Jazz Guitar Arrangements

The Development Of Blues Music

The contribution of Blues music to the event of many other genres of music is very significant. Jazz, rock music and country and western are simply some of the kinds that owe a whole lot of their progression from the original blues. Blues was initially grown out of the hardships endured by many generations of African Individuals, and first arose from the rural Mississippi region, around in regards to the time of the dawn of the twentieth century. The model developed from work shouts (known as arhoolies), and have become the vocal narrative style that we affiliate with blues music today.

Jazz, rock music and country and western are simply some of the types that owe a whole lot of their development from the unique blues. The contribution of Blues music to the development of many other genres of music could be very significant. Blues was originally grown out of the hardships endured by many generations of African People, and first arose from the agricultural Mississippi region, round about the time of the daybreak of the 20th century. The model developed from work shouts (often known as arhoolies), and became the vocal narrative fashion that we associate with blues music today.

By the 1920′s it had developed a really specific fashion, based round plenty of three-line rhymed stanzas. These stanzas contained one line of verse that was repeated, and completed with a ultimate line of rhyming verse. As business progressed and developed in to the 1920′s, so did the everyday lives of the folks it affected, and by this time Blues music was additionally developing.

The fashion also included a repeating blues chord progression, which was the basis of the harmony. The usual rule of thumb was a 12-bar pattern utilizing the 3 main chords of a scale. The textual content was set to a 12-bar refrain, and typically was between 4 and eight stanzas in length.

The melody is formed, typically, by flattened third, fifth and seventh notes of the foremost scale. This then varieties the ‘bent’ notes that give Blues music its distinctive sound – implementing the notes to have that bittersweet emotional impression that so many of us love. In the majority of Blues music, the vocals are the focus, which contradicts the truth that the performers will very often improvise instrumental solos over the Blues chord progressions.

Country Blues
Many itinerant musicians (the majority of which were males), travelled from one community to the following, singing songs that centered on love, freedom, intercourse and the overall sorrows of life. Often referred to as ‘Delta Blues’ (in tribute to the Mississippi Delta have been they first originated), nation blues arose from the Southern rural expertise, significantly influenced by the influence of emancipation.

Classic Blues
African People started to migrate, mainly searching for work. Areas corresponding to Memphis and New Orleans started to become extra populated, and these people brought their very own model of music with them. As they settled in these areas, it led to Blues music turning into alldatadiy coupon far more city-orientated. The music developed as their way of life evolved. Male or feminine vocalists began appearing more commonly, and there was now the addition of a single piano.

The recognition of this sort of music grew exponentially. The viewers additionally grew, and Blues grew to become more mainstream. Throughout the country as a complete, Blues music may now be heard in dancehalls and barrooms. The music industry as a complete started to take notice, and increasingly more compositions and advertising preparations emerged, as individuals began to take notice. In precise fact, what would become known as Basic Blues turned so common that many songs have been released with the phrase ‘blues’ in the title to capitalize on this, despite the fact that they bared little or no relation to the style of music.

Electrical Blues
The urge for food for the style of music referred to as the Blues was fairly voracious. Its center, previously clustered round Memphis and New Orleans, began to migrate, and shortly cities reminiscent of Chicago grew to become the central level of much of the music.

By the 1950′s this model was now not centered across the African American group, and was universally practiced throughout all races. Artists like Elvis and Invoice Haley began to include the Blues methods into their very own distinctive model of rock n roll. The end of the Second World Battle brought a new revival into the style, and artists began to develop the music, primarily by including a bit of additional emphasis on the bass drums and cranking up the guitar sounds.

The incorporation of the Blues fashion into totally different genres still exists immediately, and Blues music in its own proper continues to go from strength to strength – many high selling artists keep the original styles. The influence that Blues music has had on the music business as an entire is undisputed, and but Blues music remains to be evolving, nonetheless developing, and nonetheless evoking the stirrings of the soul to anybody who cares to hear!

Jazz Guitar Arrangements

Smiley Face Emoticons Can Brighten Up Your Day At Work

If you are having a bad evening there is no far better way to enhance your feeling together with Animated Emoticons. This could cause you to grin and also improve actually the worst evening. There are other smiley’s accessible then you may possess believed and you may desire to try to find the best ones to symbolize your personality to the fullest.

You can use smiley face emoticons in your phone or perhaps on your computer and this offers you several alternatives when it comes to the method you employ your smileys. You may also be able to use them in your preferred social media site. This could offer you numerous varieties when it comes to how and where you employ your emoticons.

You might like to look at utilizing smiley’s inside emails and this may brighten virtually any email. You may think about with them in business emails and this can make your coworkers grin to make your personality shine. You will want to make sure that this can be appropriate for your workplace and you ought to use caution about virtually any guidelines that apply to the emails that you send from work and also fully all of them fully.

It can also be possible that you might be having a bad evening and also smiley face emoticons do not only symbolize a happy feeling, but in addition an array of a great many other feelings that you may become going through. This could quickly show your friends how your evening is actually advancing and this can be a wonderful way to connect with out stating virtually any terms.

Some Emoticons for Facebook Chat are computer animated and this is a very pleasing kind of the smiley. Smileys have grown to be very popular over the last couple of many years and if you have not viewed smileys for quite a while, you may be astounded by the many choices accessible. If you have a certain interest or perhaps style it is possible to only find a smiley that may symbolize this kind of perfectly.

There are many websites you could trip to download smiley faces free of charge you could begin using right away. You will want to investigate these sites and discover the ones which have the emoticons you have recently been looking for.

Smiley face emoticons can display someone how your feeling is merely simply by watching the smiley you have chosen with regard to the evening. This is often entertaining and also elaborate and this can make a dull message better and much less uninteresting.

Jazz Guitar Arrangements

It is more than Playing Guitar

Want to play your favorite songs on guitar? ask you to know that this Musical Instrument and experience an inner rewarding feeling. You must have your own guitar to learn to play it. It needs a lot of patience and daily practice. You have to keep training to keep getting better at playing guitar.

Guitar is a popular musical instrument of the people known for its portability and Economic accessibility. Guitar is used in most forms of music like folk, country, rock, jazz and pop etc. Before playing guitar you need to understand the instrument itself. The instrument is similar to the Indian sitar and other instruments called the mandolin quite close to it. However, learning to play a guitar is best made with a music teacher.

Getting back to playing the guitar, a general guitar has six strings. Some may have as much, may even be 18. There are also electronic guitars that we see playing rock singers. The strings are divided you EADGBE – 654 321. These are named strings that produce thinner and thicker sound that is what creates the different sounds.

First, sit in a comfortable position. Sitting in a chair would be preferable. Now hold the end or neck of your guitar with your left hand. The back should touch your chest. Right hand on the guitar. Keep it running over the guitar and stay light. Do not rigid muscles. Relax and play. Everyone makes mistakes and that is how you learn.

You have to play the strings with the help something called a plectrum. plectrum is a triangular shaped plastic that helps you play the guitar. Now you can start by stroking the strings from thinner scale in E, A, D, G, B to E. scale thickest The strings on the guitar are called scales – major and minor scales. Major – thick sound minor – thin sound.

Getting down playing:

Put your left hand fingers on frets. Frets are metal strips opposite the metal strings. Press your fingers between the strings of metal and not them. Play with your finger tips. Do not press the entire finger. Placing fingers closer to the concerns produces crisp notes. On the other hand keep strumming the same string with plectrum. It requires a lot of mental agility and ability to balance the frets and strumming on right hand. Now play notes from a book of music in major minor scales you have learned.

Tuning:

When you start training your guitar, you will develop awareness of sounds and notes. The day of your notes will not play correctly you need to tune it. A guitar can be tuned with pegs. Pegs can be seen at the end the guitar where strings are attached. Tightening and loosening the pegs to the optimum level produces the right notes. Tuning your guitar is an integral part playing the guitar. Tune your guitar regularly to produce perfect record.

Things taken care of before playing:

You can buy a great guitar from brands like PRS, Gibson, Dean, Gretsch, Ibáñez, Martin, Jackson, Fender and Schecter. Here are some basic things to look then when you start with a play guitar, trim your nails. They can interfere with how you play the guitar, a music book Get to know play the guitar; Arrange for a comfortable chair; Keep spare plectrums, Your fingers may be sick so take a break between training sessions.

Playing the guitar can be careful. Well, good things do not come easy. If you decided to learn to play the guitar and then nothing can stop you except yourself. Your passion for playing guitar and your love for music will take you places. Try it now.

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Help to choose a great Jazz tune for performance?

I'm a jazz guitar player and the jazz group I play with is a wonderful group. There are 25 brass and woodwind players, two guitars, a pianist, a bass player, a drummer and a percussionist. We also have great vocalists at our disposal. We played everything from the standards, in Hancock and Zappa, but we need a very wonderful, very advanced piece to perform this year. We have several months of rehearsal time available, and our director is an Eastman graduate just so we are looking for a masterpiece of a tune. I hope any jazz lovers out there can only suggest that such a piece for us. Please include the composer, and if possible, the names of the specific arrangement. It will not matter what genre or During the jazz, we do it all from big band, to bop, to one in sorrow. Please share your experiences, and of course, thanks for helping.

Look at the music of Don Ellis and his big band. I would suggest the tune 'Rock Odyssey' or 'Last Analysis'. These are both his album Live at Fillmore. The Tears of Joy album also has some terrific numbers in it.

