Shure Drums Kit

Shure Drums Kit

shure drums kit

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Questions about the Shure SM57?

I'm considering a purchase of Shure SM57 but I need to get some answers to these questions: 1. Can I use this as a general microphone for recording my entire drum kit? (For example can I just have it pointing to the top down my kit) 2. If it can be used as a full kit mic recording, I can still play my drums and cymbals too loud? 3. Apart from a spot is there anything else I need to get? If I need a cable that needs to be a main microphone plug socket as a computer (I think it is called a "3.5mm Stereo Jack"

1. Yes, although not pointed down the best option, stick to the horizontal. This is a wide angle reception, so it is visible all the drum kit though as close as 10 feet away. Shure recommend this mic for drums, but it could be used for vocals. Response fairly flat with only a slight increase at higher frequencies. Sound off on the back side has denied that helps cut down on crowd noise and little echo chamber. 2. Yes, but remember This is a mix of sound so you need to enable contol over relative loudness each drum and cymbal helps. Overload is a problem in pre-amp and not the mic. 3. Shure mics do not come with cable. You will need a xlr to mic end. Computer you need to fit the 3.5 mm Mono. Because it is a dynamic mic, no ghost voltage is required, so it can feed the computer mic input directly. The stores that sell mic can provide cable and adapter. The pre-amp to computer sound cards are rarely classed as high loyalty, and probably will not have much headroom for peak audio you get from the drums. An adapter or USB mic mixer will definitely be a good Ideas for when you get money.

How to mic a drum kit with a Shure DMK

Below are some cheap but quality products related to shure drums kit. We are pretty sure you will find good deals with the products below relating to shure drums kit. Enjoy!

Shure Drum Microphone Kit $399.99 This microphone kit includes 4 microphones for use with kick drums, snare drums and toms for easily capturing the sound of an entire drum set. Three included drum-mounting systems easily attach the microphones to your drums.

Shure RK369 $58.88 Shure RK369 Shure RK369 Description: Replacement Kit Shure RK369 Features: Replacement kit for MX202B Overhead Microphones Get Your Shure RK369 Today!

Shure WA503 Antenna Conversion Kit $27.29 Shure WA503 Antenna Conversion Kit

Shure DMK57-52 Drum Mic Kit $399.99 Shure DMK57-52 Drum Mic Kit

Shure PG48 6-Pack Mic Kit $219.99 Shure PG48 6-Pack Mic Kit

Shure PGDMK4 Performance Gear Drum Mic Kit $249 The PGDMK4 Drum Mic Kit is an essential drum kit mic selection for snare drums, rack/floor toms, and percussion.

Shure Wa503 Antenna Conversion Kit $29.99 The Shure WA503 is a back-to-front mounted antenna converter kit. 2 cables and bulkhead adapters. Converts Shure WA500 to WA501.

Shure PG48 3-Pack Mic and Stand Kit $119.99 Shure PG48 3-Pack Mic and Stand Kit

Shure PG48 6-Pack Mic and Stand Kit $229.99 Shure PG48 6-Pack Mic and Stand Kit

Shure PG58 6-Pack Mic and Bag Kit $339.99 Shure PG58 6-Pack Mic and Bag Kit

Shure UA440 Front Mount Antenna Rack Kit $139.99 Shure UA440 Front Mount Antenna Rack Kit

Shure PG58 6-Pack Mic and Stand Kit $379 Shure PG58 6-Pack Mic and Stand Kit

Traps Drums EPad Standard Kit $434.13 Traps Drums EPad Standard Kit

Trick Drums Drum Care Kit $14.99 Trick Drums Drum Care Kit

Shure PG 6-pc Drum Mic Kit $399 A complete drum mic package. The PGDMK6 drum mic kit includes three PG56 snare/tom microphones, one PG52 kick drum microphone, two PG81 instrument microphones, three A50D drum mounts, six 15ft (4.57m) XLR-XLR cables and a durable carrying case. Type: Drums and Percussion

Used Shure Wa503 Antenna Conversion Kit $27.29 The Shure WA503 is a back-to-front mounted antenna converter kit. 2 cables and bulkhead adapters. Converts Shure WA500 to WA501.

