren Rahn, Craig Bauer, Vernon Barbary, Terry Black.
About the Author
Can anyone recommend some new Jazz music?
Specifically, I’d love to listen to something post 1990, and something comprised of mostly guitar, drums, and piano–a really bare bones sound. I’m not too into horns and strings. I’ve heard a lot of the older jazz, but I know very little about “new jazz.” If anyone can recommend some a cool jazz trio focused around piano, guitar, and drums that would be dope.
Some really dope tunes by a trio, more to come later:
Oscar Peterson – On The Sunny Side Of The Street
Pat Metheny Trio – All The Things You Are
Oscar Peterson – The More I See You
Joe Pass Trio
http://www.youtube.com/watch?v=qM5oh6W0TvI
drums jazz funk groove
Below are some cheap but quality products related to drums jazz music. We are pretty sure you will find good deals with the products below relating to drums jazz music. Enjoy!
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Submersible Music Jazz Drums $69 With over 1000 drum loops from 50 to 200 bpm, Submersible Music’s Jazz Drums is exactly what it says, the very heart and soul of jazz drumming. Whether it’s a slow ballad, sparsely sprinkled with drum hits, to fast-moving, fiery flams and rolls, the Jazz Drums sample library has the loops and performances you need for authentic jazz flavor. Picture a smoky jazz club on the wrong side of town. It’s 2am, and you’re one of the last ones left listening. You can hear the swish and swing of the brushes on snare, the accent of the kick, never the same, always unpredictable and yet in the right spot. The ride and the hi-hat strike up a rhythmic conversation, and it’s a pleasure to be listening in. NOTE: This Jazz Drums sample collection contains only audio loops. There are no MIDI grooves or drum kits included.Over 1000 drum loops from 50 to 200bpmLoops and performancesAuthentic jazz flavor |
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Discovery Jazz Favorites – Drums $4.95 By Various. Discovery Jazz. Grade 1-2. 32 pages. Published by Hal Leonard |
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Discovery Jazz Collection – Drums $4.99 By Various. Discovery Jazz. Grade 1-2. 32 pages. Published by Hal Leonard |
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The Best of Easy Jazz – Drums $4.95 (15 Selections from the Easy Jazz Ensemble Series). Easy Jazz Ensemble Series. Grade 2. Softcover. 40 pages. Published by Hal Leonard |
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Solar – Drums (Digital Sheet Music) $3.99 By Miles Davis. Arranged by Mike Tomaro. Jazz band. For Drums. Jazz. Individual instrument part. 3 pages. Published by Hal Leonard – Digital Sheet Music |
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Oleo – Drums (Digital Sheet Music) $3.99 By Sonny Rollins. Arranged by Mark Taylor. Jazz band. For Drums. Jazz. Individual instrument part. 4 pages. Published by Hal Leonard – Digital Sheet Music |
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Alfred Jazz Combo Collection (Drums) $8.95 Arranged by Dave Wolpe. Jazz Ensemble. For jazz ensemble (Drum part). Jazz Ensemble Collection. Jazz. Collection (leadsheet notation). Leadsheet notation. 22 pages. Published by Alfred Music Publishing |
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Easy Jazz Classics – Drums $4.95 Easy Jazz Ensemble Series. Grade 2. 32 pages. Published by Hal Leonard |
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Easy Jazz Favorites – Drums $4.99 By Various. Easy Jazz Ensemble Series. Grade 2. 32 pages. Published by Hal Leonard |
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Spain – Drums (Digital Sheet Music) $3.99 “By Al Jarreau, Chick Corea, Joaquin Rodrigo (1901-1999), and Artie Maren. Arranged by Paul Jennings. Jazz band. For Drums. Jazz; Latin. Jazz Band. 3 pages. Published by Hal Leonard – Digital Sheet Music” |
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Manteca – Drums (Digital Sheet Music) $3.99 “By Dizzy Gillespie (1917-1993), Luciano Pozo Gonzales, and Walter Gil Fuller. Arranged by Michael Sweeney. Jazz band. For Drums. Jazz. Jazz Band. 2 pages. Published by Hal Leonard – Digital Sheet Music” |
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Young Jazz Collection for Jazz Ensemble $9.95 (Drums). Jazz Ensemble. For Drums. Jazz Ensemble Collection. Young Jazz Collection for Jazz Ensemble. Jazz. Book. 28 pages. Published by Alfred Music Publishing |
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Libertango – Drums $3.99 By Astor Piazzolla (1921-1992). Arranged by Michael Philip Mossman. Jazz band. For Drums. Classical; Jazz. Individual instrument part. 2 pages. Published by Hal Leonard – Digital Sheet Music |
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Swing Classics for Jazz Ensemble – Drums $4.95 “Arranged by Dave Barduhn, Mark Taylor, Paul Lavender, and Sammy Nestico. For jazz band (Drum part). Young Jazz (Jazz Ensemble). Jazz and Instructional. Grade 3. Collection. 32 pages. Published by Hal Leonard” |
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Four – Drums (Digital Sheet Music) $3.99 By Miles Davis. Arranged by John Berry. Jazz band. For Drums. Standards. Individual instrument part. 2 pages. Published by Hal Leonard – Digital Sheet Music |
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Libertango – Drums (Digital Sheet Music) $3.99 By Astor Piazzolla (1921-1992). Arranged by Michael Philip Mossman. Jazz band. For Drums. Classical; Jazz. Individual instrument part. 2 pages. Published by Hal Leonard – Digital Sheet Music |
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Getaway – Drums (Digital Sheet Music) $3.99 “By Earth, Wind and Fire. By Beloyd Taylor and Peter Cor. Arranged by Paul Murtha. Jazz band. For Drums. Jazz; Pop. Individual instrument part. 3 pages. Published by Hal Leonard – Digital Sheet Music” |
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Undecided – Drums (Digital Sheet Music) $3.99 By Sid Robin and Charles Shavers. Arranged by Michael Sweeney. Jazz band. For Drums. Jazz. Individual instrument part. 2 pages. Published by Hal Leonard – Digital Sheet Music |
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Footloose – Drums (Digital Sheet Music) $3.99 By Kenny Loggins. By Kenny Loggins and Dean Pitchford. Arranged by John Berry. Jazz band. For Drums. Film/TV; Jazz; Pop; Rock. Individual instrument part. 2 pages. Published by Hal Leonard – Digital Sheet Music |
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Nardis – Drums (Digital Sheet Music) $3.99 By Bill Evans. By Miles Davis. Arranged by Paul Murtha. Jazz band. For Drums. Jazz; Latin. Individual instrument part. 2 pages. Published by Hal Leonard – Digital Sheet Music |
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Topsy – Drums (Digital Sheet Music) $3.99 By Eddie Durham and Edgar Battle. Arranged by John Berry. Jazz band. For Drums. Jazz. Individual instrument part. 2 pages. Published by Hal Leonard – Digital Sheet Music |
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Peg – Drums (Digital Sheet Music) $3.99 By Steely Dan. By Donald Fagen and Walter Becker. Arranged by Mike Tomaro. Jazz band. For Drums. Jazz; Rock. Individual instrument part. 3 pages. Published by Hal Leonard – Digital Sheet Music |
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A Little Night Music – Drums (Digital Sheet Music) $3.99 By Wolfgang Amadeus Mozart (1756-1791). Arranged by Mark Taylor. Jazz band. For Drums. Broadway; Jazz. Individual instrument part. 2 pages. Published by Hal Leonard – Digital Sheet Music |
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Intermediate Jazz Conception – Drums (book & CD) $21.95 By Jim Snidero. For Drums. Book and CD. Published by Advance Music |
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Pent Up House – Drums (Digital Sheet Music) $3.99 By Sonny Rollins. Arranged by Mike Tomaro. Jazz band. For Drums. Jazz. Individual instrument part. 4 pages. Published by Hal Leonard – Digital Sheet Music |
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Portrait Of Winnette – Drums (Digital Sheet Music) $3.99 By Mark Taylor. Jazz band. For Drums. Jazz; Latin. Individual instrument part. 3 pages. Published by Hal Leonard – Digital Sheet Music |
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Not Yet Over the Hill – Drums (Digital Sheet Music) $3.99 By Mark Taylor. Jazz band. For Drums. Jazz. Individual instrument part. 3 pages. Published by Hal Leonard – Digital Sheet Music |
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Bebop ‘n’ Georgia – Drums (Digital Sheet Music) $3.99 By Mark Taylor. Jazz band. For Drums. Jazz. Individual instrument part. 3 pages. Published by Hal Leonard – Digital Sheet Music |
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Blue ‘N’ Moody – Drums (Digital Sheet Music) $3.99 By Michael Sweeney. Jazz band. For Drums. Blues; Jazz. Individual instrument part. 2 pages. Published by Hal Leonard – Digital Sheet Music |
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Them Changes – Drums (Digital Sheet Music) $3.99 By Buddy Miles. Arranged by Roger Holmes. Jazz band. For Drums. Jazz. Individual instrument part. 2 pages. Published by Hal Leonard – Digital Sheet Music |
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Standard of Excellence Jazz Ensemble Book 1, Drums $17.95 “By Dean Sorenson. Edited by Bruce Pearson. Band. For drums. Band method. Standard of Excellence Jazz Ensemble Method. Book A,1. Method book. Published by Neil A. Kjos Music Company” |
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Standard of Excellence Jazz Combo Session-Drums & Vibes $14.95 “By Dean Sorenson. Band. For drums & vibes. Band method. Standard of Excellence Jazz Ensemble Method. Book A,1. Method book. Published by Neil A. Kjos Music Company” |
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Thriller – Drums $3.99 By Michael Jackson. By Rod Temperton. Arranged by Roger Holmes. Jazz band. For Drums. Pop; Rock. Individual instrument part. 2 pages. Published by Hal Leonard – Digital Sheet Music |
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Young Jazz Ensemble Collection $6.95 (Drums). Jazz Ensemble. For Drums. Jazz Ensemble Collection. Jazz. Book. 32 pages. Published by Alfred Music Publishing |
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The Best of Sammy Nestico – Drums $4.95 Arranged by Sammy Nestico. For Drums. Young Jazz (Jazz Ensemble). Grade 2-3. 24 pages. Published by Hal Leonard |
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Thriller – Drums (Digital Sheet Music) $3.99 By Michael Jackson. By Rod Temperton. Arranged by Paul Murtha. Jazz band. For Drums. Pop. Individual instrument part. 2 pages. Published by Hal Leonard – Digital Sheet Music |
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Sunny – Drums (Digital Sheet Music) $6 By Bobby Hebb. By Bobby Hebb. Arranged by Kirby Shaw. For Drums. Rhythm. Concert; Jazz; Pop. Individual instrument part. 6 pages. Duration 3:30. Published by Hal Leonard – Digital Sheet Music |
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Groovin’ High – Drums (Digital Sheet Music) $3.99 By Charlie Parker and Dizzy Gillespie. By Dizzy Gillespie (1917-1993). Arranged by Rick Stitzel. Jazz band. For Drums. Jazz. Jazz Band. 2 pages. Published by Hal Leonard – Digital Sheet Music |
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Jordu – Drums (Digital Sheet Music) $3.99 By Duke Jordan. Arranged by Mark Taylor. Jazz. Jazz Band. 3 pages. Published by Hal Leonard – Digital Sheet Music |
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Lost! – Drums (Digital Sheet Music) $3.99 Arranged by Paul Murtha. Jazz; Pop; Rock. Jazz Band. 2 pages. Published by Hal Leonard – Digital Sheet Music |
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Doxy – Drums (Digital Sheet Music) $3.99 By Sonny Rollins. Arranged by John Berry. Jazz. Jazz Band. 2 pages. Published by Hal Leonard – Digital Sheet Music |
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Freddie Freeloader – Drums (Digital Sheet Music) $3.99 By Miles Davis. Arranged by Les Hooper. Jazz band. For Drums. Blues. Individual instrument part. 2 pages. Published by Hal Leonard – Digital Sheet Music |
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Broadway Boogie – Drums (Digital Sheet Music) $6 By Kirby Shaw. For Drums. Combo. Jazz; Musical/Show. Individual instrument part. 2 pages. Published by Hal Leonard – Digital Sheet Music |
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Jukebox Jumpin’ – Drums (Digital Sheet Music) $6 By Mac Huff. For Drums. Combo. Jazz; Pop. Individual instrument part. 3 pages. Published by Hal Leonard – Digital Sheet Music |