A felicidade Jazz guitar arrangement

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Frank $10.25 Used – Amy Winehouse’s unique combination of jazz, R’n'B and hip hop has proved to be a big hit over the last year. Her award-winning album “Back To Black” created renewed interest in this, her first album. This official matching folio provides an opportunity for other singers to try their hand at these feisty, soulful tunes. The book contains piano/vocal arrangements of all the songs on the album, complete with guitar chord boxes, including the singles “Stronger Than Me”, “In My Bed” and “Take

Frank $17.51 Used – Amy Winehouse’s unique combination of jazz, R’n'B and hip hop has proved to be a big hit over the last year. Her award-winning album “Back To Black” created renewed interest in this, her first album. This official matching folio provides an opportunity for other singers to try their hand at these feisty, soulful tunes. The book contains piano/vocal arrangements of all the songs on the album, complete with guitar chord boxes, including the singles “Stronger Than Me”, “In My Bed” and “Take

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1000 Years of Popular Music $28.98 As the year 2000 loomed on the horizon, Playboy Magazine took it upon itself to ask a number of leading musicians to name the greatest songs of the soon-to-be-completed millennium. One of the musos queried was Richard Thompson, and while many of his comrades couldn’t be bothered to go further back than 1940 in their overview of musical history, the scholarly Thompson took the notion seriously enough to extend his own list of notable songs as far back as 1068 A.D. While Playboy never ended up printing Thompson’s list, the notion made enough of an impression on him that he put together a special show in which he guided his audience through his own version of the greatest hits of the past ten centuries. 1000 Years of Popular Music is culled from recordings of Thompson’s concert series of the same name, and beyond the novelty value of the set list (from the oldest round in the English language to Britney Spears in a mere 76 minutes!), it also offers a rare look at Thompson the interpretive musician, as well as lends a fascinating perspective on his musical influences. As one might expect, the early innings are dominated by the British folk tradition, with “King Henry V’s Conquest of France” and “Blackleg Miner” suggesting where Thompson’s melodic sense first took root, and other tunes demonstrating how operetta and the British music halls absorbed and refined similar themes. Thompson also indulges his passion for classic jazz of the 1930s and ’40s on some Nat King Cole and Louis Armstrong chestnuts, and wraps up by following rock & roll through Jerry Lee Lewis, the Who, and the Beatles to Prince and Britney Spears (“Oops! I Did It Again,” of which Thompson writes, “Taken out of context, this is a pretty nice song”). Considering that precious few of these songs were meant to be performed by a solo acoustic guitar, Thompson’s arrangements are inventive and effective; whether he’s going for laughs or drama, he gets the most from his material. (He’s also fortunat…

A Thousand Kisses Deep $12.99 Chris Botti’s sixth album is a wonderfully, even perfectly crafted group of originals and covers that accent his deep crossover appeal as both a jazz and pop musician. Botti’s phrasing is very keen, uncanny in the way it works with simple rhythmic structures, and his tone is rich and warm. His use of keyboards and drum loops is pretty much up to the minute in terms of its hip factor, and his arrangements appeal to serious jazz fans and are something akin to blessed-out ecstasy to smooth jazz aficionados. Therein also lies the problem. Botti hasn’t significantly developed his sense of artifice since his debut album and, if anything, has delved deeper into its oh-so-cool bachelor pad faux elegance than ever on A Thousand Kisses Deep. The title track, a very moving song written by Leonard Cohen, is the finest moment on the disc. A spare guitar backdrop is adorned simply; Botti plays the melody in short, clipped staccato phrases for an entire full verse before the rhythm section enters. The effect is haunting, lushly romantic, and full of a sensual warmth that is as spooky as it is silky. The spare keyboards and brushed drums offer the song as something slightly Latin (thanks to the gorgeous guitar playing by Dean Parks). It could have been the love theme in Robert Rodriguez’s Once Upon a Time in Mexico — yes, it really does feel slightly mariachi! Burt Bacharach’s “The Look of Love,” despite a marvelous vocal by Chantal Kreviazuk, suffers from cute syndrome — as does “The Last Three Minutes,” another Bacharach tune. The straight pop stuff, such as “Ever Since We Met” with Bridget Benenate’s breathy vocals, work very well. Botti’s solo entwines the refrain and carries the singer’s voice along into the ether. A duet with pianist Billy Childs on “My Funny Valentine” feels a tad stilted, but there is great tension resolution in the third chorus. “If I Could,” another original, with the great Smokey Hormel on guitar in addition to Parks, is a true mood-setter…

Acoustic Masterclass: David Cullen — Jazz, Classical, and Beyond, Book & CD $14.81 Used – Guitar arrangements transcribed by the artists themselves, in standard notation and tab. Each edition includes a masterclass-style CD in which the artist walks you through the key aspects and techniques for each arrangement. David Cullen, a master of many styles, has performed and recorded with Will Ackerman, Mike Manring and many others. Titles include: Bahama Beach * Blue Counterpoint * Coming Home * Cycles * Down Home * Ebb and Flow * Get on the Good Foot * Good to See You * Indigo Blu

Acoustic Masterclass: David Cullen — Jazz, Classical, and Beyond, Book & CD $13.64 Used – Guitar arrangements transcribed by the artists themselves, in standard notation and tab. Each edition includes a masterclass-style CD in which the artist walks you through the key aspects and techniques for each arrangement. David Cullen, a master of many styles, has performed and recorded with Will Ackerman, Mike Manring and many others. Titles include: Bahama Beach * Blue Counterpoint * Coming Home * Cycles * Down Home * Ebb and Flow * Get on the Good Foot * Good to See You * Indigo Blu

Al Kooper concert at Record Plant on 23 Oct 74 $9.98 Songwriter, Arranger, Bandleader, Musician, Vocalist, Producer, Performer and Historian cover some of what Al Kooper has simultaneously pursued over the past five decades. Few could lay claim to more consistently captivating results in any one of those challenging occupations. In terms of the mid-1960s transition from relatively primitive “rock & roll” to the more adventurous and all encompassing “rock” music, Kooper’s impact cannot be underestimated. The Butterfield Blues Band and The Blues Project, of which Kooper played a vital role, are probably the two most instrumentally influential American bands of the mid 1960s, particularly on an improvisational level. Following his tenure in The Blues Project, Kooper founded Blood, Sweat & Tears, expanding his arranging approach to include horns and recording their first and most engaging album in the process, Child Is Father To The Man. Never one to remain in one place very long, he exited shortly afterward, pursuing session work and a solo career, releasing a line of accomplished albums under his own name. Encompassing blues, rock, gospel and jazz, Kooper always achieved a unified soulful sound, full of subtlety, melodicism and depth. His vocals, instrumental performances and arrangements on these albums all reward repeated listening, the true test of a great recording. Familiarity with Kooper’s earlier work makes this solo acoustic performance all the more fascinating. It’s a testament to both his abilities as a songwriter and as an interpreter of other songwriters. Beginning the set with three songs on acoustic guitar, he warms up with “Brand New Day” from his 1970 album, Easy Does It. He continues with Harry Nilsson’s “Without Her,” one of the many standout tracks from the first Blood, Sweat & Tears LP. Even with just acoustic guitar and voice, this song is so melodically well crafted that its charms are obvious, but it’s the inherent vulnerability in Kooper’s voice that makes this performance so engaging.

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All Woman: Jazz (Piano/Vocal/Guitar), Book & CD $35.61 New – Complete piano, voice, and guitar arrangements. The accompanying CD gives complete backing tracks which match the arrangements in the book.

All-Time Standards: Jazz Guitar Chord Melody Solos $11.95 Used – 27 chord melody arrangements in standard notation and tablature, including: Bewitched * Come Fly with Me * A Fine Romance * Georgia on My Mind * How High the Moon * I’ve Got You Under My Skin * It’s De-Lovely * It’s Only a Paper Moon * My Romance * Satin Doll * The Surrey with the Fringe on Top * Yesterdays * and more. “The best solo jazz guitar books ever produced! Well-crafted arrangements that sound great and are still accessible to most players.” – Guitar Edge magazine on the Jazz Gui

All-Time Standards: Jazz Guitar Chord Melody Solos $37.95 New – 27 chord melody arrangements in standard notation and tablature, including: Bewitched * Come Fly with Me * A Fine Romance * Georgia on My Mind * How High the Moon * I’ve Got You Under My Skin * It’s De-Lovely * It’s Only a Paper Moon * My Romance * Satin Doll * The Surrey with the Fringe on Top * Yesterdays * and more. “The best solo jazz guitar books ever produced! Well-crafted arrangements that sound great and are still accessible to most players.” – Guitar Edge magazine on the Jazz Guit

All-Time Standards: Jazz Guitar Chord Melody Solos $28.11 New – 27 chord melody arrangements in standard notation and tablature, including: Bewitched * Come Fly with Me * A Fine Romance * Georgia on My Mind * How High the Moon * I’ve Got You Under My Skin * It’s De-Lovely * It’s Only a Paper Moon * My Romance * Satin Doll * The Surrey with the Fringe on Top * Yesterdays * and more. “The best solo jazz guitar books ever produced! Well-crafted arrangements that sound great and are still accessible to most players.” – Guitar Edge magazine on the Jazz Guit

All-Time Standards: Jazz Guitar Chord Melody Solos $11.8 Used – 27 chord melody arrangements in standard notation and tablature, including: Bewitched * Come Fly with Me * A Fine Romance * Georgia on My Mind * How High the Moon * I’ve Got You Under My Skin * It’s De-Lovely * It’s Only a Paper Moon * My Romance * Satin Doll * The Surrey with the Fringe on Top * Yesterdays * and more. “The best solo jazz guitar books ever produced! Well-crafted arrangements that sound great and are still accessible to most players.” – Guitar Edge magazine on the Jazz Gui