Trick Drums Carnauba Piano Care Kit $9.99 Trick Drums Carnauba Piano Care Kit

Shure Dmk57-52 Drum Mic Kit $399.99 The Shure DMK57-52 Drum Mic Kit is a conveniently packaged selection of microphones and mounts, designed to offer a core package of microphones for recording and performing drummers at a great price. The Drum Mic Kit includes 3 Shure SM57 microphones, one Shure Beta 52A microphone, 3 A56D drum-mounting systems, and a lightweight, durable carrying case.A collection of some of the most widely used mics in the world for stage and studio miking of drumsIncludes mics and hardware for core miking of basic setsAlso includes application-specific illustrations of different setupsSuggested Applications:Kick DrumSnare DrumsRack/Floor Toms

CB DRUMS SNARE KIT IS574 $129.95 Chrome snare drum kit with tripod stand and splash cymbal! Type: Drums and Percussion

Shure Drum Mic Package with Cable and Boom Stands $479 This Shure drum microphone package includes Shure’s PGDMK6 Drum Mic Kit, a DR Pro DR256 MS1500BK Low Profile Mic Boom Stand, 2 Musician’s Gear MS-220 Tripod Microphone Stands, and 6 Gear One XLR microphone cables to give your drummer the proper miking a timekeeper deserves.Shure PG 6-Piece Drum Mic KitThe Shure PG drum mic package includes one PG52 kick drum mic, 3 PG56 snare/tom mics, 2 PG81 instrument mics, and a carrying case. PG microphones are developed with distinct characteristics and performance-based applications in mind, so you can be sure that they will perform up to the high standards expected of a Shure mic.DR Pro DR256 MS1500BK Low Profile Mic Boom StandThe DR Pro DR256 is a basic low-profile tripod microphone stand with telescoping boom. The boom is 19″ and extends to 31″. It is height adjustable from 9″ to 17″. The tripod legs extend to 19″ per side.Musician’s Gear MS-220 Tripod Microphone StandsThe MS-220 tripod microphone stand has a thread adapter and tubular legs. Its adjustable height from floor to top thread is 35″ to 61-7/8″. The 30-1/4″ fixed boom is not adjustable.Gear One XLR Microphone CableFor serious-minded musicians, Gear One’s XLR cables have the strength and durability to withstand more than everyday use. Since your cable is your sound, this XLR mic cable’s superior wiring allows your signal to be quiet, eliminating frustrating hums, buzzing, and crackles.This Shure mic pack includes the PGDMK6 Drum Mic Kit, I DR Pro Low Profile Stand, 2 Musician’s Gear Tripod Mic Stands with Fixed Booms, and 6 Gear One XLR Mic CablesShure PGDMK6 Drum Mic Kit(3) Three PG56 snare/tom microphones(1) One PG52 kick drum microphone(2) Two PG81 instrument microphones(3) Three A50D drum mounts(1) One durable carrying casePG56 snare/tom kick drum micTailored frequency response is smooth and extendedTuned specifically for drum applicationsCardioid polar pattern Less susceptible to feedback in high volume settingsDynamic cartridge with a simple, rugged coil Handles extreme volume levelsNeodymium magnet for high output levelInternal shock mountDurable metal constructionIntegral stand mountHardened steel-mesh grillePG52 kick drum microphoneDie-cast housingDynamic cartridge tailored for kick drums and bass ampsCardioid pattern rejects unwanted noise and minimizes feedbackNeodymium magnet for high outputInternal shockmount reduces handling noiseHardened steel mesh grille protects mic from errant sticksPG81 instrument microphonesWide, uniform,and flatfrequency responseCardioid polar patternResists feedback in high volume settingsCondenser cartridge has a lightweight, sensitive diaphragmPowered by AA battery or phantom power Internal shock mountDurable metal construction.On/off switch Gear One XLR Microphone CableSturdy construction for enhanced signal and performanceFlexible mic cable design eliminates kinks and twists for a tangle-free performance in-studio and onstage