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Touchdown Tony – Drums (Digital Sheet Music) $3.99 By Michael Sweeney. Jazz band. For Drums. Funk; Latin. Individual instrument part. 3 pages. Published by Hal Leonard – Digital Sheet Music |
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Fred Cool Jazz Ice Cube Tray $4.66 Jazz up your favourite beverages with this fantastic Cool Jazz Ice Cube Tray. With guitar ice cubes your drinks will be served ‘on the rock and roll’ as opposed to just ‘on the rocks’! The Cool Jazz Ice Cube Tray comes complete with a guitar and music note shaped ice cube tray and guitar neck swizzle sticks that will run down the centre of your guitar ice cubes. Stylish and funky, our Cool Jazz Ic… |
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Lesley Langley – 3×2 inch Fridge Magnet – large magnetic button – Magnet $4.99 Rectangular wrap-around refrigerator magnet and a glossy mylar cover.Large 2×3 inch rectangle fridge magnet or ‘buttons’ as they are sometimes known in the USA.Crop shown is automated for display purposes only. All magnets are hand finished and the best most appropriate crop will always be selected to best show the full image. Therefore, actual product may vary slightly from crop shown – this can … |
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Lesley Langley – Mug – Standard Size $14.50 This mug is created using the finest dye sublimation techniques and creates a stunning dishwasher safe finish. Great as a gift, or for promotional items. Each of our mugs come individually boxed for protection in transit…. |
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Blast!: An Explosive Musical Celebration [VHS] $3.99 If your favorite part of a football game is when the marching band takes the field, then you’re going to love Blast. Think of the most rousing, in-sync band that you ever saw, turn them way up, add cool costumes and a black-and-white checkered stage with colored spotlights, throw in a good helping of the Stomp vibe, and you’ve got Blast. Color is the theme that threads the different musical pie… |
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Mike Portnoy: Liquid Drum Theater [VHS] $17.78 2-video boxed set documents Portnoy’s innovative drumming style. Volume One features music by Liquid Tension Experiment. Mike performs eight songs and breaks down parts from each, focusing on how to develop a toolkit of fills and patterns. Volume Two focuses on the music of Dream Theater, and deals with odd time signatures, double bass techniques, soloing, and much more. Both instructional drummin… |
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Andrew Cyrille Jazz Methodology in Drum Music (In & Out of Meter) With On-Screen Notation (VHS) … |
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Drums Night Light – Music – Musical Instrument $14.99 This is a very nice looking drum night light! This light makes a very unique gift and perfect as a stocking stuffer, office gift, or grab bag gift. This is a very popular light and will look great in any room in your house! This photographic image is printed in the USA using high quality inks. **PLEASE NOTE** Unlike cheaper night lights, the light bulb on these decorative lights are fully enclosed… |
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Drums Night Light – Music – Musical Instrument LED NIGHT LIGHT $18.49 This is a very nice looking drum night light! This light makes a very unique gift and perfect as a stocking stuffer, office gift, or grab bag gift. This is a very popular light and will look great in any room in your house! This photographic image is printed in the USA using high quality inks. **PLEASE NOTE** Unlike cheaper night lights, the light bulb on these decorative lights are fully enclosed… |
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21 x 7 Wall Vinyl Sticker Grunge Music $23.97 Product Number: 030-505954968 Wall peels are printed on a reusable vinyl with a special adhesive that sticks to walls without harming them. No tape. No tacks. No marks. * Measures 21″ x 7″ * Won’t hurt walls * Can be moved and reused… |
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Mister Rogers’ Neighborhood: Making Music – #1546-1550, Music as a Way to Express Feelings (Two-Disc) $29.95 Mister Rogers thought of himself first and foremost as a musician, and he was delighted to share his love of music. In these five episodes he introduces children to some of the many different ways people use music to express feelings. He visits with world renowned cellist Yo-Yo Ma and the Empire Brass Quintet. He explores rhythms with Ella Jenkins and with a fascinating collection of rhythmic inst… |
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‘Firecracker’ 5×12 Snare Drum $129.99 Pearl is known the world over for making some of the finest snare drums in the industry. And when a drummer is ready to experiment with different sounds, usually the first thing to change is the snare, the cornerstone of your kit. Now Pearl has added an explosive line up of snares to supplement your repertoire, the all NEW FireCracker Snare drums. These sonic marvels are available in 2 unique shell configurations, 8 ply Poplar finished in gleaming Ebony Mist or lustrous classic Steel. The 8 plies of Poplar provide a solid, powerful punch with warm balanced sustain. And if it is brilliant attack and unyielding resonance that your crave, the steel shell is your ticket to ride. Both of these unique shell materials are available in 2 sizes, 10"x5" and 12"x5". Highlights: Size: 12"x5" Shell: 8-ply Poplar Hoops: 1.6mm Steel Lugs: CL-50 Rods: 6 Tension Rods: T-061L Strainer: SR-018 Snares: S-032 High-pitched, cutting and loud, a 10 or 12" piccolo snare drum, particularly this PEARL Firecracker has become a widely used and heard snare drum sound in funk music, hip-hop, rock, jazz and Caribbean music. To get that high, penetrating pop, drummers have stopped cranking the daylights out of a standard snare drum and have moved to a snare drum that is designed to create that sound easily. Many drummers have added a piccolo snare drum to their drum set as a second snare and can go to that piccolo snare at any time during their performance.Get your PEARL 5×12 Firecracker Snare Drum from Sam Ash Direct today, with fast, free shipping at the guaranteed lowest price. Sam Ash Direct gives you the security of more than 86 years of experience, 24/7 customer support and the Sam Ash Direct 45 day return and 60 day price protection policy. You cannot go wrong! |
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‘Giant Beat’ 20 Multi-Functional Cymbal $290.99 The PAISTE 20 Giant Beat, also available in a higher-pitched 18 model, are venerable cymbals, developed during the 1960s rapid expansion of popular music, that were faithfully recreated and re-launched by Paiste in 2005. Giant Beat cymbals offer the big, warm, brilliant vintage sound that takes you straight back to the roots of Rock and are fantastic for achieving a timeless crash ride style and sound. Here are the features:Introduced in 1967!Alloy: CuSn8 Bronze, also known as "2002 Bronze"Applications: Soft to loud settings Live and recording Blues, Jazz, Rock, Beat Music, Rock, CountrySound: Bright and warm with a multilayered, full, dark, glassily splendid presence and a wonderfully big loose and lively feel.Feel: Very responsive and giving feel.Sizes: 18" and 20" Weight: medium thinVolume: soft to loudStick Sound: sizzly, washyIntensity: livelySustain: mediumBell Character: integratedGet your 'Giant Beat' 20" Multi-Functional Cymbal from Sam Ash Direct today, with fast, free shipping at the guaranteed lowest price. Sam Ash Direct gives you the security of more than 86 years of experience, 24/7 customer support and the Sam Ash Direct 45 day return and 60 day price protection policy. You cannot go wrong! |
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‘Round Midnight $11.99 Criminally unsung pianist and singer Andy Bey had the most visible career after he and his sisters Salome and Geraldine Bey broke up their performing trio after an 11-year run in 1967, but this family singing ensemble was far more than just the act that launched Andy, and he wasn’t really the focus of the group. All three siblings were highlighted equally in the trio, and their harmonies together were the ethereal kind that can only happen in a family where all involved have grown up hearing each other’s voices and phrasing every single day. The Bey trio recorded very little together, unfortunately, just a single album for RCA in 1961 and two albums for Prestige, Now! Hear!, released in 1964, and this one, ‘Round Midnight, from 1965. Part gospel, part muted R&B, part stylized blues, the Bey trio was also very much a jazz outfit, due in no small part to Andy’s underappreciated piano playing and the presence of bop veterans like Milt Hinton on bass, Osie Johnson on drums, and Kenny Burrell (who appears on about half of the tracks here) on guitar. In essence, the Bey trio sounded like a thinned-out and more jazzy, gauzy version of the Staple Singers. Highlights from this reissue, which is quite short (only around 33 minutes) by modern CD standards, are a wonderfully balanced version of Ray Charles’ “Hallelujah, I Love Her So,” a stirring take on Billie Holiday’s “God Bless the Child,” the ever expanding and ascending “Feeling Good,” and a fine rendition of the title track, Thelonious Monk’s “‘Round Midnight,” which has never been the easiest song in the world to sing effectively, but the trio nails it here in what might have been deemed a definitive version if it had actually been heard by more than a handful of people. Prestige released Andy Bey & the Bey Sisters in 2000, which includes both the trio’s albums for the label on one disc, and that is definitely the way to go, although this short set does do a decent job showing off the range and talents of thi… |
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‘Round Midnight – Score and Parts $48.95 From the Nine-Piece Jazz Band Series. Scored for: Alto, Tenor and Bari Saxophones, Two Trumpets, Trombone, Piano, Bass, Drums. Optional Guitar and Flute parts. |
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1000 Hurts $26.98 Don’t expect 1000 Hurts to open your ears to anything new. Shellac’s sound hasn’t developed much. Are they yanking chains by periodically releasing selections from one extremely fruitful session? Only the band and a few tape operators know. No other band sounds like them, which legitimizes this status quo. The jagged scrapes of Steve Albini’s guitar, the somewhat laggard bass from Bob Weston, and the awkward-yet-steady time keeping of Todd Trainer’s drums remain in top form. For what it’s worth, Albini’s guitar does seem to gain more grace as the years go on — just watch out for the ugly jazz fusion lick that ends “Canaveral.” Raw, no-frills production? Absence of overdubs? Goofy time signatures? They’re all a part of the cauldron. As with the band’s previous LPs, you get healthy doses of extended hypnotic doodling, rumbling mid-tempo tantrums, speedy jabs, and a joke or two. And as with any recording featuring the wordsmithery of Steve Albini, one fights the urge to transcribe the whole damn thing. Often humorous, occasionally unsettling, but always intelligent and thought-provoking, Albini’s lyrics are a bit nastier than the past couple records. “Prayer to God” is no plea for forgiveness or well-wishing; he asks his lord to kill an ex-girlfriend and her accomplice. “Canaveral” dreams of whisking an enemy to outer space, in hopes that he’ll become fertilizer. If you know the band’s sound, your mind was probably made up prior to reading this. You know what to expect, aside from it not being quite as fantastic as At Action Park, but certainly better than Terraform. True to Shellac form, the record is a sound purchase. Within the domain of atonal, anti-commercial rock & roll, very few are on their level. ~ Andy Kellman, Rovi |
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18 Jazz Duets for Two Trumpets Music Minus One Trumpet Student Edition $14.41 Used – Performed by Burt Collins, trumpet Accompaniment: George Duvivier, bass; Bobby Donaldson, drums 18 exciting student duets performed by Burt Collins, trumpet, George Duvivier on bass and Bobby Donaldson, drums, and YOU! You have a chance to play both first and second parts to these songs, alternating with trumpeter Collins, sparked along by as swinging a rhythm section as can be found in jazz. Duets range from easy to medium difficulty and can be handled by the 2nd through 4th-year player |