Animato $14.99 Animato is not so much John Abercrombie’s date simply because his name is listed first alphabetically. It is much more the music of Vince Mendoza, who composed six of the eight selections, and whose work on synthesizer is the dominant voice on this set of ethereal progressive instrumental music. Drummer Jon Christensen takes no backseat in urging the music forward with a subtle presence that represents a distinct primal and tribal jazz element. What electric guitarist Abercrombie does is link with Mendoza, merging his own synthesized blends of earth, sky and space to create beautiful textures and soundscapes in tandem with Mendoza’s conceptual arrangements and expanded color palates. In “First Light” and “Last Light,” the trio has touched on a theoretical circadian cycle, beginning in darkness, peace, serenity, and quietude, merging to darting guitar lines, bright steel drum samples, complex and dense activity, with Christensen’s drum work a steadying and balanced influence. There’s a hymnal quality in the airy “Single Moon” and the thin, dim “For Hope of Hope” with Mendoza’s organ assimilations. “Right Now” is a space spiritual sped into animated bop mode with just Abercrombie’s spare guitar and Christensen’s fleet Euro swing, while “Ollie Mention” is a little waltz with tiny notes, the most tuneful of these pieces, with Mendoza’s keyboards traipsing in dark, sacred, enchanted woodlands. Whooshing, vortex sounds akin to the Fairlight synthesizer identify the core of Abercrombie’s lone composition in a somewhat playful fashion, while “Agitato” is clearly nestled in the new age style, a minimalist piece with hard drum accents buoying Abercrombie’s individualist hypothesis. An unusual but beautiful item in John Abercrombie’s discography, and a coming out for Mendoza, Animato signals a different direction for the ECM label, enabling electronic sounds in a way they had never fully embraced prior. ~ Michael G. Nastos, Rovi

Antonio Carlos Jobim Classics-Piano Play-Along Volume 99 (Book and CD) $14.24 These great book/CD packs come with our standard arrangements for piano and voice with guitar chord frames, plus a great play-along CD. The CD includes full performances of each song, as well as a second track without the piano part so you can play lead with the band!Includes these Jobim signature songs: guas De Maro (Waters of March) A Felicidade How Insensitive (Insensatez) One Note Samba (Samba De Uma Nota So) Slightly Out of Tune (Desafinado) S Dano Samba (Jazz 'N' Samba) Wave Zingaro (Retrato Em Branco E Preto)

Antonio Carlos Jobim Classics: Piano Play-Along Volume 99 $9.38 Used – These great book/CD packs come with our standard arrangements for piano and voice with guitar chord frames, plus a great play-along CD. The CD includes full performances of each song, as well as a second track without the piano part so you can play “lead” with the band! Includes these Jobim signature songs: Aguas De Marco (Waters of March) * A Felicidade * How Insensitive (Insensatez) * One Note Samba (Samba De Uma Nota So) * Slightly Out of Tune (Desafinado) * So Danco Samba (Jazz ‘N’ Sa

Antonio Carlos Jobim Classics: Piano Play-Along Volume 99 $10.44 Used – These great book/CD packs come with our standard arrangements for piano and voice with guitar chord frames, plus a great play-along CD. The CD includes full performances of each song, as well as a second track without the piano part so you can play “lead” with the band! Includes these Jobim signature songs: Aguas De Marco (Waters of March) * A Felicidade * How Insensitive (Insensatez) * One Note Samba (Samba De Uma Nota So) * Slightly Out of Tune (Desafinado) * So Danco Samba (Jazz ‘N’ Sa

B.B. King concert at Fillmore East on 19 Jun 71 $12.98 These two Fillmore East sets by the great American blues guitarist, singer and songwriter B.B. King capture him at the peak of popularity. The previous year, his remake of the Roy Hawkins’ tune “The Thrill Is Gone” raced up both the pop and R&B charts, gaining King more fans and media attention than he’d experienced at any other time in his career. For the first time, he was experiencing mainstream success, and he sounds passionate and full of conviction. Fans of his Live at Cook County Jail album will find these shows just as remarkable, if not more so. King always delivered well-rehearsed, utterly professional shows, and these are no exception, though here he sounds more relaxed and spontaneous. King’s obvious enthusiasm for his music shines through every solo with sheer joy. His brilliant, inspired guitar playing defies easy categorization. Whether soulful, rocking, contemplative, or down and dirty, his guitar style and tone exudes authority with every note. The late show begins with King’s band warming up on an instrumental with a style somewhere between R&B and contemporary jazz. At the end they announce B. B. King, who takes command of the stage and again leads the group through a double whammy of straight blues. First up is King’s trademark “Everyday I Have the Blues,” which segues into “How Blue Can You Get.” Levi’s infectious piano playing, the hot horn arrangements -to say nothing of King’s powerful guitar playing and impassioned vocals – all add up to a great performance, already equaling the best moments of the earlier show. The first of this set’s instrumentals kicks things into high gear. This swinging rocker features frenetic piano and smoking guitar throughout. “A Whole Lotta Lovin’” is another up-tempo number with King and the group rocking out full tilt. The style’s reminiscent of Johnny Winters, but with a refinement and tension control that is pure B.B. They then slows things down and delivers a searing, slow blues number showcasing his

Barry Galbraith Guitar Solos: Thirteen Standards $31.98 Used – Barry Galbraith was one of the best jazz guitarists of the 1950′s. He was also a fine music reader who would write out his own arrangements of standards for his students. Both his playing and his writing are very straightforward. This book takes thirteen of Barry’s rough, hand-written arrangements and adds chord symbols, left-hand fingering, and tablature. The companion CD was recorded by John Purse. Also included in the book are quotes about Barry from many other famous musicians, a 7-pa

Barry Galbraith Guitar Solos: Thirteen Standards $32.38 Used – Barry Galbraith was one of the best jazz guitarists of the 1950′s. He was also a fine music reader who would write out his own arrangements of standards for his students. Both his playing and his writing are very straightforward. This book takes thirteen of Barry’s rough, hand-written arrangements and adds chord symbols, left-hand fingering, and tablature. The companion CD was recorded by John Purse. Also included in the book are quotes about Barry from many other famous musicians, a 7-pa

Barry Galbraith Guitar Solos: Thirteen Standards $47.95 New – Barry Galbraith was one of the best jazz guitarists of the 1950′s. He was also a fine music reader who would write out his own arrangements of standards for his students. Both his playing and his writing are very straightforward. This book takes thirteen of Barry’s rough, hand-written arrangements and adds chord symbols, left-hand fingering, and tablature. The companion CD was recorded by John Purse. Also included in the book are quotes about Barry from many other famous musicians, a 7-pag

Barry Galbraith Guitar Solos: Thirteen Standards $14 Used – Barry Galbraith was one of the best jazz guitarists of the 1950′s. He was also a fine music reader who would write out his own arrangements of standards for his students. Both his playing and his writing are very straightforward. This book takes thirteen of Barry’s rough, hand-written arrangements and adds chord symbols, left-hand fingering, and tablature. The companion CD was recorded by John Purse. Also included in the book are quotes about Barry from many other famous musicians, a 7-pa

Barry Galbraith Guitar Solos: Thirteen Standards $15.88 Used – Barry Galbraith was one of the best jazz guitarists of the 1950′s. He was also a fine music reader who would write out his own arrangements of standards for his students. Both his playing and his writing are very straightforward. This book takes thirteen of Barry’s rough, hand-written arrangements and adds chord symbols, left-hand fingering, and tablature. The companion CD was recorded by John Purse. Also included in the book are quotes about Barry from many other famous musicians, a 7-pa

Barry Galbraith Guitar Solos: Thirteen Standards $13.89 Used – Barry Galbraith was one of the best jazz guitarists of the 1950′s. He was also a fine music reader who would write out his own arrangements of standards for his students. Both his playing and his writing are very straightforward. This book takes thirteen of Barry’s rough, hand-written arrangements and adds chord symbols, left-hand fingering, and tablature. The companion CD was recorded by John Purse. Also included in the book are quotes about Barry from many other famous musicians, a 7-pa

Barry Galbraith Guitar Solos: Thirteen Standards $14.26 Used – Barry Galbraith was one of the best jazz guitarists of the 1950′s. He was also a fine music reader who would write out his own arrangements of standards for his students. Both his playing and his writing are very straightforward. This book takes thirteen of Barry’s rough, hand-written arrangements and adds chord symbols, left-hand fingering, and tablature. The companion CD was recorded by John Purse. Also included in the book are quotes about Barry from many other famous musicians, a 7-pa

Barry Galbraith Guitar Solos: Thirteen Standards $14 New – Barry Galbraith was one of the best jazz guitarists of the 1950′s. He was also a fine music reader who would write out his own arrangements of standards for his students. Both his playing and his writing are very straightforward. This book takes thirteen of Barry’s rough, hand-written arrangements and adds chord symbols, left-hand fingering, and tablature. The companion CD was recorded by John Purse. Also included in the book are quotes about Barry from many other famous musicians, a 7-pag

Beginner’s Fingerpicking Guitar: Ragtime, Pop, Blues and Jazz $14.49 Used – As part of Stefan Grossman’s Guitar Workshop Audio Series this comprehensive and thorough collection of fingerpicking guitar lessons contains invaluable tips and instruction implemented throughout the arrangements in this book. The three audio CDs give 3 full hours of note-by-note, phrase-by-phrase instruction. Lesson One: Basic picking patterns for pop songs and rock ballads, shuffle beat/boogie woogie, moving bass lines, playing leads with thumb beat. Lesson Two: Songs include: Bill B

Beginner’s Fingerpicking Guitar: Ragtime, Pop, Blues and Jazz $30.07 New – As part of Stefan Grossman’s Guitar Workshop Audio Series this comprehensive and thorough collection of fingerpicking guitar lessons contains invaluable tips and instruction implemented throughout the arrangements in this book. The three audio CDs give 3 full hours of note-by-note, phrase-by-phrase instruction. Lesson One: Basic picking patterns for pop songs and rock ballads, shuffle beat/boogie woogie, moving bass lines, playing leads with thumb beat. Lesson Two: Songs include: Bill Ba