Shure Drum Mic Package With Cable And Boom Stands $479 This Shure drum microphone package includes Shure’s PGDMK6 Drum Mic Kit, a DR Pro DR256 MS1500BK Low Profile Mic Boom Stand, 2 Musician’s Gear MS-220 Tripod Microphone Stands, and 6 Gear One XLR microphone cables to give your drummer the proper miking a timekeeper deserves.Shure PG 6-Piece Drum Mic KitThe Shure PG drum mic package includes one PG52 kick drum mic, 3 PG56 snare/tom mics, 2 PG81 instrument mics, and a carrying case. PG microphones are developed with distinct characteristics and performance-based applications in mind, so you can be sure that they will perform up to the high standards expected of a Shure mic.DR Pro DR256 MS1500BK Low Profile Mic Boom StandThe DR Pro DR256 is a basic low-profile tripod microphone stand with telescoping boom. The boom is 19″ and extends to 31″. It is height adjustable from 9″ to 17″. The tripod legs extend to 19″ per side.Musician’s Gear MS-220 Tripod Microphone StandsThe MS-220 tripod microphone stand has a thread adapter and tubular legs. Its adjustable height from floor to top thread is 35″ to 61-7/8″. The 30-1/4″ fixed boom is not adjustable.Gear One XLR Microphone CableFor serious-minded musicians, Gear One’s XLR cables have the strength and durability to withstand more than everyday use. Since your cable is your sound, this XLR mic cable’s superior wiring allows your signal to be quiet, eliminating frustrating hums, buzzing, and crackles.This Shure mic pack includes the PGDMK6 Drum Mic Kit, I DR Pro Low Profile Stand, 2 Musician’s Gear Tripod Mic Stands with Fixed Booms, and 6 Gear One XLR Mic CablesShure PGDMK6 Drum Mic Kit(3) Three PG56 snare/tom microphones(1) One PG52 kick drum microphone(2) Two PG81 instrument microphones(3) Three A50D drum mounts(1) One durable carrying casePG56 snare/tom kick drum micTailored frequency response is smooth and extendedTuned specifically for drum applicationsCardioid polar pattern Less susceptible to feedback in high volume settingsDynamic cartridge with a simple, rugged coil Handles extreme volume levelsNeodymium magnet for high output levelInternal shock mountDurable metal constructionIntegral stand mountHardened steel-mesh grillePG52 kick drum microphoneDie-cast housingDynamic cartridge tailored for kick drums and bass ampsCardioid pattern rejects unwanted noise and minimizes feedbackNeodymium magnet for high outputInternal shockmount reduces handling noiseHardened steel mesh grille protects mic from errant sticksPG81 instrument microphonesWide, uniform,and flatfrequency responseCardioid polar patternResists feedback in high volume settingsCondenser cartridge has a lightweight, sensitive diaphragmPowered by AA battery or phantom power Internal shock mountDurable metal construction.On/off switch Gear One XLR Microphone CableSturdy construction for enhanced signal and performanceFlexible mic cable design eliminates kinks and twists for a tangle-free performance in-studio and onstage

CB DRUMS DELUXE SNARE KIT WITH BACKPACK IS678BP $239.85 Chrome snare drum kit with backpack bag! Type: Drums and Percussion

Shure PGDMK4-XLR Wired Microphone $249 Shure PGDMK4-XLR Wired Microphone The PGDMK4 drum mic kit includes three PG56 snare/tom microphones, one PG52 kick drum microphone, three A50D drum mounts, four 15ft. (4.5m) XLR-XLR cables and a durable carrying case. Get Your Shure PGDMK4-XLR Wired Microphone Today!

Shure BETA91 Wired Microphone $219 Shure BETA91 Wired Microphone The Shure Beta 91 is a microphone unsurpassed for kick drums and other bass instruments. The Beta 91 provides both superior attack and punch, even at extremely high SPLs and a solid, strong low-end response. The Shure Beta 91′s cardioid pattern provides outstanding gain-before-feedback and rejection of unwanted sound, and its low-profile design eliminates the need for external mounting hardware. Features: Rugged Shure construction The choice for kick drum and bass applications Superior attack and punch even at high SPLs Solid, strong low-end response Cardioid pattern provides outstanding gain-before-feedback and rejection of unwanted sound Low-profile design eliminates the need for external mounting hardware Get Your Shure BETA91 Wired Microphone Today!

CB DRUMS PERCUSSION KIT WITH TRAVELER BAG 8676 $399.95 CB Drums Percussion kit features 32-note extended range bells with stamped pitch letter names including enharmonic sharps/flats! Type: Drums and Percussion

Shure C130 Wired Microphone Accessory $41 Shure C130 Wired Microphone Accessory The Shure C130 Replacement Mic Cable Kit is used to replace the cable on the MX392 microphone. The cable measures 12 feet (3.65m) in length and is unterminated (bare-ended). Get Your Shure C130 Wired Microphone Accessory Today!

Shure C131 Wired Microphone Accessory $41 Shure C131 Wired Microphone Accessory The Shure C131 Replacement Mic Cable Kit is used to replace the cable on the MX400D microphone. The cable measures 10 feet (3.04m) in length and is terminated with an XLR connector. Get Your Shure C131 Wired Microphone Accessory Today!