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18 Jazz Duets for Two Trumpets Music Minus One Trumpet Student Edition $15.99 Used – Performed by Burt Collins, trumpet Accompaniment: George Duvivier, bass; Bobby Donaldson, drums 18 exciting student duets performed by Burt Collins, trumpet, George Duvivier on bass and Bobby Donaldson, drums, and YOU! You have a chance to play both first and second parts to these songs, alternating with trumpeter Collins, sparked along by as swinging a rhythm section as can be found in jazz. Duets range from easy to medium difficulty and can be handled by the 2nd through 4th-year player |
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2002 Series 18 Novo China Cymbal $252.99 Very bright, slightly trashy, full, exotic. Wide range, complex mix. Fast, responsive, explosive crash, loud, clear defined bell. Very unique, versatile china for flexible application. First cymbal series fully developed for electronically amplified music!During the 1960′s developing Beat and Rock music required cymbal sound to match the new frequencies and volume levels and in 1967 the Giant Beat series was created – The 2002 was developed 1971 fusing the power of the Giant Beat with the differentiation of the Jazz series Formula 602 – In 2005, Paiste once again makes the 2002 a core series for the future, as the best and most innovative Dimensions models are incorporated into the newly expanded 2002, adding current trend cymbal sound to this venerable line. ApplicationsMedium to very loud settings – Live and Recording – Country, R&B, Rock, Jazz-Rock, Progressive, Metal, Grunge, and modern hybrids rooted in those styles SoundBright, warm, brilliant, musical, precise with high energy levels and powerful projection characteristics |
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2002 Series 20 Crash Cymbal $290.99 One of the legendary line of cymbals that defined the sound of generations of drummers since the early days of Rock and re-created to give you the definitive classic rock crash sound, the PAISTE 2002 Series 20 Crash Cymbal is a large and dramatic crash cymbal that is also a versatile, all-purpose crash. Its bright and warm, full and loud, shimmering and has very responsive feel. During the 1960s, the developing Beat and Rock music required cymbal sounds to match the new frequencies and volume levels and in 1967 the Giant Beat series was created and then the 2002 series was developed in 1971, fusing the power of the Giant Beat with the differentiation of the Jazz series Formula 602. In the 2000s, Paiste once again makes the 2002 a core series for now and for the future.The PAISTE 2002 Series 20 Crash Cymbal features!Alloy: The revered PAISTE CuSn8 Bronze, also known as "2002 Bronze"!Applications: Medium soft to very loud settings Live and recording Classic Rock, Blues, Punk, Hard Rock, Heavy Metal & most Modern Metal styles, Crossover, Country Rock, Ska, Rockabilly, Funk, R&B, Soul, Gospel and modern hybrids rooted in those styles.Sound: Brilliant, clear, warm, strong, musical and very precise with high energy levels and powerful projectionWeight: mediumVolume: medium soft to very loudStick Sound: washy but this cymbal is heavy enough to be useful as a crash ride.Intensity: livelySustain: mediumBell Character: integratedGet your PAISTE 2002 Series 20 |
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2002 Series 24 Crash Cymbal $379.99 One of the legendary line of cymbals that defined the sound of generations of drummers since the early days of Rock and re-created to give you the definitive classic rock crash sound, the PAISTE 2002 Series 24 Crash Cymbal is a very large and dramatic crash cymbal that is also a versatile, all-purpose cymbal with crash ride capability. It is bright and warm, full and loud, shimmering and has very responsive feel. The 2002 Series is the original line of 2002 crash cymbals, sometimes called the standard series and are one weight class lighter than the Medium crashes and heavier than the Thin crashes. During the 1960's developing Beat and Rock music required cymbal sounds to match the new frequencies and volume levels and in 1967 the Giant Beat series was created and then the 2002 series was developed in 1971, fusing the power of the Giant Beat with the differentiation of the Jazz series Formula 602. In the 2000s, Paiste once again makes the 2002 a core series for now and for the future.The legendary cymbals that defined the sound of generations of drummers since the early days of Rock, the present 2002 is built on the foundation of the original classic cymbals and is expanded by modern sounds for todays progressive popular music.The PAISTE 2002 Series 24 Crash Cymbal features!The definitive classic hard rock crash sound!Alloy: The revered PAISTE CuSn8 Bronze, known as "2002 Bronze"!Applications: Medium soft to very loud settings Live and recording Classic |
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23rd & Stout $15.98 After more than 30 years in the music biz, Chuck E. Weiss is still best known (a) as one of Tom Waits’ best friends, and (b) for being the subject of Rickie Lee Jones’ hit “Chuck E.’s in Love.” The latter distinction hasn’t done much for him lately, but he seems to be counting on the former to draw interest in his fourth album, 23rd & Stout. Most of 23rd & Stout sounds like some unreleased Tom Waits album that walks in a Twilight Zone between the Beefheart-influenced throb of Swordfishtrombones and the laid-back beatnik vibe of Blue Valentine. While it’s entirely possible that Waits has borrowed a bit of his buddy Weiss’ schtick over the years, there’s also little argument that Waits is far better at it, and it doesn’t help that Weiss’ band here (headlined by Tony Gilkyson on guitar and Don Heffington on drums) isn’t able to deliver the gloriously strange groove of Waits’ more recent work, though the group sounds great on the jazz-leaning material. When Weiss goes into a shaggy-dog story like the title cut or a lurching stomp such as “Prince Minsky’s Lament,” it’s all but impossible not to compare him to Waits, but in all fairness Weiss is a better than average songwriter, and when he lets his funny side take over (like he does on “Half Off at the Rebop Shop,” “Sho Is Cold,” or “Piccolo Pete”), he’s an enjoyable and absorbing performer. (His sly interpretation of “Primrose Lane” also suggests he could deliver a fine set of standards if he were so inclined.) Too much of 23rd & Stout makes Chuck E. Weiss sound like the Baja Marimba Band to Tom Waits’ Tijuana Brass, and the shame of that is he’s clearly talented enough establish a more distinctive creative identity by now, as the best moments of this album confirm. ~ Mark Deming, Rovi |
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3 and 1 $17.98 One of the enduring instrumental combinations for musical expression, whether jazz or classical, is the piano trio. The great jazz pianists from Teddy Wilson and Art Tatum through Bill Evans and Oscar Peterson to Brad Mehldau and Keith Jarrett have used this vehicle for their personal jazz expressions. With this offering, Seattle-based Dave Peck knocks on the door to be admitted to this exalted company. On the jazz scene as a performer, arranger, and composer for more than 25 years, Peck is no newcomer. His performing credentials include sideman assignments with such notables as Chet Baker, Sonny Stitt, Lee Konitz, and Art Farmer. He has worked with Bud Shank as arranger/composer since 1985. Peck’s approach to the piano falls somewhere between Bill Evans and Oscar Peterson, with some Thelonious Monk influence on Peck’s “If…Then….” Admittedly a wide gap, but plausible here. There’s that wonderful thoughtful lyricism that characterizes Evans’ work, but he adds a little more embellishment to his playing than the late master, nudging closer (not close) to Oscar Peterson. This respectable uniting of styles is apparent in a perceptive seven-and-a-half minute exploration of “Star Eyes,” where every aspect of this popular 1943 classic standard is probed, pushed, pulled, and prodded by Peck and his cohorts. And his cohorts are critical to the success of this session. Dean Hodges’ drums set the pace without ever becoming intrusive, staying with the traditional role of a drummer in a small group. Chuck Deardorf, on the other hand, gets ample opportunity to enliven the musical feast with his refreshing bass solos. He is especially telling on “If I Were a Bell” and on Monk’s “Eronel.” With a play list of jazz and classic standards, Brazilian rhythms, and originals by Peck, 3 and 1 is welcomed to the jazz piano trio literature with open arms. Recommended. [The unusual label moniker Let's Play Stella finds its derivation in a joke about the naming of Peck's dog, now... |
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4 $17.99 The follow-up to the introductory package 1-3, 4 is the album that established the Norwegian quartet Supersilent as an up-and-coming free improv artist, drawing much attention from the magazine The Wire, especially. When all young artists were either drawn to lowercase or atmospheric experimental electro, the quartet dived into burning-hot free improvisation, blending jazz, rock, and electronica idioms with a distinctive Scandinavian touch -- something in the use of space and the field recordings that evokes the mountains, snow, and fjords of Norway. As usual, the tracks are numbered instead of titled as to obliterate any preconceptions. "4.1" begins atmospherically before the drummer starts rolling and pounding. But this introduction comes to an abrupt end and almost feels like a false start, a warm-up. "4.2" is also mostly atmospheric, but now the E-Bowed electric guitar is more prominently featured, along with treated voice samples. Drums escalate, synthesizers build tension, and the sonic battle has begun. An intentionally sloppier incarnation of Steamboat Switzerland could have recorded "4.3." The album's highlight resides in "4.6," a long improvisation with many twists, turns, and shifts in dynamics and moods. 4 shows Supersilent exploring an unheard-of fusion of free styles, sculpting their own niche. Recommended. ~ Fran? ois Couture, Rovi |
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55 Cadillac $16.99 Andrew W.K. has done a lot of unusual things in his career -- not everyone can have a Cartoon Network show and be a member of Current 93 (not to mention run a club, release an album of J-pop covers, and publish a book of advice) at the same time. Still, 55 Cadillac may be one of the most unique additions to his body of work: it's a collection of "spontaneous solo piano improvisations" -- or "SSPIs" as W.K. calls them -- inspired by his car. It's also, like most of his projects, kind of ridiculous and kind of amazing. He's completely committed to the concept, and he has the skills to pull it off. After all, W.K. is a classically trained pianist who began taking lessons at age four, and his keyboard chops added fizz to I Get Wet and Close Calls with Brick Walls and majestic heft to The Wolf. That prowess is the focus of this album; on his Steinway & Son Model D concert grand piano, Andrew W.K. weaves classical, jazz, rock, and experimental elements together with an accomplished ebb and flow from piece to piece and within each track. The fantastically named "Begin the Engine" (why merely start an engine when you can begin it?) is overtly classical-influenced, kicking off with the sound of crickets and a motor roaring to life before W.K.'s dazzling arpeggios and otherwise deft playing take over for nearly nine minutes. Shorter tracks like "Seeing the Car," which tosses hints of '50s-style rock into the mix, and the lunging, jazzy "Central Park Cruiser" are more immediate and nearly as impressive. Only a couple of moments on 55 Cadillac sound anything like Andrew W.K.'s previous albums: "Night Driver" ranges from atonal boogie-woogie to W.K. tapping on the piano's edge (which might be the piano equivalent of a drum solo) and has an anthemic quality that's fully realized by "Cadillac," which boasts drums and laser-guided guitars that bring the album to a satisfyingly over the top close. Fans of his louder music might not play this often, but 55 Cadillac i... |
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5X5 Rock Take Off 2 (Book and CD) $14.2 In this second "5x5 Rock" play-along book, the focus is on the technique of playing two bass drums (double bass). This very special drum style has fascinated many drummers since its inception. Jazz musicians such as Louis Bellson or Buddy Rich became masters of the craft of playing two bass drums. Their skills inspired a whole generation of Rock drummers in the late 60s such as Ginger Baker (Cream) to copy their great Jazz heroes and rock music was greatly enriched by this innovative playing technique. Over the years, more and more drummers were attracted to his technique and their unique hammering beats created the foundation for new styles of Rock music. Examples are Mikkey Dee of Motorhead, Lars Ulrich (Metallica), Joey Jordison from the band Slipknot or Simon Phillips (TOTO). The songs on the CD are composed in the style of these bands so that now you have the unique opportunity of becoming a member of your favorite band! Five different tempos allow each student to learn the new technique and put it into action. It's not absolutely necessary that you work your way up to the fastest tempo. |