Beginner’s Fingerpicking Guitar: Ragtime, Pop, Blues and Jazz $23.42 New – As part of Stefan Grossman’s Guitar Workshop Audio Series this comprehensive and thorough collection of fingerpicking guitar lessons contains invaluable tips and instruction implemented throughout the arrangements in this book. The three audio CDs give 3 full hours of note-by-note, phrase-by-phrase instruction. Lesson One: Basic picking patterns for pop songs and rock ballads, shuffle beat/boogie woogie, moving bass lines, playing leads with thumb beat. Lesson Two: Songs include: Bill Ba

Beginner’s Fingerpicking Guitar: Ragtime, Pop, Blues and Jazz $54.95 New – As part of Stefan Grossman’s Guitar Workshop Audio Series this comprehensive and thorough collection of fingerpicking guitar lessons contains invaluable tips and instruction implemented throughout the arrangements in this book. The three audio CDs give 3 full hours of note-by-note, phrase-by-phrase instruction. Lesson One: Basic picking patterns for pop songs and rock ballads, shuffle beat/boogie woogie, moving bass lines, playing leads with thumb beat. Lesson Two: Songs include: Bill Ba

Beginner’s Fingerpicking Guitar: Ragtime, Pop, Blues and Jazz $38.75 New – As part of Stefan Grossman’s Guitar Workshop Audio Series this comprehensive and thorough collection of fingerpicking guitar lessons contains invaluable tips and instruction implemented throughout the arrangements in this book. The three audio CDs give 3 full hours of note-by-note, phrase-by-phrase instruction. Lesson One: Basic picking patterns for pop songs and rock ballads, shuffle beat/boogie woogie, moving bass lines, playing leads with thumb beat. Lesson Two: Songs include: Bill Ba

Beginner’s Fingerpicking Guitar: Ragtime, Pop, Blues and Jazz $13.44 Used – As part of Stefan Grossman’s Guitar Workshop Audio Series this comprehensive and thorough collection of fingerpicking guitar lessons contains invaluable tips and instruction implemented throughout the arrangements in this book. The three audio CDs give 3 full hours of note-by-note, phrase-by-phrase instruction. Lesson One: Basic picking patterns for pop songs and rock ballads, shuffle beat/boogie woogie, moving bass lines, playing leads with thumb beat. Lesson Two: Songs include: Bill B

Blow by Blow $24.98 Blow by Blow typifies Jeff Beck’s wonderfully unpredictable career. Released in 1975, Beck’s fifth effort as a leader and first instrumental album was a marked departure from its more rock-based predecessors. Only composer/keyboardist Max Middleton returned from Beck’s previous lineups. To Beck’s credit, Blow by Blow features a tremendous supporting cast. Middleton’s tasteful use of the Fender Rhodes, clavinet, and analog synthesizers leaves a soulful imprint. Drummer Richard Bailey is in equal measure supportive and propulsive as he deftly combines elements of jazz and funk with contemporary mixed meters. Much of the album’s success is also attributable to the excellent material, which includes Middleton’s two originals and two collaborations with Beck, a clever arrangement of Lennon and McCartney’s “She’s a Woman,” and two originals by Stevie Wonder. George Martin’s ingenious production and string arrangements rival his greatest work. Beck’s versatile soloing and diverse tones are clearly the album’s focus, and he proves to be an adept rhythm player. Blow by Blow is balanced by open-ended jamming and crisp ensemble interaction as it sidesteps the bombast that sank much of the jazz-rock fusion of the period. One of the album’s unique qualities is the sense of fun that permeates the performances. On the opening “You Know What I Mean,” Beck’s stinging, blues-based soloing is full of imaginative shapes and daring leaps. On “Air Blower,” elaborate layers of rhythm, duel lead, and solo guitars find their place in the mix. Propelled by the galvanic rhythm section, Beck slashes his way into “Scatterbrain,” where a dizzying keyboard and guitar line leads to more energetic soloing from Beck and Middleton. In Stevie Wonder’s ballad “Cause We’ve Ended as Lovers,” Beck variously coaxes and unleashes sighs and screams from his guitar in an aching dedication to Roy Buchanan. Middleton’s aptly titled “Freeway Jam” best exemplifies the album’s loose and fun-loving q…

Blues Dream $14.99 From the beginning of Blues Dream, the listener knows that something special is going on. The spare notes of Ron Miles’ trumpet and the relaxed guitar work of Greg Leisz lay the groundwork for a spacious sound on the title cut. This openness remains throughout the album, even when alto and trombone are added into the mix. The instrumental “Ron Carter” begins with the loose, electrified feel of an early Miles Davis fusion piece, with Bill Frisell’s distorted guitar exploring the space of the piece without resorting to excessive volume. The short and sweet “Pretty Stars Were Made to Shine” leans heavier on the country side, with steel guitar and Chet Atkins’ fingerpicking dominating. The arrangements on Blues Dream are a big change from last year’s solo effort, Ghost Town. An essential part of the overall sound is Leisz’ steel guitar and lap steel work. He also played with Frisell on Good Dog, Happy Man, and helps to set the mood and pace throughout Blues Dream. Ron Miles plays a smaller role, but it is fascinating how well his relaxed trumpet, with its carefully chosen notes, fits into the mix on the title cut and the short “Episode.” Blues Dream is a perfectly chosen title: the material, steeped in the blues, is approached in a lazy, dreamlike fashion. Frisell’s fondness for putting unusual combinations of instruments together adds to the overall effect, leaving the listener to wonder why no one has ever tried this before. Blues Dream is a lovely release that should satisfy Frisell fans as well as jazz, country, and blues fans looking for a genre-bending experience. ~ Ronnie D. Lankford, Jr., Rovi

Brazilian Jazz Guitar $9.8 New – Number ten in the Mel Bay/Warner collaboration contains a collection of beginning to intermediate arrangements for Brazilian Guitar. All tunes included in standard notation and tablature are: ROne Note SambaS, RMeditationS, RQuiet Nights of Quiet StarsS, RChega de SaudadeS, RHow InsensitiveS, RThe Girl from IpanemaS, RA Day in the Life of a FoolS, RThe IslandS, RSo NiceS, RDesafinadoS, RA FelicidadeS, RSabiaS and RGentle RainS. Tunes arranged by John Zaradin and Mike Christiansen. All tune

Brazilian Jazz Guitar $13.45 New – Number ten in the Mel Bay/Warner collaboration contains a collection of beginning to intermediate arrangements for Brazilian Guitar. All tunes included in standard notation and tablature are: ROne Note SambaS, RMeditationS, RQuiet Nights of Quiet StarsS, RChega de SaudadeS, RHow InsensitiveS, RThe Girl from IpanemaS, RA Day in the Life of a FoolS, RThe IslandS, RSo NiceS, RDesafinadoS, RA FelicidadeS, RSabiaS and RGentle RainS. Tunes arranged by John Zaradin and Mike Christiansen. All tune

Brazilian Jazz Guitar: Book & CD $8.74 Used – Thirteen quintessential classics from the Brazilian songbook. These arrangements for solo guitar will give any guitarist hours of pleasure from both practicing and performing this wonderful music. A chord solo and a comping etude are included for each song. This book also includes lead sheets and lyrics. Everything is recorded on the accompanying CD. Titles: A Day in the Life of a Fool * Chega de Saudade * Desafinado * A Felicidade * Gentle Rain * The Girl from Ipanema * How Insensitive *

Brazilian Jazz Guitar: Book & CD $7.03 Used – Thirteen quintessential classics from the Brazilian songbook. These arrangements for solo guitar will give any guitarist hours of pleasure from both practicing and performing this wonderful music. A chord solo and a comping etude are included for each song. This book also includes lead sheets and lyrics. Everything is recorded on the accompanying CD. Titles: A Day in the Life of a Fool * Chega de Saudade * Desafinado * A Felicidade * Gentle Rain * The Girl from Ipanema * How Insensitive *

Broadway Classics for Solo Jazz Guitar $28.65 New – 13 cool arrangements of Broadway favorites done jazz style. Includes: Ain’t Misbehavin’ * All the Things You Are * Come Rain or Come Shine * Hello, Young Lovers * Oh, What a Beautiful Mornin’ * Smoke Gets in Your Eyes * The Sound of Music * This Nearly Was Mine * You’ll Never Walk Alone * and more.

Broadway Classics for Solo Jazz Guitar $37.95 New – 13 cool arrangements of Broadway favorites done jazz style. Includes: Ain’t Misbehavin’ * All the Things You Are * Come Rain or Come Shine * Hello, Young Lovers * Oh, What a Beautiful Mornin’ * Smoke Gets in Your Eyes * The Sound of Music * This Nearly Was Mine * You’ll Never Walk Alone * and more.