ILIO Ocean Way Drums Platinum – PC $1795 Produced and engineered by Allen Sides and Steven Miller, co-produced by Sonic Reality, the 96kHz industry-standard, Ocean Way Drums Platinum HD includes 19 multichannel drum kits plus 7 additional kick drums packed into 80 gigabytes of super high-resolution 24-bit/96kHz samples pre-installed onto a special 7200 RPM hard drive. Also includes the Gold edition of Ocean Way Drums.The Producer/EngineersAllen Sides is the owner of Ocean Way and Record One studios in Los Angeles. In addition to being considered the recording industry’s leading microphone expert, he is a Grammy winning engineer/producer that has recorded over 500 albums, with stars in every genre. Artists include Alanis Morrisette, Green Day, Quincy Jones, Eric Clapton, Beck, Phil Collins, Aerosmith, Aretha Franklin, Foo Fighters, Sheryl Crow, Frank Sinatra, Faith Hill, Frank Zappa, Mary J Blige and Count Basie.Steven Miller is a pioneer in the field of digital audio. As a Grammy nominated producer/engineer/arranger, he helped build Windham Hill Records from a tiny audiophile label into a prestigious industry leader. In addition, he co-founded both the Hip Pocket/Windham Hill Jazz and RCA/Novus labels. Platinum artists he has worked with include Dave Matthews Band, Suzanne Vega, Backstreet Boys, Pink, George Winston, Switchfoot, Manhattan Transfer, Toad The Wet Sprocket and Paula Cole.Discrete Recording/Mixing TechniqueAudiophile gurus, Allen Sides and Steven Miller developed a unique, discrete multi microphone recording and mixing technique. Utilizing up to 13 separate mono and stereo sound sources per instrument (including 3 sets of stereo room mics), this technique captures the sound of each instrument with startling audiophile clarity and enables the end user to independently adjust each drum and cymbal within the kit from tight and dry, all the way to wide and ambient.MicrophonesMicrophones used for recording Ocean Way Drums were hand picked by Allen Sides from his personal collection.- Kick: AKG D112, Neumann U47 Fet- Snare Top: AKG C12A , Shure SM57 (custom)- Snare Bottom: Sony 55P- Hi Hat: Sony 55P- Toms: AKG C12A- Overheads: AKG C12- Rooms: Telefunken U47, Neumann M50, Telefunken Elam 251, Neumann KM 54Recording ConsoleAll audio was recorded through Studio B’s custom, one-of-a-kind console, considered to be the most astonishingly clear board in existence. Very little EQ or compression was used, but when it was, highly modified classic gear from Neve, API, Urei, and Fairchild was utilized.Natural Room AcousticsThe drums were placed in the rear right corner of historic Studio B, considered by most producers and engineers to be the “sweet spot” with the most low end punch.Because the wonderful acoustics, each instrument was able to be recorded at the optimal distance and angle and with the microphones that best captured the full frequency and dynamic range of that instrument.The multiple sets of stereo room mics picked up the room’s natural ambience at various distances from the d

ILIO Ocean Way Drums Platinum – Mac $1795 Produced and engineered by Allen Sides and Steven Miller, co-produced by Sonic Reality, the 96kHz industry-standard, Ocean Way Drums Platinum HD includes 19 multichannel drum kits plus 7 additional kick drums packed into 80 gigabytes of super high-resolution 24-bit/96kHz samples pre-installed onto a special 7200 RPM hard drive. Also includes the Gold edition of Ocean Way Drums.The Producer/EngineersAllen Sides is the owner of Ocean Way and Record One studios in Los Angeles. In addition to being considered the recording industry’s leading microphone expert, he is a Grammy winning engineer/producer that has recorded over 500 albums, with stars in every genre. Artists include Alanis Morrisette, Green Day, Quincy Jones, Eric Clapton, Beck, Phil Collins, Aerosmith, Aretha Franklin, Foo Fighters, Sheryl Crow, Frank Sinatra, Faith Hill, Frank Zappa, Mary J Blige and Count Basie.Steven Miller is a pioneer in the field of digital audio. As a Grammy nominated producer/engineer/arranger, he helped build Windham Hill Records from a tiny audiophile label into a prestigious industry leader. In addition, he co-founded both the Hip Pocket/Windham Hill Jazz and RCA/Novus labels. Platinum artists he has worked with include Dave Matthews Band, Suzanne Vega, Backstreet Boys, Pink, George Winston, Switchfoot, Manhattan Transfer, Toad The Wet Sprocket and Paula Cole.Discrete Recording/Mixing TechniqueAudiophile gurus, Allen Sides and Steven Miller developed a unique, discrete multi microphone recording and mixing technique. Utilizing up to 13 separate mono and stereo sound sources per instrument (including 3 sets of stereo room mics), this technique captures the sound of each instrument with startling audiophile clarity and enables the end user to independently adjust each drum and cymbal within the kit from tight and dry, all the way to wide and ambient.MicrophonesMicrophones used for recording Ocean Way Drums were hand picked by Allen Sides from his personal collection.- Kick: AKG D112, Neumann U47 Fet- Snare Top: AKG C12A , Shure SM57 (custom)- Snare Bottom: Sony 55P- Hi Hat: Sony 55P- Toms: AKG C12A- Overheads: AKG C12- Rooms: Telefunken U47, Neumann M50, Telefunken Elam 251, Neumann KM 54Recording ConsoleAll audio was recorded through Studio B’s custom, one-of-a-kind console, considered to be the most astonishingly clear board in existence. Very little EQ or compression was used, but when it was, highly modified classic gear from Neve, API, Urei, and Fairchild was utilized.Natural Room AcousticsThe drums were placed in the rear right corner of historic Studio B, considered by most producers and engineers to be the “sweet spot” with the most low end punch.Because the wonderful acoustics, each instrument was able to be recorded at the optimal distance and angle and with the microphones that best captured the full frequency and dynamic range of that instrument.The multiple sets of stereo room mics picked up the room’s natural ambience at various distances from the d