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5x10 Firecracker Snare Drum in Ruby Fade Tamo Artisan II Finish! $124.99 The PEARL 5x10 Firecracker Snare Drum is now available at a special price that is over 60% off the manufacturers list price and comes in a special finish usually found only on the most high-end drums. The PEARL Artisan II Finish offered here is the gorgeous and unique Ruby Fade Tamo! There even is a special Limited Edition PEARL logo badge. The drum shell is a heavy 8-ply Poplar design and creates a focused and colorful response, with lots of projection. But why a small 5x10 snare, you might ask?High-pitched, cutting and loud, a 10 piccolo snare drum, particularly this PEARL Firecracker has become a widely used and heard snare drum sound in funk music, hip-hop, rock, jazz and Caribbean music. To get that high, penetrating pop, drummers have stopped cranking the daylights out of a standard snare drum and have moved to a snare drum that is designed to create that sound easily. Many drummers have added a piccolo snare drum to their drum set as a second snare and can go to that piccolo snare at any time during their performance.The 10 shell diameter (and drum head size) allows for a higher-pitched tuning while retaining a 5 depth gives you a full,wide and not an overly sharp tone. The PEARL 5x10 Firecracker also features strong 1.6mm steel hoops, low-mass CL-50 lugs with 6-point tuning, and the very dependable and precise SR-018 snare strainer and snares.So light the fuse and stand back!Not all snare drum stands will tighten enough to hold a 10 drum securely so please see our list of Things You Will Need for our recommendations.Get your PEARL 5x10 Firecracker Snare Drum from Sam Ash Direct today, with fast, free shipping at the guaranteed lowest price. Sam Ash Direct gives you the security of more than 86 years of experience, 24/7 customer support and the Sam Ash Direct 45 day return and 60 day price protection policy. You cannot go wrong! |
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5x5 Rock: Take Off 2 $15.08 Used - "In this second ""5x5 Rock"" play-along book, the focus is on the technique of playing two bass drums (double bass). This very special drum style has fascinated many drummers since its inception. Jazz musicians such as Louis Bellson or Buddy Rich became masters of the craft of playing two bass drums. Their skills inspired a whole generation of Rock drummers in the late 60s such as Ginger Baker (Cream) to copy their great Jazz heroes and rock music was greatly enriched by this innovative p |
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5x5 Rock: Take Off 2 $15.08 New - "In this second ""5x5 Rock"" play-along book, the focus is on the technique of playing two bass drums (double bass). This very special drum style has fascinated many drummers since its inception. Jazz musicians such as Louis Bellson or Buddy Rich became masters of the craft of playing two bass drums. Their skills inspired a whole generation of Rock drummers in the late 60s such as Ginger Baker (Cream) to copy their great Jazz heroes and rock music was greatly enriched by this innovative pl |
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5x5 Rock: Take Off 2 $8.57 New - "In this second ""5x5 Rock"" play-along book, the focus is on the technique of playing two bass drums (double bass). This very special drum style has fascinated many drummers since its inception. Jazz musicians such as Louis Bellson or Buddy Rich became masters of the craft of playing two bass drums. Their skills inspired a whole generation of Rock drummers in the late 60s such as Ginger Baker (Cream) to copy their great Jazz heroes and rock music was greatly enriched by this innovative pl |
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5x5 Rock: Take Off 2 $8.5 Used - "In this second ""5x5 Rock"" play-along book, the focus is on the technique of playing two bass drums (double bass). This very special drum style has fascinated many drummers since its inception. Jazz musicians such as Louis Bellson or Buddy Rich became masters of the craft of playing two bass drums. Their skills inspired a whole generation of Rock drummers in the late 60s such as Ginger Baker (Cream) to copy their great Jazz heroes and rock music was greatly enriched by this innovative p |
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66 Drum Solos for the Modern Drummer: Rock, Funk, Blues, Fusion, Jazz $8.83 Used - 66 Drum Solos for the Modern Drummer presents drum solos in all styles of music in an easy-to-read format. These solos are designed to help improve your technique, independence, improvisational skills, and reading ability on the drums and at the same time provide you with some cool licks that you can use right away in your own playing. The DVD features footage of every solo performed by author Tom Hapke. "66 Drum Solos for the Modern Drummer has great information and would be a challenge |
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66 Drum Solos for the Modern Drummer: Rock, Funk, Blues, Fusion, Jazz $12.16 New - 66 Drum Solos for the Modern Drummer presents drum solos in all styles of music in an easy-to-read format. These solos are designed to help improve your technique, independence, improvisational skills, and reading ability on the drums and at the same time provide you with some cool licks that you can use right away in your own playing. The DVD features footage of every solo performed by author Tom Hapke. "66 Drum Solos for the Modern Drummer has great information and would be a challenge t |
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66 Drum Solos for the Modern Drummer: Rock, Funk, Blues, Fusion, Jazz $6.85 Used - 66 Drum Solos for the Modern Drummer presents drum solos in all styles of music in an easy-to-read format. These solos are designed to help improve your technique, independence, improvisational skills, and reading ability on the drums and at the same time provide you with some cool licks that you can use right away in your own playing. The DVD features footage of every solo performed by author Tom Hapke. "66 Drum Solos for the Modern Drummer has great information and would be a challenge |
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66 Drum Solos for the Modern Drummer: Rock, Funk, Blues, Fusion, Jazz $12.16 Used - 66 Drum Solos for the Modern Drummer presents drum solos in all styles of music in an easy-to-read format. These solos are designed to help improve your technique, independence, improvisational skills, and reading ability on the drums and at the same time provide you with some cool licks that you can use right away in your own playing. The DVD features footage of every solo performed by author Tom Hapke. "66 Drum Solos for the Modern Drummer has great information and would be a challenge |
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66 Drum Solos for the Modern Drummer: Rock, Funk, Blues, Fusion, Jazz $7.88 New - 66 Drum Solos for the Modern Drummer presents drum solos in all styles of music in an easy-to-read format. These solos are designed to help improve your technique, independence, improvisational skills, and reading ability on the drums and at the same time provide you with some cool licks that you can use right away in your own playing. The DVD features footage of every solo performed by author Tom Hapke. "66 Drum Solos for the Modern Drummer has great information and would be a challenge t |
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66 Drum Solos for the Modern Drummer: Rock, Funk, Blues, Fusion, Jazz $25.61 New - 66 Drum Solos for the Modern Drummer presents drum solos in all styles of music in an easy-to-read format. These solos are designed to help improve your technique, independence, improvisational skills, and reading ability on the drums and at the same time provide you with some cool licks that you can use right away in your own playing. The DVD features footage of every solo performed by author Tom Hapke. "66 Drum Solos for the Modern Drummer has great information and would be a challenge t |
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66 Drum Solos for the Modern Drummer: Rock, Funk, Blues, Fusion, Jazz $33.95 New - 66 Drum Solos for the Modern Drummer presents drum solos in all styles of music in an easy-to-read format. These solos are designed to help improve your technique, independence, improvisational skills, and reading ability on the drums and at the same time provide you with some cool licks that you can use right away in your own playing. The DVD features footage of every solo performed by author Tom Hapke. "66 Drum Solos for the Modern Drummer has great information and would be a challenge t |
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66 Drum Solos for the Modern Drummer: Rock, Funk, Blues, Fusion, Jazz $7.88 Used - 66 Drum Solos for the Modern Drummer presents drum solos in all styles of music in an easy-to-read format. These solos are designed to help improve your technique, independence, improvisational skills, and reading ability on the drums and at the same time provide you with some cool licks that you can use right away in your own playing. The DVD features footage of every solo performed by author Tom Hapke. "66 Drum Solos for the Modern Drummer has great information and would be a challenge |
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A Charlie Brown Christmas $18.98 Peanuts creator Charles M. Schulz called on pianist extraordinaire Vince Guaraldi and his trio to compose and perform music that would reflect the humor, charm, and innocence of Charlie Brown, Snoopy, and the entire Peanuts gang for their 1965 Christmas TV special. It was a perfect match: Guaraldi strings together elegant, enticing arrangements that reflect the spirit and mood of Schulz's work and introduce contemporary jazz to youngsters with grace, charm, and creativity. "What Child Is This" touches on cool jazz's richly textured percussive nuances, while "The Christmas Song" reflects Christmas' relaxing, mellow moments. The renowned "Linus and Lucy" gives the Peanuts characters a fresh, energetic feel with its tantalizing meter changes, brilliant percussion, and dashing, humorous piano lines. "Christmastime Is Here," perhaps the album's most endearing and eloquent moment, is six minutes of soft, lullaby-like melodic and percussive flavors. This collection of soul-soothing melodies would not be complete without the romantic gem "Skating," which blends musical references to falling snowflakes with the dashing feel of swing. Finally, the uplifting, emotionally stirring swing tune "Christmas Is Coming" really brings the listener into the joyous light of the Christmas spirit. Fred Marshall's alluring walking basslines and drummer Jerry Granelli's hauntingly beautiful brush work give most of the album a warm foundation, while Monty Budwig and Colin Bailey shine through with eminent dexterity on bass and drums on "Greensleeves." As for Guaraldi, his penetrating improvisational phrases paint pictures of the first winter snowfall, myriad glistening trees, and powdery white landscapes. With its blend of contemporary jazz and lyrical mannerisms, A Charlie Brown Christmas is a joyous and festive meditation for the holiday season. ~ Shawn Haney, Rovi |
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A Hot Night in Paris $29.98 In the latter half of the '90s, Phil Collins' career hit a bit of a sales slump, and instead of shamelessly chasing after another number one single, he decided to change pace and try something different. Returning to the drums, he assembled the Phil Collins Big Band, reviving the sound of such idols as Buddy Rich and Sonny Payne, but largely sticking with his original material. After a brief European tour in 1996 (which happened to feature Quincy Jones as conductor and Tony Bennett as vocalist), he created a new version of the band featuring several accomplished jazz and studio musicians in support -- notably alto saxophonist Gerald Albright, but also guitarist Daryl Stuermer, tenor saxophonist James Carter, and pianists George Duke and Brad Cole, among many others, in varying roles. That band toured America and Europe in 1998, and it's the one featured on the ten-song, 70-minute live album A Hot Night in Paris. Initially, it may be disarming for long-time fans (and detractors) to hear "Sussudio," "That's All," and "Against All Odds" blaring forth in brash, brassy arrangements, and it is true that the melodies can occasionally sound thin in this context, but once that first reaction passes, A Hot Night in Paris is actually entertaining. Collins doesn't try anything new with the big band form -- he just updates it with his own songs, including the Genesis chestnut "The Los Endos Suite," along with covers of Miles Davis' "Milestones" and the Average White Band's "Pick up the Pieces." As such, it's the sort of record that will inevitably irk purists, since it's targeted right at mainstream jazz audiences, ones that aren't really familiar with big band music but have a vague idea of what it sounds like, but anyone whose standards aren't quite as exacting will likely be pleasantly surprised with A Hot Night in Paris. When the band just plays -- which is quite often, since the themes are stated quickly enough so they're recognized, then they disappear -- th... |