Chamber Music Society $18.98 As evidenced by her self-titled 2008 debut, Esperanza Spalding is a quadruple threat as composer, bassist, singer, and producer. That album spent an astonishing 70 weeks on Billboard’s contemporary jazz chart, and was the best-selling album by a new artist internationally for that calendar year. Given its critical and commercial success, a follow-up can exert so much pressure internally and externally, that an artist loses her/his focus and the end result is less than stellar. Not so with Chamber Music Society. Spalding has assembled an intriguing collection of tunes, is accompanied by stellar backing musicians — drummer Terri Lynne Carrington, pianist Leonardo Genovese, and percussionist Quintino Cinalli with a pair of string players — and guests that reveal her exquisite taste in both compositions and arrangements (the latter with intermittent help from Gil Goldstein). The album opens with a Spalding composition to illustrate William Blake’s poem “Little Fly”; her vocal is understated yet fully articulate. She is backed only by her bass and a graceful, small, unintrusive string section. “Winter Sun” is a standout with its fingerpopping breaks and a melodic nu-soul vocal that touches on scat with astute syncopation, and features taut, imaginative bass and piano solos. It walks the line between modern jazz and adult contemporary R&B . On Esperanza, she covered Milton Nascimento’s “Ponta de Areia.” Here, she ups the ante by duetting with the Brazilian artist on her own “Apple Blossom,” backed by strings and Richard Vogt’s nylon-string guitar. Nascimento’s trademark baritone is allowed considerable improvisational freedom that features his otherworldly falsetto. Her reading of Antonio Carlos Jobim’s “Inutil Paisagem” almost forgoes samba entirely in favor of a more classically disciplined duet vocal arrangement, as Spalding’s voice and bass are accompanied only by Gretchen Parlato’s divine vocal. Parlato also appears with wordless singing on “Knowledge…

Chicago Transit Authority $34.98 Few debut albums can boast as consistently solid an effort as the self-titled Chicago Transit Authority (1969). Even fewer can claim to have enough material to fill out a double-disc affair. Although this long- player was ultimately the septet’s first national exposure, the group was far from the proverbial “overnight sensation.” Under the guise of the Big Thing, the group soon to be known as CTA had been honing its eclectic blend of jazz, classical, and straight-ahead rock & roll in and around the Windy City for several years. Their initial non-musical meeting occurred during a mid-February 1967 confab between the original combo at Walter Parazaider’s apartment on the north side of Chi Town. Over a year later, Columbia Records staff producer James Guercio became a key supporter of the group, which he rechristened Chicago Transit Authority. In fairly short order the band relocated to the West Coast and began woodshedding the material that would comprise this title. In April of 1969, the dozen sides of Chicago Transit Authority unleashed a formidable and ultimately American musical experience. This included an unheralded synthesis of electric guitar wailin’ rock & roll to more deeply rooted jazz influences and arrangements. This approach economized the finest of what the band had to offer — actually two highly stylized units that coexisted with remarkable singularity. On the one hand, listeners were presented with an incendiary rock & roll quartet of Terry Kath (lead guitar/vocals), Robert Lamm (keyboards/vocals), Peter Cetera (bass/vocals), and Danny Seraphine (drums). They were augmented by the equally aggressive power brass trio that included Lee Loughnane (trumpet/vocals), James Pankow (trombone), and the aforementioned Parazaider (woodwind/vocals). This fusion of rock with jazz would also yield some memorable pop sides and enthusiasts’ favorites as well. Most notably, a quarter of the material on the double album — “Does Anybody Really Know What Time It …

Chord-Melody Guitar for Guitar TAB (Book and CD) $17.09 A Guide to Combining Chords and Melody to Create Solo Arrangements in Jazz and Pop Styles Master the art of blending melody and harmony on the guitar with this book/CD pack. It includes in-depth studies of chords and chord melodies as well as a CD containing 90 demonstration tracks. Lessons include: the five patterns; chord shells; inversions; voice leading; cadences; diminished chords; and more.

Chord-Melody Guitar: A Guide to Combining Chords and Melody to Create Solo Arrangements in Jazz and Pop Styles $12.16 New – This book studies the relationships between melody and harmony through the guitarist’s eyes. Lessons include: chord shells; inversions; voice leading; cadences; diminished chords and more.

Chord-Melody Guitar: A Guide to Combining Chords and Melody to Create Solo Arrangements in Jazz and Pop Styles $11.07 Used – This book studies the relationships between melody and harmony through the guitarist’s eyes. Lessons include: chord shells; inversions; voice leading; cadences; diminished chords and more.

Chord-Melody Guitar: A Guide to Combining Chords and Melody to Create Solo Arrangements in Jazz and Pop Styles $6.94 Used – This book studies the relationships between melody and harmony through the guitarist’s eyes. Lessons include: chord shells; inversions; voice leading; cadences; diminished chords and more.

Chord-Melody Guitar: A Guide to Combining Chords and Melody to Create Solo Arrangements in Jazz and Pop Styles $6.83 New – This book studies the relationships between melody and harmony through the guitarist’s eyes. Lessons include: chord shells; inversions; voice leading; cadences; diminished chords and more.

Christmas Carols (Jazz Guitar Chord Melody Solos) $12.34 Chord melody arrangements in notes & tab of 26 songs of the season. Includes: Auld Lang Syne Deck the Hall Good King Wenceslas Here We Come A-Wassailing Joy to the World O Little Town of Bethlehem Toyland We Three Kings of Orient Are and more.

Christmas Classics for Solo Guitar Book and CD $16.1 Fresh intermediate chord-melody arrangements of 15 holiday favorites for solo jazz guitar: Angels We Have Heard on High Ave Maria Away in a Manger Dance of the Sugar Plum Fairy The First Nol Go, Tell It on the Mountain It Came upon the Midnight Clear Jolly Old St. Nicholas O Christmas Tree O Come, All Ye Faithful O Holy Night O Little Town of Bethlehem Silent Night We Three Kings of Orient Are What Child Is This?. Includes standard notation and tablature, plus a CD featuring full demonstrations of each piece.

Christmas Classics for Solo Guitar: 15 Holiday Favorites Arranged for Chord-Melody Guitar $30.56 Used – Fresh intermediate chord-melody arrangements of 15 holiday favorites for solo jazz guitar: Angels We Have Heard on High * Ave Maria * Away in a Manger * Dance of the Sugar Plum Fairy * The First Noel * Go, Tell It on the Mountain * It Came upon the Midnight Clear * Jolly Old St. Nicholas * O Christmas Tree * O Come, All Ye Faithful * O Holy Night * O Little Town of Bethlehem * Silent Night * We Three Kings of Orient Are * What Child Is This?. Includes standard notation and tablature, plus

Christmas Classics for Solo Guitar: 15 Holiday Favorites Arranged for Chord-Melody Guitar $40.95 Used – Fresh intermediate chord-melody arrangements of 15 holiday favorites for solo jazz guitar: Angels We Have Heard on High * Ave Maria * Away in a Manger * Dance of the Sugar Plum Fairy * The First Noel * Go, Tell It on the Mountain * It Came upon the Midnight Clear * Jolly Old St. Nicholas * O Christmas Tree * O Come, All Ye Faithful * O Holy Night * O Little Town of Bethlehem * Silent Night * We Three Kings of Orient Are * What Child Is This?. Includes standard notation and tablature, plus

Christmas Classics for Solo Guitar: 15 Holiday Favorites Arranged for Chord-Melody Guitar $29.99 New – Fresh intermediate chord-melody arrangements of 15 holiday favorites for solo jazz guitar: Angels We Have Heard on High * Ave Maria * Away in a Manger * Dance of the Sugar Plum Fairy * The First Noel * Go, Tell It on the Mountain * It Came upon the Midnight Clear * Jolly Old St. Nicholas * O Christmas Tree * O Come, All Ye Faithful * O Holy Night * O Little Town of Bethlehem * Silent Night * We Three Kings of Orient Are * What Child Is This?. Includes standard notation and tablature, plus

Christmas Classics for Solo Guitar: 15 Holiday Favorites Arranged for Chord-Melody Guitar $40.95 New – Fresh intermediate chord-melody arrangements of 15 holiday favorites for solo jazz guitar: Angels We Have Heard on High * Ave Maria * Away in a Manger * Dance of the Sugar Plum Fairy * The First Noel * Go, Tell It on the Mountain * It Came upon the Midnight Clear * Jolly Old St. Nicholas * O Christmas Tree * O Come, All Ye Faithful * O Holy Night * O Little Town of Bethlehem * Silent Night * We Three Kings of Orient Are * What Child Is This?. Includes standard notation and tablature, plus

Color Him Funky/H.R. Is a Dirty Guitar Player $18.98 Two Capitol LPs are reissued in full on this CD. Howard Roberts, a talented jazz guitarist from the 1950s who chose to become a studio musician, is in fine form on these selections, playing soul-jazz and swinging hard bop with a pair of quartets that have either Paul Bryant or Burkley Kendrix on organ. At the time these albums were released (they were both recorded in 1963), one could be excused for shying away from them because they both clocked in at barely a half-hour apiece and the individual selections were all quite concise, almost always less than three minutes apiece. The latter was on purpose so the numbers could be played on AM radio. But as it turned out, Roberts and his group did an excellent job of making every moment count, playing concise but self-sufficient arrangements and taking short but meaningful solos. So although most of the songs seem to end when they are just starting to get going, a lot of music takes place in a short period of time. Roberts recorded a long series of albums for Capitol, and the two combined on this CD are arguably his best for the label. ~ Scott Yanow, Rovi

Complete Acoustic Blues Method: Intermediate Acoustic Blues Guitar $9 New – Great for acoustic guitarists who have learned the basics of the blues and are ready to take the next step. Begins with a review of technique, standard music notation and basic theory. Building on the foundations of Beginning Acoustic Blues, the book takes a quick look at 12-bar, 16-bar and 9-bar blues progressions. It then delves into scale- and arpeggio-based blues soloing; using 3rds, 6ths, 10ths and triads in song arrangements; extended dominant chords and jazz blues; and open tunings.

Complete Acoustic Blues Method: Intermediate Acoustic Blues Guitar $13.43 New – Great for acoustic guitarists who have learned the basics of the blues and are ready to take the next step. Begins with a review of technique, standard music notation and basic theory. Building on the foundations of Beginning Acoustic Blues, the book takes a quick look at 12-bar, 16-bar and 9-bar blues progressions. It then delves into scale- and arpeggio-based blues soloing; using 3rds, 6ths, 10ths and triads in song arrangements; extended dominant chords and jazz blues; and open tunings.