Ilio Ocean Way Drums Platinum – Mac $1795 Produced and engineered by Allen Sides and Steven Miller, co-produced by Sonic Reality, the 96kHz industry-standard, Ocean Way Drums Platinum HD includes 19 multichannel drum kits plus 7 additional kick drums packed into 80 gigabytes of super high-resolution 24-bit/96kHz samples pre-installed onto a special 7200 RPM hard drive. Also includes the Gold edition of Ocean Way Drums.The Producer/EngineersAllen Sides is the owner of Ocean Way and Record One studios in Los Angeles. In addition to being considered the recording industry’s leading microphone expert, he is a Grammy winning engineer/producer that has recorded over 500 albums, with stars in every genre. Artists include Alanis Morrisette, Green Day, Quincy Jones, Eric Clapton, Beck, Phil Collins, Aerosmith, Aretha Franklin, Foo Fighters, Sheryl Crow, Frank Sinatra, Faith Hill, Frank Zappa, Mary J Blige and Count Basie.Steven Miller is a pioneer in the field of digital audio. As a Grammy nominated producer/engineer/arranger, he helped build Windham Hill Records from a tiny audiophile label into a prestigious industry leader. In addition, he co-founded both the Hip Pocket/Windham Hill Jazz and RCA/Novus labels. Platinum artists he has worked with include Dave Matthews Band, Suzanne Vega, Backstreet Boys, Pink, George Winston, Switchfoot, Manhattan Transfer, Toad The Wet Sprocket and Paula Cole.Discrete Recording/Mixing TechniqueAudiophile gurus, Allen Sides and Steven Miller developed a unique, discrete multi microphone recording and mixing technique. Utilizing up to 13 separate mono and stereo sound sources per instrument (including 3 sets of stereo room mics), this technique captures the sound of each instrument with startling audiophile clarity and enables the end user to independently adjust each drum and cymbal within the kit from tight and dry, all the way to wide and ambient.MicrophonesMicrophones used for recording Ocean Way Drums were hand picked by Allen Sides from his personal collection.- Kick: AKG D112, Neumann U47 Fet- Snare Top: AKG C12A , Shure SM57 (custom)- Snare Bottom: Sony 55P- Hi Hat: Sony 55P- Toms: AKG C12A- Overheads: AKG C12- Rooms: Telefunken U47, Neumann M50, Telefunken Elam 251, Neumann KM 54Recording ConsoleAll audio was recorded through Studio B’s custom, one-of-a-kind console, considered to be the most astonishingly clear board in existence. Very little EQ or compression was used, but when it was, highly modified classic gear from Neve, API, Urei, and Fairchild was utilized.Natural Room AcousticsThe drums were placed in the rear right corner of historic Studio B, considered by most producers and engineers to be the “sweet spot” with the most low end punch.Because the wonderful acoustics, each instrument was able to be recorded at the optimal distance and angle and with the microphones that best captured the full frequency and dynamic range of that instrument.The multiple sets of stereo room mics picked up the room’s natural ambience at various distances from the d