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A Thousand Kisses Deep $12.99 Chris Botti's sixth album is a wonderfully, even perfectly crafted group of originals and covers that accent his deep crossover appeal as both a jazz and pop musician. Botti's phrasing is very keen, uncanny in the way it works with simple rhythmic structures, and his tone is rich and warm. His use of keyboards and drum loops is pretty much up to the minute in terms of its hip factor, and his arrangements appeal to serious jazz fans and are something akin to blessed-out ecstasy to smooth jazz aficionados. Therein also lies the problem. Botti hasn't significantly developed his sense of artifice since his debut album and, if anything, has delved deeper into its oh-so-cool bachelor pad faux elegance than ever on A Thousand Kisses Deep. The title track, a very moving song written by Leonard Cohen, is the finest moment on the disc. A spare guitar backdrop is adorned simply; Botti plays the melody in short, clipped staccato phrases for an entire full verse before the rhythm section enters. The effect is haunting, lushly romantic, and full of a sensual warmth that is as spooky as it is silky. The spare keyboards and brushed drums offer the song as something slightly Latin (thanks to the gorgeous guitar playing by Dean Parks). It could have been the love theme in Robert Rodriguez's Once Upon a Time in Mexico -- yes, it really does feel slightly mariachi! Burt Bacharach's "The Look of Love," despite a marvelous vocal by Chantal Kreviazuk, suffers from cute syndrome -- as does "The Last Three Minutes," another Bacharach tune. The straight pop stuff, such as "Ever Since We Met" with Bridget Benenate's breathy vocals, work very well. Botti's solo entwines the refrain and carries the singer's voice along into the ether. A duet with pianist Billy Childs on "My Funny Valentine" feels a tad stilted, but there is great tension resolution in the third chorus. "If I Could," another original, with the great Smokey Hormel on guitar in addition to Parks, is a true mood-setter... |
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Aaron Alexander (Jazz) - Midrash Mish Mosh $15.99 Personnel: Aaron Alexander (drums); Curtis Hasselbring (guitar, trombone); Brad Shepik (guitar); Greg Wall (clarinet, soprano saxophone,... |
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Afro Bop Alliance $18.98 Where once they were three — Dave Samuels on vibes, Paquito D’Rivera on saxophone, and Andy Narell on steel drums — Caribbean Jazz Project has morphed over the past decade-plus into a big band of close to 20 members, 13 of them horn players. Samuels, who contributes marimba as well as vibes, remains at the helm, and it’s clearly his vehicle — he also wrote five of the nine tracks on this set. The band cooks, no question about it, and Samuels’ Latin-leaning arrangements are smart and steamy. But new material is in short supply, and the album ultimately has a sense of d? j? vu about it. Nearly all of the material, including covers of Thelonious Monk’s “Bemsha Swing,” Oliver Nelson’s “Stolen Moments,” and John Coltrane’s “Naima,” has appeared on previous CJP recordings, and even if Samuels felt a burning need to return to these songs to recast them as big-band numbers, he might have tried reworking them while he was at it — outside of the sheer volume of players involved, there’s simply not much going on here that adds a new dimension to the Caribbean Jazz Project story. That said, the quality of musicianship throughout the album is superb, and those unfamiliar with the previous releases will undoubtedly find it exhilarating. But those who’ve experienced the previous recordings and seek newness won’t find it here. ~ Jeff Tamarkin, Rovi |
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Afro-Cuban Latin Jazz Project – Encuentro $15.99 Afro-Cuban Latin Jazz Project: Jes?s Diaz (vocals, congas, bata, percussion); Juan Carlos Portillo (upright bass); Raul Pineda (drums,… |
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Ahmad Jamal – Chicago Revisited: Live at Joel Segal’s Jazz Showcase $6.99 Personnel: Ahmad Jamal (piano); John Heard (bass); Yoron Israel (drums). Recorded live at Joe Segal’s Jazz Showcase in the Blackstone… |
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Ahmad Jamal – Live at the Montreal Jazz Festival 1985 $11.99 Originally released as a 2-LP set. Personnel: Ahmad Jamal (piano); James Cammack (bass); Herlin Riley (drums); Selden Newton… |
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Al Haig – Jazz Will-O-the-Wisp $13.99 Personnel: Al Haig (piano); Lee Abrams (drums). Liner Note Author: Jess Feldman. Recording information: Los Angeles (03/13/1954); New… |
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Aldo Romano – Just Jazz $15.99 Personnel: Aldo Romano (drums, drum); Mauro Negri (clarinet); G?raldine Laurent (saxophone); Henri Texier (double bass). Audio Mixer:… |
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Alfred’s Max Drumset: See It * Hear It * Play It, Book & DVD $1.37 Used – Starts with basics like how to set up the drums, hold the sticks and read music. Teaches rock and jazz beats that make use of the whole drumset, and covers improvisation, playing “time,” and using fills to connect ideas. The DVD provides every example in the book performed by a live drummer. 48 pages. |
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Alfred’s Max Drumset: See It * Hear It * Play It, Book & DVD $5.33 Used – Starts with basics like how to set up the drums, hold the sticks and read music. Teaches rock and jazz beats that make use of the whole drumset, and covers improvisation, playing “time,” and using fills to connect ideas. The DVD provides every example in the book performed by a live drummer. 48 pages. |
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Alfred’s Max[tm] Drumset $37.95 New – Starts with basics like how to set up the drums, hold the sticks and read music. Teaches rock and jazz beats that make use of the whole drumset, and covers improvisation, playing “time,” and using fills to connect ideas. The DVD provides every example in the book performed by a live drummer. 48 pages. |
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Alfred’s Max[tm] Drumset $28.29 New – Starts with basics like how to set up the drums, hold the sticks and read music. Teaches rock and jazz beats that make use of the whole drumset, and covers improvisation, playing “time,” and using fills to connect ideas. The DVD provides every example in the book performed by a live drummer. 48 pages. |
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Alison Brown Quartet $11.99 Alison Brown, believe it or not, is a five-string banjo player. The rest of her quartet is a standard jazz ensemble consisting of piano, bass, and drums, and you can be confident that there’s nary a bluegrass lick anywhere on this album. Like her compadre B? la Fleck (to whom she must be absolutely sick of being compared), Brown figured out some time ago that the banjo is a fully chromatic instrument with every bit as much melodic flexibility as a guitar, and that its clear, crisp tone is perfectly suited to jazz. It works especially well as a bebop instrument, which Brown demonstrates on this album’s opening track, the rollicking, Charlie Parker-ish “G Bop.” It also works pretty well as a cool jazz instrument, which Brown demonstrates on the album’s second track, the loping, Bill Evans-ish “Red Balloon.” This sort of stylistic variety is grist for Brown’s mill, but it doesn’t always work in her favor: “My Favorite Marsha” (one of several tracks on which she switches to guitar) is nice but borders on new acoustic sappiness — her guitar playing is good but not exceptional. However, “Without Anastasia” draws nicely on classical influences without sounding pedantic, and “Banjo Mambo (Revisited)” is a very fun Latin romp. ~ Rick Anderson, Rovi |
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Alphonse Mouzon – Jazz in Bel-Air $15.99 Alphonse Mouzon: Alphonse Mouzon (drums). Personnel: Chuck Manning (saxophone, tenor saxophone); Sal Marquez (trumpet, flugelhorn);… |
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Alton Purnell – Live with Keith Smith $13.99 Personnel: Alton Purnell (vocals, piano); Paul Sealey (banjo); Dave Evans (drums). Recording information: Nottingham Jazz Club… |
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Andr? Previn’s Trio Jazz – King Size! $6.99 Personnel: Andre Previn (piano); Red Mitchell (bass); Frank Capp (drums). The multi-talented Andre Previn is heard on this recording as… |
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Andreas ?berg/Marian Petrescu – Thrivin’: Live at Jazz Standard [Digipak] $14.99 Personnel: Andreas ?berg (guitar); Marian Petrescu (piano); Mark McLean (drums). Audio Mixer: George Klabin. Liner Note Author: Jon… |
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Anthony Braxton Ensemble concert at Carnegie Hall on 27 Jun 76 $9.98 Visionary composer and multi-reedist Anthony Braxton assembled a dream crew for his appearance at the 1976 Newport Jazz Festival. With Muhal Richard Abrams on piano, George Lewis on trombone, Dave Holland on bass, Barry Altschul on drums and the leader on everything from alto sax to sopranino sax to contrabass clarinet, this creative ensemble rolled out an eight-movement suite of provocative music (“Composition No. 70″) which he dedicated to Duke Ellington, who had passed away two years earlier. Employing a heavily theoretical approach to jazz, which has as much in common with 20th century classical composers as Karlheinz Stockhausen and Edgard Varese as it does with Duke, Braxton stunned this Carnegie Hall crowd with his highly idiosyncratic music. Movement “A” opens with a pensive trilling on the keys by Abrams, accompanied by ominous unisons from Braxton’s contrabass clarinet, Lewis’ trombone and Holland’s arco bass, while Altschul floats over the proceedings in rubato fashion with cymbal washes and well placed drum accents. In section “B,” Braxton switches to a buttery-toned alto sax and engages in some gentle exchanges with Holland, who smacks the strings with the woody part of his bow (a classical technique known as “col legno battuto”). The piece picks up in intensity with some rather spiky punctuations along the way, ultimately yielding to a whirlwind collective improvisation. “C” contains some dramatic stop-time phrases that cut the silence like a knife. Trombonist Lewis also engages in a freewheeling duet with drummer Altschul during this provocative section. Braxton’s virtuosic flights on clarinet rise above the fray on section “D” while Holland also stretches here with a strong pizzicato solo, underscored by Altschul’s supportive brushwork. Braxton fairly explodes on soprano sax in the middle of this tumultuous piece, which settles into a kind of chamber-like Zen near its conclusion. Section “E” opens with some gentle piano patterns by Abrams, support |
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Antonio Sanchez (Drums) – Live in New York at Jazz Standard $17.99 Personnel: Antonio Sanchez (drums); Miguel Zen?n (alto saxophone); David Sanchez (tenor saxophone). Audio Mixer: Pete Karam. Liner… |
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Art Blakey & The Jazz Messengers – Art Blakey in Sweden $11.99 Art Blakey And The Jazz Messengers: Art Blakey (drums); Bobby Watson (alto saxophone); Bill Pierce (tenor saxophone); James Williams… |
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Art Blakey & The Jazz Messengers – At the Cafe Bohemia, Vol. 1 [Remaster] $5.99 Art Blakey & The Jazz Messengers: Art Blakey (drums); Hank Mobley (tenor saxophone); Kenny Dorham (trumpet); Horace Silver (piano); Doug… |