Complete Acoustic Blues Method: Intermediate Acoustic Blues Guitar, Book & CD $12.05 Used – Great for acoustic guitarists who have learned the basics of the blues and are ready to take the next step. Begins with a review of technique, standard music notation and basic theory. Building on the foundations of Beginning Acoustic Blues, the book takes a quick look at 12-bar, 16-bar and 9-bar blues progressions. It then delves into scale- and arpeggio-based blues soloing; using 3rds, 6ths, 10ths and triads in song arrangements; extended dominant chords and jazz blues; and open tunings

Complete Acoustic Blues Method: Intermediate Acoustic Blues Guitar, Book & CD $9.12 Used – Great for acoustic guitarists who have learned the basics of the blues and are ready to take the next step. Begins with a review of technique, standard music notation and basic theory. Building on the foundations of Beginning Acoustic Blues, the book takes a quick look at 12-bar, 16-bar and 9-bar blues progressions. It then delves into scale- and arpeggio-based blues soloing; using 3rds, 6ths, 10ths and triads in song arrangements; extended dominant chords and jazz blues; and open tunings

Contemporary Ballads: (Piano, Vocal, Guitar) $58.95 New – This is a collection of 12 contemporary ballads – smooth jazz arrangements for solo piano with chord symbols. The book features some of the most popular artists of recent years and really is an absolute must for anyone looking to expand their repertoire of great material. It contains hits by Amy Winehouse, Take That, Michael Buble, Duffy and more!

Contemporary Ballads: (Piano, Vocal, Guitar) $41.69 New – This is a collection of 12 contemporary ballads – smooth jazz arrangements for solo piano with chord symbols. The book features some of the most popular artists of recent years and really is an absolute must for anyone looking to expand their repertoire of great material. It contains hits by Amy Winehouse, Take That, Michael Buble, Duffy and more!

Count Basie and His Orchestra concert at Newport Jazz Festival on 03 Jul 64 $5.98 Following a successful stint with Roulette Records from 1957 to 1962, a productive period which primarily highlighted the compositions and arrangements of Neal Hefti, Count Basie began a new working relationship with Verve Records and handed over the reigns to new composer-arranger Billy Byers, who brought a new modern sheen to the band with his writing and arranging, which can readily be heard on Basie Land, the Count’s Verve album (recorded in March of 1964, just a few months before his appearance at the ’64 Newport Jazz Festival). However, Basie decided to showcase only one new Byers tune at his Friday evening performance, choosing to go with some old reliable numbers from his repertoire along with a couple of more obscure offerings. Ironically, they open their July 3rd set with a Neal Hefti tune, “Splanky,” which was introduced on 1957′s The Atomic Mr. Basie. Paced by the rock steady rhythm section of Basie, bassist Buddy Catlett, drummer Payne and rhythm guitarist Green, this easy-swinging opener sets a quintessential Basie-esque tone with the Count’s sparse piano comping and the dynamic shout choruses from the horns. It also features an outstanding tenor sax solo from Foster, a member of the Basie band since 1953. They keep the tempo in the same easy-going vein on “Sassy,” a chugging bluesy number written by Byers and dedicated to singer Sarah Vaughan (whose nickname was Sassy). On the 1964 album Basie Land, this tune was a flute feature for Basie’s longtime reedman, Frank Wess. However, Wess left the band prior to this Newport appearance, so the piece becomes a flute feature for Eric Dixon. Al Aarons is also showcased on muted trumpet, playing unisons along with Dixon on the head before stepping out for a soulful solo of his own. A rendition of “All Of Me” opens with some impromptu ivory tickling from the Count before he settles into the familiar melody, backed only by Catlett’s walking bass, Payne’s subtle brushwork and Green’s chunking rhythm guitar. The

Disney Songs: Jazz Guitar Chord Melody Solos $9.87 Used – Chord melody arrangements of 27 Disney classics in standard notation and tablature, including: Beauty and the Beast * Can You Feel the Love Tonight * Candle on the Water * Colors of the Wind * A Dream Is a Wish Your Heart Makes * Heigh-Ho * Some Day My Prince Will Come * Supercalifragilisticexpialidocious * Under the Sea * When You Wish upon a Star * A Whole New World (Aladdin’s Theme) * Zip-A-Dee-Doo-Dah * and more.

Disney Songs: Jazz Guitar Chord Melody Solos $10.93 New – Chord melody arrangements of 27 Disney classics in standard notation and tablature, including: Beauty and the Beast * Can You Feel the Love Tonight * Candle on the Water * Colors of the Wind * A Dream Is a Wish Your Heart Makes * Heigh-Ho * Some Day My Prince Will Come * Supercalifragilisticexpialidocious * Under the Sea * When You Wish upon a Star * A Whole New World (Aladdin’s Theme) * Zip-A-Dee-Doo-Dah * and more.

Disney Songs: Jazz Guitar Chord Melody Solos $10.25 New – Chord melody arrangements of 27 Disney classics in standard notation and tablature, including: Beauty and the Beast * Can You Feel the Love Tonight * Candle on the Water * Colors of the Wind * A Dream Is a Wish Your Heart Makes * Heigh-Ho * Some Day My Prince Will Come * Supercalifragilisticexpialidocious * Under the Sea * When You Wish upon a Star * A Whole New World (Aladdin’s Theme) * Zip-A-Dee-Doo-Dah * and more.

Donny Hathaway concert at Carnegie Hall on 30 Jun 73 $5.98 A smooth soul singer who injected rhythmic complexity, harmonic sophistication, and a jazzy sensibility into his ambitious arrangements, Donny Hathaway was a bona fide superstar during the ’70s. A romantic crooner capable of sanctified intensity on some of his more cathartic gospel flavored originals, Hathaway reached his commercial zenith as Roberta Flack’s duet partner on popular hits like “Where Is The Love?” and “The Closer I Get To You.” Unfortunately, his ascending career came to a tragic demise with his apparent suicide in 1979 at the age of 33. Hathaway’s appearance at Carnegie Hall for the 1973 Newport Jazz Festival in New York caught the multi-talented soul singer-composer-arranger-keyboardist at the peak of his powers, performing material from his ambitious new release, Extensions of a Man. Hathaway opens with the ebullient “Flying Easy,” an appealing precursor to smooth jazz which sounds like it might’ve served as the template for George Benson’s Breezin’, the guitarist-vocalist’s platinum-selling album from 1976 for Warner Bros. Records. Interestingly, the next tune on Hathaway’s set list, his inventive jazz fusion instrumental “Valdez in the Country,” was covered by Benson on his 1977 album, In Flight. Guitarist Lee Ritenour also covered the tune on a 1976 compilation presented by Guitar Player magazine and released on MCA Records. Clearly, Hathaway had his share of fans in music circles, as well as the general public. Switching from electric piano to grand piano, Hathaway next delivers the transcendent message song “Someday We’ll All Be Free” with spine-tingling, gospel inspired majesty. His lovely, Latin flavored instrumental “Nu-Po” (a slang reference to Newport) is a tune he wrote especially for the festival. Hathaway stretches out here and improvises in daring fashion on electric piano while his rhythm section cooks up an infectious Afro-Cuban groove underneath. Returning to his Extension of a Man album, Hathaway and his crew turn in a soulful

Duke Ellington for Jazz Guitar $34.95 New – A cool solo guitar collection of 15 Ellington classics! The arrangements are based on the orchestral recordings, which results in melodic music with single-note lines and hip chord voicings that blend seamlessly. Includes the tunes: Don’t Get Around Much Anymore * In a Sentimental Mood * It Don’t Mean a Thing (If It Ain’t Got That Swing) * Mood Indigo * Prelude to a Kiss * Satin Doll * Sophisticated Lady * Take the “A” Train * and more. Includes a bio of Duke by Dave Rubin.

Duke Ellington for Jazz Guitar $10.4 A cool solo guitar collection of 15 Ellington classics! The arrangements are based on the orchestral recordings, which results in melodic music with single-note lines and hip chord voicings that blend seamlessly. Includes the tunes: Don’t Get Around Much Anymore In a Sentimental Mood It Don’t Mean a Thing (If It Ain’t Got That Swing) Mood Indigo Prelude to a Kiss Satin Doll Sophisticated Lady Take the ‘A’ Train and more. Includes a bio of Duke by Dave Rubin.

Duke Ellington for Jazz Guitar $26.29 New – A cool solo guitar collection of 15 Ellington classics! The arrangements are based on the orchestral recordings, which results in melodic music with single-note lines and hip chord voicings that blend seamlessly. Includes the tunes: Don’t Get Around Much Anymore * In a Sentimental Mood * It Don’t Mean a Thing (If It Ain’t Got That Swing) * Mood Indigo * Prelude to a Kiss * Satin Doll * Sophisticated Lady * Take the “A” Train * and more. Includes a bio of Duke by Dave Rubin.

Duke Ellington: Jazz Guitar Chord Melody Solos $7.12 Used – 25 chord melody arrangements in standard notation & tablature of Ellington favorites, including: C-Jam Blues * Caravan * Do Nothin’ Till You Hear from Me * Don’t Get Around Much Anymore * I Got It Bad and That Ain’t Good * I’m Beginning to See the Light * I’m Just a Lucky So and So * In a Sentimental Mood * It Don’t Mean a Thing (If It Ain’t Got That Swing) * Mood Indigo * Perdido * Prelude to a Kiss * Satin Doll * and more.