Ilio Ocean Way Drums Platinum – Pc $1795 Produced and engineered by Allen Sides and Steven Miller, co-produced by Sonic Reality, the 96kHz industry-standard, Ocean Way Drums Platinum HD includes 19 multichannel drum kits plus 7 additional kick drums packed into 80 gigabytes of super high-resolution 24-bit/96kHz samples pre-installed onto a special 7200 RPM hard drive. Also includes the Gold edition of Ocean Way Drums.The Producer/EngineersAllen Sides is the owner of Ocean Way and Record One studios in Los Angeles. In addition to being considered the recording industry’s leading microphone expert, he is a Grammy winning engineer/producer that has recorded over 500 albums, with stars in every genre. Artists include Alanis Morrisette, Green Day, Quincy Jones, Eric Clapton, Beck, Phil Collins, Aerosmith, Aretha Franklin, Foo Fighters, Sheryl Crow, Frank Sinatra, Faith Hill, Frank Zappa, Mary J Blige and Count Basie.Steven Miller is a pioneer in the field of digital audio. As a Grammy nominated producer/engineer/arranger, he helped build Windham Hill Records from a tiny audiophile label into a prestigious industry leader. In addition, he co-founded both the Hip Pocket/Windham Hill Jazz and RCA/Novus labels. Platinum artists he has worked with include Dave Matthews Band, Suzanne Vega, Backstreet Boys, Pink, George Winston, Switchfoot, Manhattan Transfer, Toad The Wet Sprocket and Paula Cole.Discrete Recording/Mixing TechniqueAudiophile gurus, Allen Sides and Steven Miller developed a unique, discrete multi microphone recording and mixing technique. Utilizing up to 13 separate mono and stereo sound sources per instrument (including 3 sets of stereo room mics), this technique captures the sound of each instrument with startling audiophile clarity and enables the end user to independently adjust each drum and cymbal within the kit from tight and dry, all the way to wide and ambient.MicrophonesMicrophones used for recording Ocean Way Drums were hand picked by Allen Sides from his personal collection.- Kick: AKG D112, Neumann U47 Fet- Snare Top: AKG C12A , Shure SM57 (custom)- Snare Bottom: Sony 55P- Hi Hat: Sony 55P- Toms: AKG C12A- Overheads: AKG C12- Rooms: Telefunken U47, Neumann M50, Telefunken Elam 251, Neumann KM 54Recording ConsoleAll audio was recorded through Studio B’s custom, one-of-a-kind console, considered to be the most astonishingly clear board in existence. Very little EQ or compression was used, but when it was, highly modified classic gear from Neve, API, Urei, and Fairchild was utilized.Natural Room AcousticsThe drums were placed in the rear right corner of historic Studio B, considered by most producers and engineers to be the “sweet spot” with the most low end punch.Because the wonderful acoustics, each instrument was able to be recorded at the optimal distance and angle and with the microphones that best captured the full frequency and dynamic range of that instrument.The multiple sets of stereo room mics picked up the room’s natural ambience at various distances from the d

Roland V-Drums Accessory Kit $179.99 Rock out on your V-Drums drum set with this accessory package that includes a kick pedal, drum throne and drumsticks.

Shure Beta 56A Instrument Microphone $159 The Shure Beta 56A microphone has a frequency response specifically tailored for drums and instruments. Its extremely uniform supercardioid pickup pattern provides high gain-before-feedback and excellent rejection of unwanted noise.

Shure Pg48 6-Pack Mic Kit $219.99 The Shure PG48 Microphone Pack includes two Shure PG48 Dynamic Vocal Microphone 3-packs, six 20′ Lo-Z Microphone cables, and one 6-Space Microphone Bag. PG48 Dynamic Vocal Microphone Engineered to be easy to operate, the Shure PG48 mic lets you capture the imagination of your audience so you can get your message across. Just as artists, visionaries and social leaders across generations and around the world have done with Shure products for more than 75 years. The Shure PG48 microphone has a tailored frequency response that is smooth, extended and is tuned specifically for vocal applications The Cardioid polar pattern picks up the most sound from in front of the microphone and some sound from the sides and is less susceptible to feedback. The dynamic cartridge has a simple, rugged coil and handles extreme volume levels without distortion. Lo-Z Microphone cables This Lo-Z Microphone 20′ cable is durable, flexible, and black. It features XLR connectors – male plug on one end, female on the other. 6-Space Microphone Bag The 6-Space Microphone Bag is a fully padded nylon carrying case that securely holds 6 mics. Includes a zippered pouch that holds cables and other gear and has an adjustable shoulder strap. PG48 Dynamic Vocal Microphone Tailored frequency response is smooth and extended – tuned specifically for vocal applications Cardioid polar pattern picks up the most sound from in front of the microphone and some sound from the sides. Less susceptible to feedback in high volume settings Dynamic cartridge has a simple, rugged coil. Handles extreme volume levels without distortion Cartridge includes a neodymium magnet for high output level. Durable metal construction On/off switch for onstage control Steel mesh ball grille with integral “pop” filter reduces explosive breath sounds and wind noise