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Art Blakey & The Jazz Messengers – Dr. Jeckyl: Art Blakey’s Jazz Messengers $11.99 Art Blakey & The Jazz Messengers: Art Blakey (drums); Donald Harrison (alto saxophone); Jean Toussaint (tenor saxophone); Terence… |
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Art Blakey & The Jazz Messengers – Feeling Good $14.99 Art Blakey & The Jazz Messengers: Art Blakey (drums); Kenny Garrett (alto saxophone); Jean Toussaint (tenor saxophone); Wallace Roney… |
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Art Blakey & The Jazz Messengers – Mosaic [Remaster] $5.99 Art Blakey & The Jazz Messengers: Art Blakey (drums); Wayne Shorter (tenor saxophone); Freddie Hubbard (trumpet); Curtis Fuller… |
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Art Blakey & The Jazz Messengers – New Year’s Eve at Sweet Basil: Art Blakey and His Jazz Messengers $11.99 Art Blakey & The Jazz Messengers: Art Blakey (drums); Donald Harrison (alto saxophone); Jean Toussaint (tenor saxophone); Terence… |
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Art Blakey & The Jazz Messengers – Paris Jam Session $9.99 Art Blakey & The Jazz Messengers: Art Blakey (drums); Barney Wilen (alto saxophone); Wayne Shorter (tenor saxophone); Lee Morgan… |
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Art Blakey & the Jazz Messengers concert at Central Park on 07 Jul 73 $8.98 This Central Park performance opens with bandleader Blakey intoning, in his distinctively gruff voice, the presentation of a special plaque to his friend and colleague, Gene Krupa, a champion of the drums from his days with the Benny Goodman Orchestra in the 1930s. Following that brief ceremony, which includes an eloquent acceptance speech from Krupa, the 1973 edition of the Jazz Messengers launches into Cedar Walton’s aggressive “Plexus,” a 1961 composition originally written for Freddie Hubbard’s 1961 Blue Note album, Hub Cap. In the solo order Carter Jefferson goes first, unleashing a potent tenor solo over the percolating groove provided by Ray Mantilla’s conga, Mickey Bass’ insistently walking bass lines and Blakey’s irrepressible presence behind the kit, dropping ‘bombs’ on the bass drum while cutting up the beat on the snare in unpredictable ways as he keeps the ride cymbal pulse steady and swinging. Eddie Henderson follows with a bravura high-note trumpet solo that is coming directly out of Freddie Hubbard school of audacious virtuosity. Veteran Messenger Fuller follows with a mellower but no less swinging trombone solo. Stitt enters the fray with a brief tenor statement before pianist-composer Walton completes the succession of solos on this blazing opener. Curtis Fuller’s “Alamode” pits Carter Jefferson against Sonny Stitt in an exhilarating bit of one-upsmanship. As Blakey’s uncanny forward momentum and powerful accents on the kit propel this Messengers staple, Jefferson solos first with robust tones and wild abandon. Stitt follows on alto with Bird-like facility and an urge to burn. Henderson turns in another pyrotechnic trumpet solo that nearly bursts with intensity in the high range and Walton negotiates the changes with hard bop fervor on his impeccably swinging piano solo. Blakey and the Messengers close out their Wollman Ampitheater set with drumming legend Roy Haynes, who played with Charlie Parker, Thelonious Monk and John Coltrane, joining the c |
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Art Blakey – A Night in Tunisia/Jazz Messengers Play Lerner and Loewe $15.99 2 LPs On 2 CDs: A NIGHT IN TUNISIA (1958)/PLAY LERNER & LOEWE (1957). Art Blakey’s Jazz Messengers: Art Blakey (drums); Johnny Griffin… |
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Art Blakey – Drums Around the Corner [CD] – Used $8.99 Drums Around the Corner |
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Art Blakey – Ken Burns Jazz $6.99 Personnel: Art Blakey (drums); Lou Donaldson, Bobby Watson (alto saxophone); Hank Mobley, Johnny Griffin, Benny Golson, Wayne Shorter,… |
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Art Blakey – Lausanne 1960, Pt. 1 $12.99 & The Jazz Messengers. Art Blakey & The Jazz Messengers: Art Blakey (drums); Wayne Shorter (tenor saxophone); Lee Morgan (trumpet);… |
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Art Blakey – Live in the 50′s $15.99 & The Jazz Messengers. Art Blakey & The Jazz Messengers: Art Blakey (drums); Benny Golson, Wayne Shorter (tenor saxophone); Lee Morgan… |
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Art Blakey – Southern Devils: Paris Jazz Concert — May 13, 1961, Vol. 1 $12.49 Full performer name: Art BLakey & The Jazz Messengers. Art Blakey & The Jazz Messengers: Art Blakey (drums); Wayen Shorter (tenor… |
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Art Blakey Albums: Art Blakey Discography, One Night with Blue Note, a Night at Birdland Vol. 1, Moanin’, at the Cafe Bohemia, Vol. 2 $16.34 Used – Commentary (music and lyrics not included). Chapters: Art Blakey Discography, One Night With Blue Note, a Night at Birdland Vol. 1, Moanin’, at the Cafe Bohemia, Vol. 2, a Night at Birdland Vol. 2, at the Cafe Bohemia, Vol. 1, a Night in Tunisia, the African Beat, Ritual: the Modern Jazz Messengers, Drums Around the Corner, Meet You at the Jazz Corner of the World, the Freedom Rider, Art Blakey’s Jazz Messengers With Thelonious Monk, Theory of Art, Art Blakey With the Original Jazz Messen |
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Art Blakey Albums: Art Blakey Discography, One Night with Blue Note, a Night at Birdland Vol. 1, Moanin’, at the Cafe Bohemia, Vol. 2 $24.59 Used – Commentary (music and lyrics not included). Chapters: Art Blakey Discography, One Night With Blue Note, a Night at Birdland Vol. 1, Moanin’, at the Cafe Bohemia, Vol. 2, a Night at Birdland Vol. 2, at the Cafe Bohemia, Vol. 1, a Night in Tunisia, the African Beat, Ritual: the Modern Jazz Messengers, Drums Around the Corner, Meet You at the Jazz Corner of the World, the Freedom Rider, Art Blakey’s Jazz Messengers With Thelonious Monk, Theory of Art, Art Blakey With the Original Jazz Messen |
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Art Blakey/Art Blakey & The Jazz Messengers – Keystone 3 $6.99 Art Blakey & The Jazz Messengers: Art Blakey (drums); Branford Marsalis (alto saxophone); Bill Pierce (tenor saxophone); Wynton Marsalis… |
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Art Blakey/Art Blakey & The Jazz Messengers – Moanin’ [Laserlight] $6.99 Art Blakey’s Jazz Messengers: Art Blakey (drums); Billy Harper (tenor saxophone); Bill Hardman (trumpet); Julian Priester (trombone);… |
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Art Blakey/Art Blakey & The Jazz Messengers – New World $6.99 Personnel: Art Blakey (drums); Billy Harper (tenor saxophone); Bill Hardman (trumpet); Julian Priester (trombone); Ronnie Mathews… |
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Art Blakey/Art Blakey & The Jazz Messengers – The Jazz Messengers [Columbia] $4.99 Art Blakey & The Jazz Messengers: Art Blakey (drums); Hank Mobley (tenor saxophone); Donald Byrd (trumpet); Horace Silver (piano); Doug… |
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Art Blakey/Art Blakey & The Jazz Messengers – Ugetsu $6.99 Full performer name: Art Blakey & The Jazz Messengers. Art Blakey & The Jazz Messengers: Art Blakey (drums); Wayne Shorter (tenor… |
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Art Blakey/Art Blakey & The Jazz Messengers – Ugetsu [Bonus Tracks] $14.99 Full performer name: Art Blakey & The Jazz Messengers. Art Blakey & The Jazz Messengers: Art Blakey (drums); Wayne Shorter (tenor… |
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Art Blakey/Art Blakey & The Jazz Messengers/Thelonious Monk – Art Blakey’s Jazz Messengers With Thelonious Monk $9.99 Personnel: Art Blakey (drums); Thelonious Monk (piano); Johnny Griffin (tenor saxophone); Bill Hardman (trumpet); Spanky DeBrest… |
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Art Blakey/Art Blakey & The Jazz Messengers/Thelonious Monk – Art Blakey’s Jazz Messengers With Thelonious Monk $14.99 Personnel: Art Blakey (drums); Thelonious Monk (piano); Johnny Griffin (tenor saxophone); Bill Hardman (trumpet); Spanky DeBrest… |
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Art Blakey/Art Blakey & The Jazz Messengers/Thelonious Monk – Art Blakey’s Jazz Messengers With Thelonious Monk $18.99 Personnel: Art Blakey (drums); Thelonious Monk (piano); Johnny Griffin (tenor saxophone); Bill Hardman (trumpet); Spanky DeBrest… |
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Art Blakey/The Jazz Messengers/Randy Bernsen/Art Blakey & The Jazz Messengers – Caravan [Keepnews Collection] $6.99 Full performer name: Art Blakey & The Jazz Messengers. Art Blakey & The Jazz Messengers: Art Blakey (drums); Wayne Shorter (tenor… |
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Art Hodes – Art Hodes & the Magnolia Jazz Band Vol.2 $13.99 Personnel: Art Hodes (piano); Jim Klippert (trombone); Jeff Hamilton (drums). Liner Note Author: George H. Buck, Jr. |
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Art Hodes – Jazz Trio $13.99 Personnel: Art Hodes (piano); Trevor Richards (drums). Liner Note Author: Trevor Richards. Recording information: Frankfurt, Germany… |
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Art Lande concert at Great American Music Hall on 13 May 76 $9.98 A native New Yorker (born February 5, 1947), Lande parlayed his classical studies and love of Bill Evans into a wholly unique piano voice. After studying at Williams College, he moved to San Francisco in 1969 and became something of a regional hero there through the ’70s. He recorded with saxophonist Jan Garbarek and trumpeter Ted Curson in 1973 before forming the Rubisa Patrol quartet with Mark Isham on trumpet, Bill Douglass on bass, and Glenn Cronkhite (later replaced by Kurt Wortmann) on drums. Their self-titled debut was released in 1976 on the ECM label. They followed with 1977′s Desert Marauders on ECM and over the next few years garnered something of a cult following in both Europe and the United States. After disbanding the Rubisa Patrol, Lande taught at The Cornish College of the Arts in Seattle in 1983 and the following year moved to Switzerland, where he taught for three years at a jazz school in St. Gallen. He returned to the States in 1987 and began teaching at Naropa University in Boulder, Colorado, where he still resides. Lande collaborated through the ’80s and ’90s with such creative artists as trumpeters Mark Isham and Ron Miles, multi-reed player Paul McCandless, saxophonist Fred Hess, guitarist Jerry Hahn and New Age pioneer George Winston. From 1988-1990 he collaborated on a children’s series for Windham Hill, creating music for 2 Bad Mice (with narration by Meryl Streep), 3 Little Pigs and 3 Billy Goat’s Gruff (with narration by Holly Hunter) and Goldilocks and the Three Bears and Little Red Riding Hood (with narration by Meg Ryan). He has also recorded several distinctive solo piano albums, including 1996′s Friday the Thirteenth, featuring 13 Thelonious Monk compositions. Lande continues to record as a leader and as a sideman. In 2005, he appeared on guitarist Nguyen Le’s Walking on the Tiger’s Tail and in 2010 on saxophonist Bruce Williamson’s Standard Transmission, a freewheeling project full of clever extrapolations on familiar pop and ja |
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Art Tatum – Art Tatum-Ben Webster: The Album [Essential Jazz Classics] $14.99 Personnel: Art Tatum (piano); Ben Webster (tenor saxophone); Red Callender (bass instrument); Bill Douglass (drums). Liner Note… |
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Astral Project (Acid Jazz) – Voodoo Bop $14.99 Astral Project: John Vidacovich (vocals, drums, percussion); Steve Masakowski (acoustic & 7-string guitars); Tony Dagradi (soprano &… |