Duke Ellington: Jazz Guitar Chord Melody Solos $56.95 New – 25 chord melody arrangements in standard notation & tablature of Ellington favorites, including: C-Jam Blues * Caravan * Do Nothin’ Till You Hear from Me * Don’t Get Around Much Anymore * I Got It Bad and That Ain’t Good * I’m Beginning to See the Light * I’m Just a Lucky So and So * In a Sentimental Mood * It Don’t Mean a Thing (If It Ain’t Got That Swing) * Mood Indigo * Perdido * Prelude to a Kiss * Satin Doll * and more.

Duke Ellington: Jazz Guitar Chord Melody Solos $40.76 New – 25 chord melody arrangements in standard notation & tablature of Ellington favorites, including: C-Jam Blues * Caravan * Do Nothin’ Till You Hear from Me * Don’t Get Around Much Anymore * I Got It Bad and That Ain’t Good * I’m Beginning to See the Light * I’m Just a Lucky So and So * In a Sentimental Mood * It Don’t Mean a Thing (If It Ain’t Got That Swing) * Mood Indigo * Perdido * Prelude to a Kiss * Satin Doll * and more.

Duke Ellington: Jazz Guitar Chord Melody Solos $8.8 Used – 25 chord melody arrangements in standard notation & tablature of Ellington favorites, including: C-Jam Blues * Caravan * Do Nothin’ Till You Hear from Me * Don’t Get Around Much Anymore * I Got It Bad and That Ain’t Good * I’m Beginning to See the Light * I’m Just a Lucky So and So * In a Sentimental Mood * It Don’t Mean a Thing (If It Ain’t Got That Swing) * Mood Indigo * Perdido * Prelude to a Kiss * Satin Doll * and more.

Early Jazz and Swing Songs for Guitar Book and CD $9.45 Add to your repertoire with this collection of early jazz and swing standards! The companion CD features a two-guitar recording of each tune, and the book includes full guitar parts in standard notation and tab with chord diagrams, plus detailed notes on the song origins and arrangements. Includes 15 songs: After You’ve Gone Avalon Baby, Won’t You Please Come Home Ballin’ the Jack Hindustan I Ain’t Got Nobody (And Nobody Cares for Me) Indiana (Back Home Again in Indiana) Limehouse Blues Poor Butterfly Rose Room Saint James Infirmary St. Louis Blues Tain’t Nobody’s Biz-ness If I Do Till the Clouds Roll By Whispering.

Early Jazz and Swing Songs: Acoustic Guitar Method Songbook $8.78 Used – Add to your repertoire with this collection of early jazz and swing standards! The companion CD features a two-guitar recording of each tune, and the book includes full guitar parts in standard notation and tab with chord diagrams, plus detailed notes on the song origins and arrangements. Includes 15 songs: After You’ve Gone * Avalon * Baby, Won’t You Please Come Home * Ballin’ the Jack * Hindustan * I Ain’t Got Nobody (And Nobody Cares for Me) * Indiana (Back Home Again in Indiana) * Lim

Early Jazz and Swing Songs: Acoustic Guitar Method Songbook $9.87 New – Add to your repertoire with this collection of early jazz and swing standards! The companion CD features a two-guitar recording of each tune, and the book includes full guitar parts in standard notation and tab with chord diagrams, plus detailed notes on the song origins and arrangements. Includes 15 songs: After You’ve Gone * Avalon * Baby, Won’t You Please Come Home * Ballin’ the Jack * Hindustan * I Ain’t Got Nobody (And Nobody Cares for Me) * Indiana (Back Home Again in Indiana) * Lime

Early Jazz and Swing Songs: Acoustic Guitar Method Songbook $9.87 Used – Add to your repertoire with this collection of early jazz and swing standards! The companion CD features a two-guitar recording of each tune, and the book includes full guitar parts in standard notation and tab with chord diagrams, plus detailed notes on the song origins and arrangements. Includes 15 songs: After You’ve Gone * Avalon * Baby, Won’t You Please Come Home * Ballin’ the Jack * Hindustan * I Ain’t Got Nobody (And Nobody Cares for Me) * Indiana (Back Home Again in Indiana) * Lim

Early Jazz and Swing Songs: Acoustic Guitar Method Songbook $8.78 New – Add to your repertoire with this collection of early jazz and swing standards! The companion CD features a two-guitar recording of each tune, and the book includes full guitar parts in standard notation and tab with chord diagrams, plus detailed notes on the song origins and arrangements. Includes 15 songs: After You’ve Gone * Avalon * Baby, Won’t You Please Come Home * Ballin’ the Jack * Hindustan * I Ain’t Got Nobody (And Nobody Cares for Me) * Indiana (Back Home Again in Indiana) * Lime

Essential Audition Songs for Female Vocalists — Jazz Standards: Book & CD $21.07 New – These music books contain ten piano and voice arrangements with lyrics and guitar chord boxes of Broadway songs, jazz standards, and some of today’s top hits being performed by such artists as Mariah Carey, Whitney Houston, Madonna, Barbra Streisand, Gloria Estefan, and more. The accompaniment CD has full backing tracks for use in rehearsal or at auditions. The Jazz Standards book includes: Cry Me a River * Ev’ry Time We Say Goodbye * Fever * Mad About the Boy * Stormy Weather * Summertime

Essential Audition Songs for Female Vocalists — Jazz Standards: Book & CD $21.07 Used – These music books contain ten piano and voice arrangements with lyrics and guitar chord boxes of Broadway songs, jazz standards, and some of today’s top hits being performed by such artists as Mariah Carey, Whitney Houston, Madonna, Barbra Streisand, Gloria Estefan, and more. The accompaniment CD has full backing tracks for use in rehearsal or at auditions. The Jazz Standards book includes: Cry Me a River * Ev’ry Time We Say Goodbye * Fever * Mad About the Boy * Stormy Weather * Summertim

Essential Audition Songs for Female Vocalists — Jazz Standards: Book & CD $11.72 Used – These music books contain ten piano and voice arrangements with lyrics and guitar chord boxes of Broadway songs, jazz standards, and some of today’s top hits being performed by such artists as Mariah Carey, Whitney Houston, Madonna, Barbra Streisand, Gloria Estefan, and more. The accompaniment CD has full backing tracks for use in rehearsal or at auditions. The Jazz Standards book includes: Cry Me a River * Ev’ry Time We Say Goodbye * Fever * Mad About the Boy * Stormy Weather * Summertim

Essential Audition Songs for Female Vocalists — Jazz Standards: Book & CD $11.72 New – These music books contain ten piano and voice arrangements with lyrics and guitar chord boxes of Broadway songs, jazz standards, and some of today’s top hits being performed by such artists as Mariah Carey, Whitney Houston, Madonna, Barbra Streisand, Gloria Estefan, and more. The accompaniment CD has full backing tracks for use in rehearsal or at auditions. The Jazz Standards book includes: Cry Me a River * Ev’ry Time We Say Goodbye * Fever * Mad About the Boy * Stormy Weather * Summertime

Finale-An Easy Guide to Music Notation – Third Edition $33.24 Everything you want to know about music notation with Finale! Master Finale step-by-step with the most complete how-to guide available. Designed for both novice and experienced users, this is your detailed resource to fully understanding and applying all of Finale's remarkable capabilities.Easy-to-follow instructions help you to: create publisher-quality music notation; learn to use the tools of Finale while writing your own music and arrangements; get started immediately with hundreds of professional templates, partially completed notation files, and libraries available on the companion website (www.FINALEBOOK.com); print transposed parts from scores automatically; write standard notation, guitar tablature, drum set parts, and more with this comprehensive hands-on tutorial.Teachers can create warm-up and practice exercises; write their own compositions, arrangements and method books; and simplify parts for students.The companion website, www.FINALEBOOK.COM, offers: Tutorial Files Samples of partially completed and finished music notation files for each of the hundreds of hands-on exercises in the book Libraries of articulations and dynamics Additional chapters Professional Templates: Choral, Concert Band, Jazz Ensemble, Marching Band, Orchestra, Single Line and Grand Staff, Pit and Show, and Sketch and Utilities templates including a Cue Sheet for radio and TV.This book excels at teaching Finale in an easy-to-understand, sequential manner. Rudolph and Leonard have loads of experience. Beginners and seasoned Finale users will benefit from what these two teach. Tom Johnson, Finale Product Specialist, MakeMusic!, Inc.

Fingerstyle Guitar Gig Book $23.06 Used – This collection of 146 fingerstyle transcriptions and arrangements covers a wide variety of styles including dozens of popular and jazz standards as well as blues and country songs, sea chanteys, folk ballads, sacred, gospel and Christmas melodies, Celtic and patriotic tunes, children’s songs, classical and wedding music, and select Piburn originals. The book is designed as a resource for guitarists in virtually any solo performance situation. The result of years of experience as an arran

Fingerstyle Guitar Gig Book $79.95 New – This collection of 146 fingerstyle transcriptions and arrangements covers a wide variety of styles including dozens of popular and jazz standards as well as blues and country songs, sea chanteys, folk ballads, sacred, gospel and Christmas melodies, Celtic and patriotic tunes, children’s songs, classical and wedding music, and select Piburn originals. The book is designed as a resource for guitarists in virtually any solo performance situation. The result of years of experience as an arrang

Fingerstyle Guitar Gig Book $54.38 New – This collection of 146 fingerstyle transcriptions and arrangements covers a wide variety of styles including dozens of popular and jazz standards as well as blues and country songs, sea chanteys, folk ballads, sacred, gospel and Christmas melodies, Celtic and patriotic tunes, children’s songs, classical and wedding music, and select Piburn originals. The book is designed as a resource for guitarists in virtually any solo performance situation. The result of years of experience as an arrang