CB DRUMS PERCUSSION KIT WITH BACKPACK 8674 $344.85 CB Drums Percussion kit features a 32-note extended range bells Bell bars with stamped pitch letter names including enharmonic sharps/flats! Type: Drums and Percussion

Shure KSM141/SL Wired Microphone $399 Shure KSM141/SL Wired Microphone The Shure KSM141 is a dual-pattern microphone offering cardioid and omnidirectional polar patterns with the turn of a rotating mechanical switch. Other features include Shure’s Class A transformerless preamp circuitry for transparency; extremely fast transient response with minimal distortion; a highly sensitive 2.5-micron gold-layered mylar diaphragm; and a switchable, 3-position low-frequency filter to limit unwanted background noise and proximity effect. The KSM141 microphone can capture sounds between 20Hz and 20kHz. Switchable pad (15 or 25dB) permits miking of extremely high SPL sources such as guitar cabs and snare drums. Shure ncludes a break-resistant mic clip, carrying case, and Popper Stopper windscreen withthe KSM141 mic. Requires phantom power. Features: Switchable omni and cardioid patterns Class A transformerless preamp 2.5-micron gold-layered mylar diaphragm 3-position LF filter Switchable pad Includes mic clip, carrying case, and windscreen Get Your Shure KSM141/SL Wired Microphone Today!

Shure Beta 52 Dynamic Kick Drum Mic $189 The Shure Beta 52¨A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments.

Shure PGDMK6-XLR Wired Microphone $399 Shure PGDMK6-XLR Wired Microphone A complete drum mic package. The PGDMK6 drum mic kit includes three PG56 snare/tom microphones, one PG52 kick drum microphone, two PG81 instrument microphones, three A50D drum mounts, six 15ft. (4.5m) XLR-XLR cables and a durable carrying case. Get Your Shure PGDMK6-XLR Wired Microphone Today!

Shure KSM32/CG Wired Microphone $499 Shure KSM32/CG Wired Microphone The Shure KSM32 is a side-address, cardioid condenser microphone for highly critical studio recording and live sound productions. It offers an extended frequency response for an open, natural sounding reproduction of the original sound source. The KSM32/CG has a non-reflective, charcoal-gray finish for situations where less microphone visibility is preferred, such as live sound and stage production. It comes with the following accessories: ShureLockTM swivel mount Padded, zippered carrying bag Applications: Some typical applications for the KSM32 are listed below. Microphone use, however, is a matter of personal taste. The KSM32 may be used for a variety of applications other than those listed. Voice — solo, background, voice-over, broadcasting Acoustic instruments — such as piano, guitar, drums,percussion, strings Wind instruments — brass and woodwind Low frequency instruments — such as double bass,electric bass, kick drum Overhead miking — drums or percussion Ensembles — choral or orchestral Room ambiance pick-up — guitar amplifier or drums Both the acoustic environment and microphone placement have significant effects on the sound obtained when miking a source. You may need to experiment with these variables to achieve the best overall sound for each application. Get Your Shure KSM32/CG Wired Microphone Today!