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Atomic Roooster [Expanded Deluxe Edition] $18.99 This 2004 reissue of the first Atomic Roooster LP bests all prior pressings — domestic and import alike — with flawless digital remastering, the resurrection of the original running order, as well as five significant bonus sides. The trio of Vince Crane (organ/vocals), Carl Palmer (drums), and eventually Nick Graham (vocals/bass) had formed out of the Crazy World of Arthur Brown, where both Crane and Palmer had played key roles on the chart-topping single “Fire.” As the former had been Arthur Brown’s musical director, it is fitting that he penned the vast majority of the Rooster’s initial outing. The songs reflect the author’s darker and at times fatalistic demeanor, most directly in the repetitive “What is the point of going on?” chorus that distinguishes the incongruously delicate folkie and pastoral “Winter,” or the sardonic sexual superiority of “And So to Bed.” These stylistically contrast the forceful “Friday 13th,” “S.L.Y.,” and “Before Tomorrow.” Equally divergent are the horn-driven “Broken Wings” and incendiary jazz fusion workout “Decline and Fall.” The latter is an interesting departure as it provides each musician an opportunity to interact with substantive fluidity. When Elektra Records added Atomic Rooster to its roster, Palmer had already flown the proverbial coop, replaced by Paul Hammond (drums), while John Cann (guitar/vocals) had taken Graham’s place. Such a considerable shift in personnel convinced the band to have Cann record guitar parts overtop of “S.L.Y.” and “Before Tomorrow,” as well as redo the lead vocal for “Friday 13th.” In North America the album was released with a completely different feel, which was undoubtedly as much a result of the reconfigured tune stack as it was the additions and/or subtractions. The 2004 edition of Atomic Roooster includes the U.S. version(s) of all three and two tunes from a rare BBC Radio appearance by the incipient incarnation performing “Friday 13th” and the not-yet-release… |
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Awakening $16.98 When jazz critic Peter Margasak interviewed Nicole Mitchell for the liner notes he wrote for Awakening, she explained: “I wanted to dig back into the old-school jazz a bit and yet still make room to branch out into never-never land.” And that is a perfect description of what the Chicago-based flutist/composer does on this 2011 date, which finds her leading a pianoless quartet that employs Jeff Parker on electric guitar, Harris Bankhead on upright bass and Avreeayl Ra on drums and percussion. Presumably, the “old-school jazz” that Mitchell is referring to is post-bop, while “the never-never land” is avant-garde jazz. Of course, avant-garde jazz comes in many different flavors. Avant-garde jazz can be totally outside (whether it is scorching, dense, brutally atonal free jazz or the spaciness of the AACM), or it can be avant-garde jazz with an inside/outside perspective–and Awakening, like previous Mitchell releases, has an inside/outside perspective. The material that Mitchell composed for Awakening is fairly melodic; “There,” “Momentum” and the bluesy “F.O.C.,” for example, offer appealing post-bop melodies. “Curly Top” even has a somewhat Horace Silver-ish funkiness. So no, this 64-minute CD is not an exercise in atonality; that isn’t the scenario at all. But at the same time, Mitchell and her colleagues don’t hesitate to venture into outside playing when they feel like it. They don’t venture far outside, but they do venture outside–and while Awakening is more inside than outside, the outside element is an attractive part of the equation. Mitchell, it should be noted, has favored different combinations of musicians on different albums; she is quite proficient when it comes to ensemble playing and arranging, but an intimate quartet format serves her equally well on Awakening. And once again, the Chicago resident excels as both a composer and a soloist. ~ Alex Henderson, Rovi |
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B Sharp Jazz Quartet – B Sharp Jazz Quartet $9.99 B Sharp Jazz Quartet: Randall Willis (reeds), Eliot Douglass (piano), Reggie Carson (bass), Herb Graham, Jr. (drums). Includes liner… |
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BR1200CD Digital Multitrack Recorder $1199 From guitar pick to compact disc, the BR-1200CD can turn your ideas into radio-quality songs with power and ease. Packed with great COSM effects and amp models derived from BOSSs GT-6/6B multi-effects processors, plus a great-sounding bass and drum rhythm programmer for instant backing tracks, the BR-1200CD is the friendliest and most comprehensive hard disk recorder on the market.Hassle-Free Recording & CD Burning Fly from point A to B in record time, thanks to the BR-1200CD's logical arrangement of buttons, knobs, and faders, and its inviting icon-based user interface. Recording, mixing, and CD burning is simple. To record, simply connect an instrument or microphone (XLR inputs with phantom power are provided), and follow the logical flow of controls on the left side of the panel. Use the fader pack in the middle to mix, and press the "Audio CD Write/Play" button to jump to the CD Burning menu.Multi-Effects & COSM Models From full dunk to subtle sweetening, the BR-1200CD is equipped with a powerful multi-effects processor derived from the famous BOSS GT-6/GT-6B. A lineup of COSM amp models are in the lineup, including the world standard Roland JC-120 Jazz Chorus, R-FIier Vintage, Metal Stack, BOSS Compact Pedal models such as OD-1 and MT-2, and more. Also onboard COSM Mic Models, which emulate expensive condenser mics. Correct pitch and add hamornies with the Vocal Tool Box, and for the finishing touch, tap into the Mastering Tool Kit to put a pro-quality polish on your track.Backing Band Built In Another distinguishing feature of the BR-1200CD is its world-class bass and drum programmer, packed with instruments and patterns to suit a variety of styles. Realistic acoustic drums and percussion are included, as well as many electronic sounds to compose modern hybrid type of music. For bass, you can choose from a variety of bass sounds, such as slapped basses, picked basses, and fretless basses. Jam along with the supplied patterns or create y |
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Babatunde Lea – March of the Jazz Guerillas $14.99 Personnel: Babatunde Lea (chant vocals, whistle, drums, congas, guiro, shaker, shekere, bells); Richard Howell (chant vocals, tenor… |
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Bad as Me [Deluxe Version] $24.98 Bad as Me is Tom Waits’ first collection of new material in seven years. He and Kathleen Brennan — wife, co-songwriter, and production partner — have, at the latter’s insistence, come up with a tight-knit collection of short tunes, the longest is just over four minutes. This is a quick, insistent, and woolly aural road trip full of compelling stops and starts. While he’s kept his sonic experimentation — especially with percussion tracks — Waits has returned to blues, rockabilly, rhythm & blues, and jazz as source material. Instead of sprawl and squall, we get chug and choogle. For “Chicago” — via Clint Maedgen’s saxes, Keith Richards’ (who appears sporadically here) and Marc Ribot’s guitars, son Casey Waits’ drums, dad’s banjo, percussion and piano, and Charlie Musselwhite’s harmonica (he appears numerous times here, too) — we get a 21st century take on vintage R&B. Indeed, one can picture Big Joe Turner fronting this clattering rush of grit and groove, and this album is all about groove. Augie Meyers appears on Vox organ and Flea on bass to guide Waits’ tablas and vocals on “Raised Right Men,” a 12-bar stagger filled with delightful lyrical clich? s from an America that has passed on into myth — Waits does nothing to de-mystify this; he just makes it greasy and danceable. The slow, spooky “Talking at the Same Time” is still in blues form albeit with ska-styled horns to make things more exotic, as Waits waxes about the current state of economic affairs. He showcases history’s circular nature as he bridges our national narrative from 1929-1941, and up to the present day: “Well it? s hard times for some/For others it? s sweet/Someone makes money when there? s blood in the street…Well we bailed out all the millionaires/They got the fruit/We got the rind…” Rockabilly rears its head on “Get Lost,” with David Hidalgo strutting a solid ’50s guitar snarl above the horns. Dawn Harms’ violin and Patrick Warren’s keyboards add textural dimension to H… |
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Bags’ Groove $40.98 There are a multitude of reasons why Bags’ Groove remains a cornerstone of the post-bop genre. Of course there will always be the lure of the urban myth surrounding the Christmas Eve 1954 session — featuring Thelonious Monk — which is documented on the two takes of the title track. There are obviously more tangible elements, such as Davis’ practically telepathic runs with Sonny Rollins (tenor sax). Or Horace Silver’s (piano) uncanny ability to provide a stream of chord progressions that supply a second inconspicuous lead without ever overpowering. Indeed, Davis’ choice of former Dizzy Gillespie Orchestra and concurrent Modern Jazz Quartet members Milt Jackson (vibes), Kenny Clarke (drums), and Percy Heath (bass) is obviously well-informed. This combo became synonymous with the ability to tastefully improvise and provide bluesy bop lines in varied settings. The up-tempo and Latin-infused syncopation featured during the opening of “Airegin” flows into lines and minor-chord phrasings that would reappear several years later throughout Davis’ Sketches of Spain epic. The fun and slightly maniacally toned “Oleo” features one of Heath’s most impressive displays on Bags’ Groove. His staccato accompaniment exhibits the effortless nature with which these jazz giants are able to incorporate round after round of solos onto the larger unit. Bags’ Groove belongs as a cornerstone of all jazz collections. Likewise, the neophyte as well as the seasoned jazz enthusiast will find much to discover and rediscover throughout the disc. The remastered CD includes both historic takes of “Bags’ Groove” as well as one additional rendering of the pop standard “But Not for Me.” ~ Lindsay Planer, Rovi |
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Band-in-a-Box 2010 EverythingPAK PC – 5 User Lab Pack (Win-Portable Hard Drive) $1100 5 User Lab Pack of Band-in-A-Box EverythingPAK for PC. Automatic accompaniment has arrived! The award- winning Band-In ÐA-Box is so easy to use! Just type in the chords for any song using standard chord symbols (like C, Fm7, or c13b9), choose the style youÕd like, and Band-In-A-Box does the restÉautomatically generating a complete professional quality five instrument arrangement of piano, bass, drums, guitar, and strings in a wide variety of popular styles.Band-in-a-Box is an intelligent automatic accompaniment program for your multimedia computer. You can hear and play along to many song ideas and go from “nothing” to “something” in a very short period of time with Band-in-a-Box as your “on demand” backup band.Band-in-a-Box is a powerful and creative music composition tool for exploring and developing musical ideas with near-instantaneous feedback. Over the years many features have been added to Band-in-a-Box – Notation, Lyrics, Melody Tracks, Harmonization, and a programmable StyleMaker. The Soloist and the Melodist are two major “intelligent” features; the Soloist generates professional quality solos over any chord progression, the Melodist can create songs from scratch with Chords, Melodies, Intros, Solos, and even a Title! When you purchase the EverythingPAK, you get PG Music’s Band-in-a-Box 2011 plus All RealTracks Sets 1Ð121Ñ Over 600 RealTracks for Jazz, Rock, Pop, Country, Bluegrass, Blues, Metal and more. All RealDrums Sets 1Ð29 Ñ Over 200 RealDrums. All Styles Sets 0Ð77 Ñ Over 1,500 MIDI Styles. All Soloist Sets 1Ð11 & 16Ð20 Ñ Over 300 MIDI Soloists. All Melodist Sets 1Ð8 Ñ Over 200 MIDI Melodists. Andy LaVerne Soloist Series-Solos designed by great New York pianist Andy LaVerne.The Songs & Lessons PAK plus 25 additional Add-ons for Band-in-a-Box. The Band-in-a-Box Video Tutorial PAK. All of this shipped pre-installed and ready to use on a portable 160GB hard drive! |
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Band-in-a-Box 2011 EverythingPAK (Win-Portable Hard Drive) $569 Automatic accompaniment has arrived! The award- winning Band-In-A-Box is so easy to use! Just type in the chords for any song using standard chord symbols (like C, Fm7, or c13b9), choose the style you’d like, and Band-In-A-Box does the rest – automatically generating a complete professional quality five instrument arrangement of piano, bass, drums, guitar, and strings in a wide variety of popular styles.Band-in-a-Box is an intelligent automatic accompaniment program for your multimedia computer. You can hear and play along to many song ideas and go from “nothing” to “something” in a very short period of time with Band-in-a-Box as your “on demand” backup band.Band-in-a-Box is a powerful and creative music composition tool for exploring and developing musical ideas with near-instantaneous feedback. Over the years many features have been added to Band-in-a-Box – Notation, Lyrics, Melody Tracks, Harmonization, and a programmable StyleMaker. The Soloist and the Melodist are two major “intelligent” features; the Soloist generates professional quality solos over any chord progression, the Melodist can create songs from scratch with Chords, Melodies, Intros, Solos, and even a Title! When you purchase the EverythingPAK, you get PG Music’s Band-in-a-Box 2011 plus All RealTracks Sets – Over 600 RealTracks for Jazz, Rock, Pop, Country, Bluegrass, Blues, Metal and more. All RealDrums Sets – Over 200 RealDrums. All Styles Sets – Over 1,500 MIDI Styles. All Soloist Sets – Over 300 MIDI Soloists. All Melodist Sets- Over 200 MIDI Melodists. Andy LaVerne Soloist Series-Solos designed by great New York pianist Andy LaVerne.The Songs & Lessons PAK plus 25 additional Add-ons for Band-in-a-Box. The Band-in-a-Box Video Tutorial PAK. All of this shipped pre-installed and ready to use on a portable 160GB hard drive! Check out some of the exciting new features in Band-in-a-Box 2011! |