Fingerstyle Guitar Gig Book $30 Used – This collection of 146 fingerstyle transcriptions and arrangements covers a wide variety of styles including dozens of popular and jazz standards as well as blues and country songs, sea chanteys, folk ballads, sacred, gospel and Christmas melodies, Celtic and patriotic tunes, children’s songs, classical and wedding music, and select Piburn originals. The book is designed as a resource for guitarists in virtually any solo performance situation. The result of years of experience as an arran

First Light [Bonus Track] $10.98 Never one to take lyricism for granted, trumpeter and composer Freddie Hubbard entered Creed Taylor’s studio for the third time in 1974 with the express purpose of making a record radically different from anything he’d cut before; he was looking for it to use electricity and to be out of the soul-jazz mold, but was also more ambitious and wanted to push that envelope and himself. Taylor and Hubbard assembled a band that included Herbie Hancock on Rhodes, guitarists Eric Gale and George Benson, bassist Ron Carter, Jack DeJohnette on drums, Airto Moreira on percussion, and Richard Wyands on acoustic piano to back him. The band was also supported by the truly ethereal and adventurous string arrangements of Don Sebesky (a first for Hubbard). The result is a masterpiece of textured sound, gorgeously far-flung charts, sweet, tight grooves, a subtle mystic feel, and some of Hubbard’s most exciting playing ever. The title track — there are two versions here, the alternate is almost five minute longer than the master — and Hubbard’s ingenious read of Paul and Linda McCartney’s “Uncle Albert/ Admiral Halsey,” as well as Leonard Bernstein’s “Lonely Town,” are so in the pocket that they bleed soul. Benson’s uncharacteristically edgy guitar playing juxtaposed against Hubbard’s warm tone, and Hancock’s beautifully modal Rhodes lines that are drenched with big, open, minor chord voicings, are simply made more illustrious and graceful by Sebesky’s strings. While Red Clay and Straight Life are both fine albums, “First Light” is the one that connects on all levels — and it did with the jazz-buying public as well. A masterpiece. [CTI's 2003 version added a bonus track, "First Light."] ~ Thom Jurek, Rovi

First Light [Japan] $7.99 Never one to take lyricism for granted, trumpeter and composer Freddie Hubbard entered Creed Taylor’s studio for the third time in 1971 with the express purpose of making a record radically different from anything he’d cut before; he was looking for it to use electricity and to be out of the soul-jazz mold, but was also more ambitious and wanted to push that envelope and himself. Taylor and Hubbard assembled a band that included Herbie Hancock on Rhodes, guitarists Eric Gale and George Benson, bassist Ron Carter, Jack DeJohnette on drums, Airto Moreira on percussion, and Richard Wyands on acoustic piano to back him. The band was also supported by the truly ethereal and adventurous string arrangements of Don Sebesky (a first for Hubbard). The result is a masterpiece of textured sound, gorgeously far-flung charts, sweet, tight grooves, a subtle mystic feel, and some of Hubbard’s most exciting playing ever. The title track and Hubbard’s ingenious read of Paul and Linda McCartney’s “Uncle Albert/ Admiral Halsey,” as well as Leonard Bernstein’s “Lonely Town,” are so in the pocket that they bleed soul. Benson’s uncharacteristically edgy guitar playing juxtaposed against Hubbard’s warm tone, and Hancock’s beautifully modal Rhodes lines that are drenched with big, open, minor chord voicings, are simply made more illustrious and graceful by Sebesky’s strings. While Red Clay and Straight Life are both fine albums, First Light is the one that connects on all levels — and it did with the jazz-buying public as well. A masterpiece. ~ Thom Jurek, Rovi

First Year Charts Collection for Jazz Ensemble: Guitar $24.95 New – 12 outstanding arrangements for the beginning jazz ensemble written by experienced educational arrangers and composers. A variety of styles and tempos are included: swing, ballads, rock, pop, holiday, Latin and a great warm-up chart titled “Loosen Up.” This collection of charts is written for full instrumentation of 5 saxophones, 3 trumpets, 3 trombones, and 4 rhythm, but designed to sound full and complete with reduced instrumentation of just nine players – 2 Alto Saxes, Tenor Sax, 2 Trum

First Year Charts Collection for Jazz Ensemble: Guitar $2.28 Used – 12 outstanding arrangements for the beginning jazz ensemble written by experienced educational arrangers and composers. A variety of styles and tempos are included: swing, ballads, rock, pop, holiday, Latin and a great warm-up chart titled “Loosen Up.” This collection of charts is written for full instrumentation of 5 saxophones, 3 trumpets, 3 trombones, and 4 rhythm, but designed to sound full and complete with reduced instrumentation of just nine players – 2 Alto Saxes, Tenor Sax, 2 Tru

First Year Charts Collection for Jazz Ensemble: Guitar $6.12 Used – 12 outstanding arrangements for the beginning jazz ensemble written by experienced educational arrangers and composers. A variety of styles and tempos are included: swing, ballads, rock, pop, holiday, Latin and a great warm-up chart titled “Loosen Up.” This collection of charts is written for full instrumentation of 5 saxophones, 3 trumpets, 3 trombones, and 4 rhythm, but designed to sound full and complete with reduced instrumentation of just nine players – 2 Alto Saxes, Tenor Sax, 2 Tru

First Year Charts Collection for Jazz Ensemble: Guitar $5.91 Used – 12 outstanding arrangements for the beginning jazz ensemble written by experienced educational arrangers and composers. A variety of styles and tempos are included: swing, ballads, rock, pop, holiday, Latin and a great warm-up chart titled “Loosen Up.” This collection of charts is written for full instrumentation of 5 saxophones, 3 trumpets, 3 trombones, and 4 rhythm, but designed to sound full and complete with reduced instrumentation of just nine players – 2 Alto Saxes, Tenor Sax, 2 Tru

First Year Charts Collection for Jazz Ensemble: Guitar $19.98 New – 12 outstanding arrangements for the beginning jazz ensemble written by experienced educational arrangers and composers. A variety of styles and tempos are included: swing, ballads, rock, pop, holiday, Latin and a great warm-up chart titled “Loosen Up.” This collection of charts is written for full instrumentation of 5 saxophones, 3 trumpets, 3 trombones, and 4 rhythm, but designed to sound full and complete with reduced instrumentation of just nine players – 2 Alto Saxes, Tenor Sax, 2 Trum

First Year Charts Collection for Jazz Ensemble: Guitar $2.74 Used – 12 outstanding arrangements for the beginning jazz ensemble written by experienced educational arrangers and composers. A variety of styles and tempos are included: swing, ballads, rock, pop, holiday, Latin and a great warm-up chart titled “Loosen Up.” This collection of charts is written for full instrumentation of 5 saxophones, 3 trumpets, 3 trombones, and 4 rhythm, but designed to sound full and complete with reduced instrumentation of just nine players – 2 Alto Saxes, Tenor Sax, 2 Tru

Frank $10.25 New – Amy Winehouse’s unique combination of jazz, R’n'B and hip hop has proved to be a big hit over the last year. Her award-winning album “Back To Black” created renewed interest in this, her first album. This official matching folio provides an opportunity for other singers to try their hand at these feisty, soulful tunes. The book contains piano/vocal arrangements of all the songs on the album, complete with guitar chord boxes, including the singles “Stronger Than Me”, “In My Bed” and “Take T

Frank $4.75 New – Amy Winehouse’s unique combination of jazz, R’n'B and hip hop has proved to be a big hit over the last year. Her award-winning album “Back To Black” created renewed interest in this, her first album. This official matching folio provides an opportunity for other singers to try their hand at these feisty, soulful tunes. The book contains piano/vocal arrangements of all the songs on the album, complete with guitar chord boxes, including the singles “Stronger Than Me”, “In My Bed” and “Take T

George Benson concert at Newport Jazz Festival on 03 Jul 69 $5.98 By 1969, George Benson was in the midst of being reinvented and repackaged as a more accessible guitar star. Coming up in the mid-’60s as a torrid bop-oriented soloist and highly touted heir to Wes Montgomery (who died on June 15, 1968), Benson began melding popular elements into his music as early as 1968 (on Giblet Gravy, which included covers of the Association’s “Along Came Mary” and the Young Rascals’ “Groovin’”). The following year, producer Creed Taylor recruited Don Sebesky, who had provided the lush arrangements on Montgomery’s 1966 hit recording, California Dreaming, to provide orchestral sweetening on Shape of Things to Come, Benson’s debut on A&M Records. Benson and his quartet (sans strings and brass) hit the Newport stage on this Thursday evening to recreate material from Shape of Things to Come. Opening with that album’s title track, Benson and company warm up the crowd with a soul-jazz interpretation of Barry Mann’s tune from the 1968 teensploitation flick Wild in the Streets. Harold Ousley is featured on flute here while Charlie Covington offers a killer Hammond B-3 solo. Benson kicks in a typically fluid guitar solo (though on an uncharacteristically trebly-sounding guitar). From that relatively innocuous pop ditty, the quartet launches into a smoking rendition of Thelonious Monk’s “Straight No Chaser.” Ousley really -opens up on this up-tempo cooker, blowing with boppish authority on tenor sax while organist Covington stokes the heated proceedings with surging bass lines and forceful old school comping. Benson begins his solo with deliberate picking before gradually unleashing some single note pyrotechnics, eventually shifting to deft chord soloing at the culmination of his exhilarating solo. Covington adds a sizzling solo without dropping a beat on his walking left hand bass lines. And they all engage in some fiery exchanges of eights with drummer Leo Morris (later known as Idris Muhammad) at the tag. Benson’s funky boogaloo “Footin’ It” (

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2. Jazz Piano Arrangements
3. Chord Melody Guitar Arrangements
4. Guitar Arrangements
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Filed Under: Guitar Tagged with Guitar, jazz, jazz guitar arrangements, Music, sheet, sheetmusic, solo jazz guitar arrangements

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