Wave Machine Labs Dan’s House Vintage Drums Collection – Sample Library $95 The Dan’s House Vintage Drums collection features 10 classic snare drums, 4 rack toms, 5 floor toms, and 6 bass drums. The samples were recorded with top-shelf gear and carefully mixed to give you all the detail and impact heard live in the studio. This virtual instrument collection can be used with the Drumagog Drum Replacer Plug-in also from Wave Machine Labs.Drums used in this sample collection include Gretsch, Rogers, Slingerland, Radio King, Pearl, Yamaha, Leedy, Ludwig and Eames, dating from the ’20s through the ’80s, including a full 1967 Ludwig Club Date kit.Vintage Neve 1272 preamps and an Apogee PSX 100 analog-to-digital converter were used in the recording signal chain, so the GOG files are true-to-life samples of these great-sounding, hard to find drums!No processing was used on the samples – no eq, reverb, compression, or gating. What you hear is just the sound of the percussion instrument recorded with great gear, allowed to decay fully and naturally.Although these virtual drums are collector’s items, they don’t spend their lives on the shelf. They’re actively used at gigs and in the studio. (The ’67 Ludwig kit was just used for tracking some of Paul Simon’s stuff in 2003.) These are working instruments!The Sample ProcessEach drum sample was recorded with a dynamic mike at a distance of a few inches, a large diaphragm condenser mike at a distance of a few feet, and a pair of large diaphragm condenser mikes about 8′ from the drum, and 10′ apart to capture a stereo image. The two close-mike tracks were carefully phase-corrected, but the stereo track was left with a natural delay of about 3 ms to give a slight ambiance. The three sources were then balanced and mixed down to create the stereo samples in the collection. No processing was added in the signal chain.Each snare is represented with a total of 138 samples, covering a wide of range of sounds, from tight and muted to open and ringy, whisper quiet to hard rim shots, crossticks to brushes, and more.The snares were recorded with a close mike (Shure Beta 56), a mike at about 3′ above (Neumann TLM 193), and a stereo pair (Audio Technica AT4033) about 12′ apart, and 10′ from the drum.The toms were recorded as the snares were, with a close mike (Shure Beta 56), a mike at about 3′ above (Neumann TLM 193), and a stereo pair (AT 4033) about 12′ apart, and 10′ from the drum.The bass drums were recorded with the close mike (an AKG D112) just barely inside a hole in the head (or an inch or two from those heads with no holes), a mike about 3′ in front of the drum (Neumann TLM 193), and the stereo pair (AT 4033) on the drummer’s side of the drum to catch the snap of the beater on the drum head.

Shure Beta 98AMP/C 3PK Drum Mic 3 Pack $699 The Shure Beta 98AMP/C 3PK gives you three Beta 98AMP/C drum microphones for a cost-effective way to optimized coverage of your kit on the stage or the studio. The Beta 98AMP/C drum microphone combines an integrated preamplifier with a miniature cardioid capsule to provide a smooth, natural tailored response for drums and percussion. The Beta 98AMP/C has a wide dynamic range and has a sound pressure level (SPL) capability 7dB higher than other Beta 98 versions. Uniform cardioid polar pattern provides maximum gain-before-feedback and rejection of off-axis sound for smooth high-end response and control. The Beta 98AMP/C has a miniature design that lets it be positioned in spaces where a full sized mic won’t fit, and the included A75M universal microphone mount allows accurate and secure placement in any configuration. Includes a flexible gooseneck, snap-fit windscreen, and zippered carrying pouch.Premier live performance microphone with Shure quality, ruggedness, and reliabilityPrecision-engineered design features integrated preamplifier and XLR connectorUniform cardioid polar pattern provides maximum gain-before-feedback Superior rejection of off-axis soundFrequency response tailored for drums and percussion applicationsWide dynamic range for use in high SPL environmentsFlexible gooseneck for precise placement and easy adjustmentsShips with A75M Universal Microphone mountFurnished with snap-fit windscreen and zippered carrying pouchEnamel coated metal construction and stainless steel inner grille resist wear and abuse

Pyle-Pro PDKM7 7 Microphone Wired Drum Kit with Mounting Accesories $293.99 Pyle PDKM7 Audio Accessory Kit PDKM7 Miscellaneous Kits(*)…

GLS Audio 25ft Mic Cable Cords – XLR Male to XLR Female Colored Cables – 25′ Balanced Mike Cord – 6 PACK $69.95 6 PACK of Professional Series Noise Free Mic Cables. They have a thick, high quality, flexible rubber jacket. They are heavy duty Noise Free “True Balanced LO-Z” and have 3 pin XLR connectors on each end. These cables have dual insulated copper conductors plus they are shielded. They are hand wired & hand soldered and have high quality metal ends. They have a double strain relief on each end (inte…

Shure SM57 Microphone $79.99 Description:One of the most popular professional instrument/vocal microphones of all time. This dynamic mic is a reliable, natural-sounding performer, night after night. Its durable, bulletproof design stands up to road travel and abuse. Perfectly at home in the studio too. Its wide frequency response (40Hz-15kHz) and tight cardioid polar pattern are ideal for close-in miki…

Shure PGDMK4-XLR Drum Microphone Kit $311 An essential drum mic package, the affordable PGDMK4 drum microphone kit includes three PG56 snare/tom microphones, one PG52 kick drum microphone, three A50D drum mounts, four 15-foot XLR-XLR cables, and a durable carrying case. The compact PG56 mic is ideal for close miking, while the high-performance cardioid dynamic PG52 kick drum microphone is tuned to capture low-end punch.

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