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Band-in-a-Box 5-User EverythingPAK – MAC $1100 5 User Lab Pack of Band-in-A-Box EverythingPAK for Mac. Automatic accompaniment has arrived! The award- winning Band-In-A-Box is so easy to use! Just type in the chords for any song using standard chord symbols (like C, Fm7, or c13b9), choose the style you’d like, and Band-In-A-Box does the rest-automatically generating a complete professional quality five instrument arrangement of piano, bass, drums, guitar, and strings in a wide variety of popular styles.Band-in-a-Box is an intelligent automatic accompaniment program for your multimedia computer. You can hear and play along to many song ideas and go from “nothing” to “something” in a very short period of time with Band-in-a-Box as your “on demand” backup band.Band-in-a-Box is a powerful and creative music composition tool for exploring and developing musical ideas with near-instantaneous feedback. Over the years many features have been added to Band-in-a-Box – Notation, Lyrics, Melody Tracks, Harmonization, and a programmable StyleMaker. The Soloist and the Melodist are two major “intelligent” features; the Soloist generates professional quality solos over any chord progression, the Melodist can create songs from scratch with Chords, Melodies, Intros, Solos, and even a Title! Includes Band-in-a-Box 2010 for Macintosh, RealTracks Sets 1-82 (ALL!), RealDrums Sets 1-29 (ALL!), Styles Sets 0-77, Soloist Sets 1-13 & 16-20, Melodist Sets 1-8, The Band-in-a-Box Video Tutorial PAK, 101 Essential Phrases & Riffs Series, 50 Country Guitar Solos, 200 Folk Songs, 50 Novelty Piano Riffs, Fakebooks, CopyMe, Duets, Master Swingin’ Jazz Piano Solos, Master Blues Piano Solos, Master Jazz Guitar (80 GB, pre-installed to a 160GB Hard Drive) |
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Band-in-a-Box EverythingPAK Windows Hard Drive Upgrade/Crossgrade from any Version (2011 edition) $399 Upgrade from any previous version of Band in a Box EverythingPAK to the new 2011 Edition of Band in a Box EverythingPAK. Automatic accompaniment has arrived! The award- winning Band-In-A-Box is so easy to use! Just type in the chords for any song using standard chord symbols (like C, Fm7, or c13b9), choose the style you’d like, and Band-In-A-Box does the rest – automatically generating a complete professional quality five instrument arrangement of piano, bass, drums, guitar, and strings in a wide variety of popular styles.Band-in-a-Box is an intelligent automatic accompaniment program for your multimedia computer. You can hear and play along to many song ideas and go from “nothing” to “something” in a very short period of time with Band-in-a-Box as your “on demand” backup band.Band-in-a-Box is a powerful and creative music composition tool for exploring and developing musical ideas with near-instantaneous feedback. Over the years many features have been added to Band-in-a-Box – Notation, Lyrics, Melody Tracks, Harmonization, and a programmable StyleMaker. The Soloist and the Melodist are two major “intelligent” features; the Soloist generates professional quality solos over any chord progression, the Melodist can create songs from scratch with Chords, Melodies, Intros, Solos, and even a Title! When you purchase the EverythingPAK, you get PG Music’s Band-in-a-Box 2011 plus All RealTracks Sets 1Ð121Ñ Over 600 RealTracks for Jazz, Rock, Pop, Country, Bluegrass, Blues, Metal and more. All RealDrums Sets – Over 200 RealDrums. All Styles Sets – Over 1,500 MIDI Styles. All Soloist Sets & Over 300 MIDI Soloists. All Melodist Sets – Over 200 MIDI Melodists. Andy LaVerne Soloist Series-Solos designed by great New York pianist Andy LaVerne.The Songs & Lessons PAK plus 25 additional Add-ons for Band-in-a-Box. The Band-in-a-Box Video Tutorial PAK. |
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Band-in-a-Box MegaPAK 5-User LabPAK – MAC $550 5 User Lab Pack of Band-in-A-Box MEGAPAK for Mac. Automatic accompaniment has arrived! The award- winning Band-In-A-Box is so easy to use! Just type in the chords for any song using standard chord symbols (like C, Fm7, or c13b9), choose the style you’d like, and Band-In-A-Box does the rest-automatically generating a complete professional quality five instrument arrangement of piano, bass, drums, guitar, and strings in a wide variety of popular styles.Band-in-a-Box is an intelligent automatic accompaniment program for your multimedia computer. You can hear and play along to many song ideas and go from “nothing” to “something” in a very short period of time with Band-in-a-Box as your “on demand” backup band.Band-in-a-Box is a powerful and creative music composition tool for exploring and developing musical ideas with near-instantaneous feedback. Over the years many features have been added to Band-in-a-Box – Notation, Lyrics, Melody Tracks, Harmonization, and a programmable StyleMaker. The Soloist and the Melodist are two major “intelligent” features; the Soloist generates professional quality solos over any chord progression, the Melodist can create songs from scratch with Chords, Melodies, Intros, Solos, and even a Title! Includes Band-in-a-Box 2010 for Macintosh, RealTracks Sets 1-82 (ALL!), RealDrums Sets 1-29 (ALL!), Styles Sets 0-77, Soloist Sets 1-13 & 16-20, Melodist Sets 1-8, The Band-in-a-Box Video Tutorial PAK, 101 Essential Phrases & Riffs Series, 50 Country Guitar Solos, 200 Folk Songs, 50 Novelty Piano Riffs, Fakebooks, CopyMe, Duets, Master Swingin’ Jazz Piano Solos, Master Blues Piano Solos, Master Jazz Guitar (80 GB, pre-installed to a 160GB Hard Drive) |
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Band-in-a-Box Pro 2010 MAC EverythingPAK (Mac-Hard Drive) $569 Automatic accompaniment has arrived! The award- winning Band-In-A-Box is so easy to use! Just type in the chords for any song using standard chord symbols (like C, Fm7, or c13b9), choose the style youÕd like, and Band-In-A-Box does the restÉautomatically generating a complete professional quality five instrument arrangement of piano, bass, drums, guitar, and strings in a wide variety of popular styles.Band-in-a-Box is an intelligent automatic accompaniment program for your multimedia computer. You can hear and play along to many song ideas and go from “nothing” to “something” in a very short period of time with Band-in-a-Box as your “on demand” backup band.Band-in-a-Box is a powerful and creative music composition tool for exploring and developing musical ideas with near-instantaneous feedback. Over the years many features have been added to Band-in-a-Box – Notation, Lyrics, Melody Tracks, Harmonization, and a programmable StyleMaker. The Soloist and the Melodist are two major “intelligent” features; the Soloist generates professional quality solos over any chord progression, the Melodist can create songs from scratch with Chords, Melodies, Intros, Solos, and even a Title! Includes Band-in-a-Box 2010 for Macintosh, RealTracks Sets 1-82 (ALL!), RealDrums Sets 1-29 (ALL!), Styles Sets 0-77, Soloist Sets 1-13 & 16-20, Melodist Sets 1-8, The Band-in-a-Box Video Tutorial PAK, 101 Essential Phrases & Riffs Series, 50 Country Guitar Solos, 200 Folk Songs, 50 Novelty Piano Riffs, Fakebooks, CopyMe, Duets, Master SwinginÕ Jazz Piano Solos, Master Blues Piano Solos, Master Jazz Guitar (80 GB, pre-installed to a 160GB Hard Drive) |
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Band-in-a-Box Pro 2010 MAC MegaPAK (Mac-DVD) $269 Automatic accompaniment has arrived! The award- winning Band-In-A-Box is so easy to use! Just type in the chords for any song using standard chord symbols (like C, Fm7, or c13b9), choose the style you’d like, and Band-In-A-Box does the rest-automatically generating a complete professional quality five instrument arrangement of piano, bass, drums, guitar, and strings in a wide variety of popular styles.Band-in-a-Box is an intelligent automatic accompaniment program for your multimedia computer. You can hear and play along to many song ideas and go from “nothing” to “something” in a very short period of time with Band-in-a-Box as your “on demand” backup band.Band-in-a-Box is a powerful and creative music composition tool for exploring and developing musical ideas with near-instantaneous feedback. Over the years many features have been added to Band-in-a-Box – Notation, Lyrics, Melody Tracks, Harmonization, and a programmable StyleMaker. The Soloist and the Melodist are two major “intelligent” features; the Soloist generates professional quality solos over any chord progression, the Melodist can create songs from scratch with Chords, Melodies, Intros, Solos, and even a Title! Includes: Band in a Box 2010 for Macintosh, MegaPAK RealCombos with 40 RealTracks in 10 Bands (Jazz Swing 140, Country Ballad 65, Pop Rock 120,Bossa 140, Bluegrass 130, Blues 120, American PopRock 120, SmoothCool Jazz 100, JazzBallad 85, HardRock Thrash 85) and RealDrums Sets 1-5, all of our Style Sets 0-77, Soloist Sets 1-11 and 16-20, Melodist Sets 1-8. |
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Bandwidth $34.98 For release number six by his Circulasione Totale Orchestra, Norwegian free jazz sax master Frode Gjerstad opted for a solid three-CD set of live recordings (from 2008, says the press kit — no recording info is included with the album itself). If you have been looking for a decisive statement from this band, here it is: three discs, three sets, three decibel-heavy collective improvisations full of twists and turns, three times the magic. The Circulasione Totale Orchestra has always been about mixing it up between locals and international figures, and about passing the torch to the younger set — the experience and advice of the seasoned musicians, the fresh excitement and ideas of the up-and-comers, all that circulates freely among orchestra members. Or at least, that’s how CTO is designed. And judging from these three hours of recordings, it works. There are 15 musicians on the recordings, 13 at a time, and the cast is a stunning blend of major players from the American free jazz and European free improvisation scene. In the “seasoned improvisers” category we find, beside Gjerstad, drummer Louis-Moholo-Moholo (of Chris McGregor fame), American free jazz greats Bobby Bradford (trumpet) and Sabir Mateen (sax); Kevin Norton (vibes), once in Anthony Braxton’s standards and non-standards bands, and longtime William Parker collaborator Hamid Drake (drums). Among the younger and local players are Anders Hana (guitar, of MoHa! and Noxagt) and the killer rhythm section of Ingebrigt Haker Flaten and Paal Nilssen-Love (both of the Thing). Lasse Marhaug and John Hegre (Jazkamer) are handling noise, electronics, and live manipulation/mix duties, with more electronic input from Morten Johan Olsen (of MoHa! and Ultralyd). It could have been totally chaotic, and at some points (especially on discs one and three) it borders on a catastrophe, but the musicians are clearly listening intently to one another and are ready to bounce back and put the train back on its rails when ne… |
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Barry Harris (Piano) – Barry Harris at the Jazz Workshop $6.99 Personnel: Barry Harris (piano); Sam Jones (bass); Louis Hayes (drums). Recorded live at The Jazz Workshop, San Francisco,… |
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Barry Harris (Piano) – Barry Harris at the Jazz Workshop [Bonus Tracks] $14.99 Personnel: Barry Harris (piano); Sam Jones (bass); Louis Hayes (drums). Recorded live at The Jazz Workshop, San Francisco,… |
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Barry Martyn – Legends of Jazz: Swedish Concert $13.99 Barry Martyn’s Legends Of Jazz includes: Barry Martyn (leader, drums); Andrew Blakeney (trumpet); Louis Nelson (trombone); Joe… |
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Beegie Adair – I Love Being Here with You: A Jazz Piano Tribute to Peggy Lee [Digipak] $11.99 Tributee: Peggy Lee . Tributee: Peggy Lee . Personnel: Beegie Adair (piano); Chris Brown (drums). Audio Mixer: Brendan Harkin. Liner… |
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